Electronic and Digital Arts cluster


TitleElectronic and Digital Arts cluster

Latest research outputs

Sort by Date Title
"Open" forms and the computer.
Dack, J. 2004. "Open" forms and the computer. in: Barbanti, R. (ed.) Musiques, arts, technologie. Pour une Approche Critique. Collection: 'Musique-philosophie' Paris Harmattan. pp. 401-412

Book chapter

(Re)claiming Aboriginal identity: Inuit animation from Cape Dorset to Quickdraw
Buchan, S. 2015. (Re)claiming Aboriginal identity: Inuit animation from Cape Dorset to Quickdraw. Society for Cinema and Media Studies Conference. Montreal, Canada 25 - 29 Mar 2015

Conference paper

(Re)Claiming cultural identity: the NFB’s Eskimo Legends and Inuit Animation from Cape Dorset
Buchan, S. 2019. (Re)Claiming cultural identity: the NFB’s Eskimo Legends and Inuit Animation from Cape Dorset. in: Marchessault, J. and Straw, W. (ed.) The Oxford Handbook of Canadian Cinema New York Oxford University Press (OUP). pp. 83-104

Book chapter

[Film stills from 'Feel my way' (1997) and 'The man with the beatiful eyes' (1999) in TYPEMOTION: Type as Image in Motion]
Hodgson, J. 2015. [Film stills from 'Feel my way' (1997) and 'The man with the beatiful eyes' (1999) in TYPEMOTION: Type as Image in Motion]. in: Scheffer, B., Stenzer, C., Weibel, P. and Zehle, S. (ed.) TYPEMOTION: Type as Image in Motion Centre fort Art and Media,Karlsruhe, Germany Hatje Cantz Verlag.

Book chapter

A cinema of apprehension: a third entelechy of the vitalist machine
Buchan, S. 2013. A cinema of apprehension: a third entelechy of the vitalist machine. in: Buchan, S. (ed.) Pervasive Animation New York and London Routledge. pp. 143-171

Book chapter

A curious chapter in the manual of animation: Stan VanDerBeek's animated spatial politics
Buchan, S. 2010. A curious chapter in the manual of animation: Stan VanDerBeek's animated spatial politics. Animation: an interdisciplinary journal. 5 (2), pp. 173-196. https://doi.org/10.1177/1746847710368325

Article

A metaphysics of space: the Quay Brothers atmospheric cosmogonies
Buchan, S. 2011. A metaphysics of space: the Quay Brothers atmospheric cosmogonies. in: Weinthal, L. (ed.) Toward a New Interior: an Anthology of Interior Design Theory New York Princeton Architectural Press. pp. 527-545

Book chapter

A sense of place: a sense of space
Dack, J. and Gibbs, T. 2008. A sense of place: a sense of space. in: Dogantan-Dack, M. (ed.) Recorded Music: Philosophical and Critical Reflections London Middlesex University Press.

Book chapter

Abjection, the performative and creativity in the works of Suzan Pitt, Tabaimo and Miwa Matreyek
Buchan, S. 2015. Abjection, the performative and creativity in the works of Suzan Pitt, Tabaimo and Miwa Matreyek. 27th Annual International Society for Animation Studies Conference: Beyond the Frame. Canterbury, Kent, United Kingdom 13 - 16 Jul 2015

Conference paper

Abstract and concrete.
Dack, J. 2002. Abstract and concrete. Journal of Electroacoustic Music. 14, pp. 2-7.

Article

Acoulogie: an answer to Lévi-Strauss?
Dack, J. 2007. Acoulogie: an answer to Lévi-Strauss? in: EMS07 Online Proceedings EMS07 Online Proceedings.

Book chapter

Alko.
Hodgson, J. 2009. Alko.

Digital or visual media

Animated 'worlds'
Buchan, S. (ed.) 2006. Animated 'worlds'. John Libbey.

Book

Animated chiaroscuro
Buchan, S. 2006. Animated chiaroscuro. in: Pugh, A. (ed.) 5th Norwich International Animation Festival Norwich International Animation Festival. pp. 56-59

Book chapter

Animated Wonderworlds / Animierte Wunderwelten Exhibition
Buchan, S. and Janser, A. 2015. Animated Wonderworlds / Animierte Wunderwelten Exhibition. Museum für Gestaltung Zürich 04 Sep 2015 - 10 Jan 2016

Show or exhibition

Animation, in theory
Buchan, S. 2014. Animation, in theory. in: Beckman, K. (ed.) Animating Film Theory Durham and London Duke University Press. pp. 111-127

Book chapter

Animierte Wunderwelten / Animated Wonderworlds
Buchan, S., Janser, A., Emmerling, A. and Museum für Gestaltung Zürich Buchan, S. and Janser, A. (ed.) 2015. Animierte Wunderwelten / Animated Wonderworlds. Zürich, Switzerland Museum für Gestaltung Zürich.

Book

At the limits of Schaeffer's TARTYP.
Dack, J. 2001. At the limits of Schaeffer's TARTYP.

Digital or visual media

Benchmark.
Sandiland, N. 2006. Benchmark. ArtsDepot arts centre, North Finchley, London. https://doi.org/DVD

Other

Black rice 1
Spinks, T., Nagle, P. and Kraft, R. 2016. Black rice 1. Iklectik artlab, London, UK 27 Sep 2016

Public performance

Bowed lamps
Spinks, T. and Garrelfs, I. 2016. Bowed lamps. V22, Dartmouth Rd.,Forest Hill, London

Performance

Bruno Schulz's Generatio aequivoca: sites of (dis-)enchantment in the Quay Brothers' Street of Crocodiles
Buchan, S. 2011. Bruno Schulz's Generatio aequivoca: sites of (dis-)enchantment in the Quay Brothers' Street of Crocodiles. in: McAra, C. and Calvin, D. (ed.) Anti tales: the uses of disenchantment Newcastle upon Tyne Cambridge Scholars Publishing. pp. 84-97

Book chapter

ByPasser [Commissioned by Dance Digital].
Sandiland, N. and Flexer, Y. 2010. ByPasser [Commissioned by Dance Digital].

Show or exhibition

CD review: The British 'school' of acousmatic music
Dack, J. 2002. CD review: The British 'school' of acousmatic music. Computer Music Journal. 26 (3), pp. 91-94.

Article

Die Herausforderung traditioneller Konzepte.
Dack, J. 2000. Die Herausforderung traditioneller Konzepte. MusikTexte. 84.

Article

Die Quay Brothers oder: «Die Produktivität des Fehlers»
Buchan, S. 2013. Die Quay Brothers oder: «Die Produktivität des Fehlers». Montage AV. Zeitschrift fur Theorie und Geschichte audiovisueller Kommunikation. 22 (2), pp. 17-31.

Article

Diffusion as performance.
Dack, J. 2001. Diffusion as performance. in: IIASSRC Conference Proceedings IIASSRC Conference Proceedings. pp. 81-88

Book chapter

Doing.
Sandiland, N. and Flexer, Y. 2008. Doing. Swindon Dance Agency 07 - 08 Nov 2008

Show or exhibition

Ear-training using the computer and PROGREMU Recueil des actes.
Dack, J. 2003. Ear-training using the computer and PROGREMU Recueil des actes. in: 10e Journées d’Informatique Musicale 10e Journées d’Informatique Musicale. pp. 1-10

Book chapter

Electroacoustic music: analytical perspectives
Dack, J. 2004. Electroacoustic music: analytical perspectives. Organised Sound. 9 (1), pp. 115-117.

Article

Everything looks beautiful in slow motion.
Sandiland, N. and Dance digital 2010. Everything looks beautiful in slow motion. Sadlers Well's Theatre (smaller format, non-window installation) 2006

Show or exhibition

Feeling my way
Hodgson, J. 1997. Feeling my way.

Digital or visual media

Feeling my way [in TYPE MOTION exhibition]
Hodgson, J. 1997. Feeling my way [in TYPE MOTION exhibition].

Artefact

Foreword, afterword and translation of "Sound - Time - Space - Movement: The Space-Sound Installations of the artist couple Sabine Schäfer/Joachim Krebsâ
Nuhn, R. and Dack, J. 2004. Foreword, afterword and translation of "Sound - Time - Space - Movement: The Space-Sound Installations of the artist couple Sabine Schäfer/Joachim Krebsâ. Organised Sound. 8 (2), pp. 213-225.

Article

Forschung im inneren des klangs
Dack, J. 2014. Forschung im inneren des klangs. Neue Zeitschrift für Musik.

Other

Francis Dhomont in London.
Dack, J. 2000. Francis Dhomont in London. Electroacoustic Music and History Diffusion. May, pp. 2-3.

Article

From sound to music: from recording to theory.
Dack, J. 2010. From sound to music: from recording to theory. in: Bayley, A. (ed.) Recorded music: performance, culture and technology Cambridge Cambridge University Press. pp. 271-290

Book chapter

Ghosts in the machine: experiencing animation
Buchan, S. 2011. Ghosts in the machine: experiencing animation. in: Hilty, G. (ed.) Watch Me Move: The Animation Show London Merrell. pp. 28-38

Book chapter

Gravity shift
Sandiland, N. 2010. Gravity shift. Otter Gallery, Chichester, UK 2009

Show or exhibition

Guantanamo Bay: the hunger strikes - based on the personal statements of five detainees at Guantánamo prison camp
Hodgson, J. 2014. Guantanamo Bay: the hunger strikes - based on the personal statements of five detainees at Guantánamo prison camp. Art Journal. 73 (2), pp. 5-13. https://doi.org/10.1080/00043249.2014.949203

Article

  • 0
    total views
  • 0
    total downloads
  • 0
    views this month
  • 0
    downloads this month