Electronic and Digital Arts cluster
Title | Electronic and Digital Arts cluster |
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Latest research outputs
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"Open" forms and the computer.
Dack, J. 2004. "Open" forms and the computer. in: Barbanti, R. (ed.) Musiques, arts, technologie. Pour une Approche Critique. Collection: 'Musique-philosophie' Paris Harmattan. pp. 401-412Book chapter
(Re)claiming Aboriginal identity: Inuit animation from Cape Dorset to Quickdraw
Buchan, S. 2015. (Re)claiming Aboriginal identity: Inuit animation from Cape Dorset to Quickdraw. Society for Cinema and Media Studies Conference. Montreal, Canada 25 - 29 Mar 2015Conference paper
(Re)Claiming cultural identity: the NFB’s Eskimo Legends and Inuit Animation from Cape Dorset
Buchan, S. 2019. (Re)Claiming cultural identity: the NFB’s Eskimo Legends and Inuit Animation from Cape Dorset. in: Marchessault, J. and Straw, W. (ed.) The Oxford Handbook of Canadian Cinema New York Oxford University Press (OUP). pp. 83-104Book chapter
[Film stills from 'Feel my way' (1997) and 'The man with the beatiful eyes' (1999) in TYPEMOTION: Type as Image in Motion]
Hodgson, J. 2015. [Film stills from 'Feel my way' (1997) and 'The man with the beatiful eyes' (1999) in TYPEMOTION: Type as Image in Motion]. in: Scheffer, B., Stenzer, C., Weibel, P. and Zehle, S. (ed.) TYPEMOTION: Type as Image in Motion Centre fort Art and Media,Karlsruhe, Germany Hatje Cantz Verlag.Book chapter
A cinema of apprehension: a third entelechy of the vitalist machine
Buchan, S. 2013. A cinema of apprehension: a third entelechy of the vitalist machine. in: Buchan, S. (ed.) Pervasive Animation New York and London Routledge. pp. 143-171Book chapter
A curious chapter in the manual of animation: Stan VanDerBeek's animated spatial politics
Buchan, S. 2010. A curious chapter in the manual of animation: Stan VanDerBeek's animated spatial politics. Animation: an interdisciplinary journal. 5 (2), pp. 173-196. https://doi.org/10.1177/1746847710368325Article
A metaphysics of space: the Quay Brothers atmospheric cosmogonies
Buchan, S. 2011. A metaphysics of space: the Quay Brothers atmospheric cosmogonies. in: Weinthal, L. (ed.) Toward a New Interior: an Anthology of Interior Design Theory New York Princeton Architectural Press. pp. 527-545Book chapter
A sense of place: a sense of space
Dack, J. and Gibbs, T. 2008. A sense of place: a sense of space. in: Dogantan-Dack, M. (ed.) Recorded Music: Philosophical and Critical Reflections London Middlesex University Press.Book chapter
Abjection, the performative and creativity in the works of Suzan Pitt, Tabaimo and Miwa Matreyek
Buchan, S. 2015. Abjection, the performative and creativity in the works of Suzan Pitt, Tabaimo and Miwa Matreyek. 27th Annual International Society for Animation Studies Conference: Beyond the Frame. Canterbury, Kent, United Kingdom 13 - 16 Jul 2015Conference paper
Abstract and concrete.
Dack, J. 2002. Abstract and concrete. Journal of Electroacoustic Music. 14, pp. 2-7.Article
Acoulogie: an answer to Lévi-Strauss?
Dack, J. 2007. Acoulogie: an answer to Lévi-Strauss? in: EMS07 Online Proceedings EMS07 Online Proceedings.Book chapter
Alko.
Hodgson, J. 2009. Alko.Digital or visual media
Animated 'worlds'
Buchan, S. (ed.) 2006. Animated 'worlds'. John Libbey.Book
Animated chiaroscuro
Buchan, S. 2006. Animated chiaroscuro. in: Pugh, A. (ed.) 5th Norwich International Animation Festival Norwich International Animation Festival. pp. 56-59Book chapter
Animated Wonderworlds / Animierte Wunderwelten Exhibition
Buchan, S. and Janser, A. 2015. Animated Wonderworlds / Animierte Wunderwelten Exhibition. Museum für Gestaltung Zürich 04 Sep 2015 - 10 Jan 2016Show or exhibition
Animation, in theory
Buchan, S. 2014. Animation, in theory. in: Beckman, K. (ed.) Animating Film Theory Durham and London Duke University Press. pp. 111-127Book chapter
Animierte Wunderwelten / Animated Wonderworlds
Buchan, S., Janser, A., Emmerling, A. and Museum für Gestaltung Zürich Buchan, S. and Janser, A. (ed.) 2015. Animierte Wunderwelten / Animated Wonderworlds. Zürich, Switzerland Museum für Gestaltung Zürich.Book
At the limits of Schaeffer's TARTYP.
Dack, J. 2001. At the limits of Schaeffer's TARTYP.Digital or visual media
Benchmark.
Sandiland, N. 2006. Benchmark. ArtsDepot arts centre, North Finchley, London. https://doi.org/DVDOther
Black rice 1
Spinks, T., Nagle, P. and Kraft, R. 2016. Black rice 1. Iklectik artlab, London, UK 27 Sep 2016Public performance
Bowed lamps
Spinks, T. and Garrelfs, I. 2016. Bowed lamps. V22, Dartmouth Rd.,Forest Hill, LondonPerformance
Bruno Schulz's Generatio aequivoca: sites of (dis-)enchantment in the Quay Brothers' Street of Crocodiles
Buchan, S. 2011. Bruno Schulz's Generatio aequivoca: sites of (dis-)enchantment in the Quay Brothers' Street of Crocodiles. in: McAra, C. and Calvin, D. (ed.) Anti tales: the uses of disenchantment Newcastle upon Tyne Cambridge Scholars Publishing. pp. 84-97Book chapter
ByPasser [Commissioned by Dance Digital].
Sandiland, N. and Flexer, Y. 2010. ByPasser [Commissioned by Dance Digital].Show or exhibition
CD review: The British 'school' of acousmatic music
Dack, J. 2002. CD review: The British 'school' of acousmatic music. Computer Music Journal. 26 (3), pp. 91-94.Article
Die Herausforderung traditioneller Konzepte.
Dack, J. 2000. Die Herausforderung traditioneller Konzepte. MusikTexte. 84.Article
Die Quay Brothers oder: «Die Produktivität des Fehlers»
Buchan, S. 2013. Die Quay Brothers oder: «Die Produktivität des Fehlers». Montage AV. Zeitschrift fur Theorie und Geschichte audiovisueller Kommunikation. 22 (2), pp. 17-31.Article
Diffusion as performance.
Dack, J. 2001. Diffusion as performance. in: IIASSRC Conference Proceedings IIASSRC Conference Proceedings. pp. 81-88Book chapter
Doing.
Sandiland, N. and Flexer, Y. 2008. Doing. Swindon Dance Agency 07 - 08 Nov 2008Show or exhibition
Ear-training using the computer and PROGREMU Recueil des actes.
Dack, J. 2003. Ear-training using the computer and PROGREMU Recueil des actes. in: 10e Journées d’Informatique Musicale 10e Journées d’Informatique Musicale. pp. 1-10Book chapter
Electroacoustic music: analytical perspectives
Dack, J. 2004. Electroacoustic music: analytical perspectives. Organised Sound. 9 (1), pp. 115-117.Article
Everything looks beautiful in slow motion.
Sandiland, N. and Dance digital 2010. Everything looks beautiful in slow motion. Sadlers Well's Theatre (smaller format, non-window installation) 2006Show or exhibition
Feeling my way
Hodgson, J. 1997. Feeling my way.Digital or visual media
Feeling my way [in TYPE MOTION exhibition]
Hodgson, J. 1997. Feeling my way [in TYPE MOTION exhibition].Artefact
Foreword, afterword and translation of "Sound - Time - Space - Movement: The Space-Sound Installations of the artist couple Sabine Schäfer/Joachim Krebsâ
Nuhn, R. and Dack, J. 2004. Foreword, afterword and translation of "Sound - Time - Space - Movement: The Space-Sound Installations of the artist couple Sabine Schäfer/Joachim Krebsâ. Organised Sound. 8 (2), pp. 213-225.Article
Forschung im inneren des klangs
Dack, J. 2014. Forschung im inneren des klangs. Neue Zeitschrift für Musik.Other
Francis Dhomont in London.
Dack, J. 2000. Francis Dhomont in London. Electroacoustic Music and History Diffusion. May, pp. 2-3.Article
From sound to music: from recording to theory.
Dack, J. 2010. From sound to music: from recording to theory. in: Bayley, A. (ed.) Recorded music: performance, culture and technology Cambridge Cambridge University Press. pp. 271-290Book chapter
Ghosts in the machine: experiencing animation
Buchan, S. 2011. Ghosts in the machine: experiencing animation. in: Hilty, G. (ed.) Watch Me Move: The Animation Show London Merrell. pp. 28-38Book chapter
Gravity shift
Sandiland, N. 2010. Gravity shift. Otter Gallery, Chichester, UK 2009Show or exhibition
Guantanamo Bay: the hunger strikes - based on the personal statements of five detainees at Guantánamo prison camp
Hodgson, J. 2014. Guantanamo Bay: the hunger strikes - based on the personal statements of five detainees at Guantánamo prison camp. Art Journal. 73 (2), pp. 5-13. https://doi.org/10.1080/00043249.2014.949203Article
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