Centre for Research into Creation in the Performing Arts (ResCen)
| Title | Centre for Research into Creation in the Performing Arts (ResCen) |
|---|
Latest research outputs
Sort by Date Title
Here
Jeyasingh, S. 2017. Here. Sadlers Wells Theatre London 2017Performance
In Flagrante
Jeyasingh, S. 2014. In Flagrante.Digital or visual media
Intercultural Dialogic Exchange: ArtsCross & Shift of Balance 2014-2020
2016. Intercultural Dialogic Exchange: ArtsCross & Shift of Balance 2014-2020.Portfolio
Jordan Town.
Wallen, E. 2001. Jordan Town. C Underground, Edinburgh Festival Fringe 2001Performance
Key notes.
Layzell, R. 2009. Key notes. National Review of Live Art in Glasgow Feb 2008Performance
Korea Town (installation) + The Korean Wave (performance)
Layzell, R. 2017. Korea Town (installation) + The Korean Wave (performance). Wimbledon Space Gallery London 19 Jan - 10 Feb 2017Show or exhibition
Library dances [performed in Cyprus].
Lee, R. 2009. Library dances [performed in Cyprus]. Cyprus LimassolPerformance
Linked: M11 Link Road, London.
Miller, G. 2003. Linked: M11 Link Road, London. M11 Link Road, London.Show or exhibition
Lonesome Way.
Miller, G. 2003. Lonesome Way. Pearl, London 2003; San Antonio, Texas 2004; Gimpel Fils, London 2006.Show or exhibition
Mapping dance provision: Confidential Report for Department of Culture, Media and Sport (DCMS).
Bannerman, C. and Department of Culture, Media and Sport 2006. Mapping dance provision: Confidential Report for Department of Culture, Media and Sport (DCMS). Department of Culture, Media and Sport.Project report
Material men redux
Jeyasingh, S. 2017. Material men redux. Nottingham Lakeside Arts 07 Feb 2017Performance
Moth theatre
Miller, G. 2010. Moth theatre. Suffolk UK Jul 2010Show or exhibition
Music and symbolic creativity
Jones, S. 1990. Music and symbolic creativity. in: Willis, P. (ed.) Common Culture: Symbolic Work at Play in the Everyday Cultures of Young People Buckingham Oxford University Press (OUP). pp. 59-83Book chapter
Navigating the unknown: the creative process in contemporary performing arts
Bannerman, C., Sofaer, J. and Watt, J. 2006. Navigating the unknown: the creative process in contemporary performing arts. Hendon, London Middlesex University Press / ResCen Publications.Book
On air
Miller, G. 2012. On air. London, UK 28 Jul - 05 Aug 2012Show or exhibition
On curation: the development of Danscross and walking with Zhuangzi, ResCen Website, ResCen Research Centre
Bannerman, C. 2013. On curation: the development of Danscross and walking with Zhuangzi, ResCen Website, ResCen Research Centre. ResCen Website.Article
On taking care: symposium
Lee, R. and ResCen 2012. On taking care: symposium. On taking care. London, UK 01 Dec 2012Conference item
One mile squared: the river flows in many directions at the same time.
Layzell, R. 2009. One mile squared: the river flows in many directions at the same time. Xuhui District, Shanghai Museum of Contemporary Art, Xin Dai Wei Dec 2009Show or exhibition
Our English Heart: cantata for soprano solo, male chorus and orchestra.
Wallen, E. 2005. Our English Heart: cantata for soprano solo, male chorus and orchestra. Portsmouth Cathedral; live broadcast, BBC Radio 3Performance
Outlander
Jeyasingh, S. 2016. Outlander. Fondazione Giorgio Cini Venice 18 Jun 2016Performance
Passage.
Lee, R. 2001. Passage. ResCen publications.Other
Prefigurative performance in American and African AIDS activism
Johansson, O. 2018. Prefigurative performance in American and African AIDS activism. in: Campbell, A. and Gindt, D. (ed.) Viral Dramaturgies: HIV and AIDS in Performance in the Twenty-First Century Palgrave Macmillan. pp. 255-278Book chapter
Prefigurative performance in the age of political deception
Johansson, O. 2017. Prefigurative performance in the age of political deception. The Drama Review. 61 (1), pp. 81-98. https://doi.org/10.1162/DRAM_a_00624Article
Principia
Wallen, E. 2012. Principia.Composition
Private dancer
Parker, J. and Layzell, R. 2009. Private dancer. Glasgow, Scotland Sep 2009Performance
Proximity, wisdom and creativity.
Bannerman, C. 2008. Proximity, wisdom and creativity. in: Craft, A., Gardner, H. and Claxton, G. (ed.) Creativity, wisdom and trusteeship: exploring the role of education California Corwin Press. pp. 23-37Book chapter
Reconsidering the validation, efficacy and title of applied theatre
Johansson, O. 2015. Reconsidering the validation, efficacy and title of applied theatre. Theatre and Performance Research Association (TaPRA) Conference 2015. Worcester, UK 08 - 10 Sep 2015 pp. 1-8Conference paper
Remote dancing
Sandiland, N. and Lee, R. 2004. Remote dancing.Digital or visual media
Requiem for the redhead.
Miller, G., Artsadmin and DVDance 2009. Requiem for the redhead. Artsadmin.Composition
rescen.net
Bannerman, C. 2007. rescen.net.Design
Robert Cohan teaching: body of knowledge
Bannerman, C. and Donnelly, A. 2013. Robert Cohan teaching: body of knowledge.Design
Sharing the process: a consideration of interauthorship in the performing arts
Boddington, G. and Bannerman, C. 2003. Sharing the process: a consideration of interauthorship in the performing arts. Digital Creativity. 15 (2), pp. 76-80. https://doi.org/10.1080/14626260408520168Article
skintouchfeel as part of 'Technology Is Not Neutral" exhibition
Boddington, G. 2016. skintouchfeel as part of 'Technology Is Not Neutral" exhibition.Artefact
Snow.
Lee, R. and Hinton, D. 2003. Snow.Digital or visual media
Softly Softly
Layzell, R. 2015. Softly Softly. Gulbenkian Arts Centre Canterbury Aug 2015Show or exhibition
Spirit in motion
Wallen, E. 2012. Spirit in motion.Composition
Square dances (and Melt down)
Lee, R. 2011. Square dances (and Melt down). London, UK Oct 2011Performance
Suit the action to the word.
Layzell, R. 2008. Suit the action to the word. Courtyard Arts Centre Hertford, Firstsite ColchesterPerformance
T. J. Bacon reflects on CHTHONIC
Bacon, T. 2020. T. J. Bacon reflects on CHTHONIC. in: Guttenplan, Z. (ed.) Emergency index: an annual document of performance practice New York, US Ugly Duckling Presse.Book chapter
The democrativity of applied theatre and performance art
Johansson, O. 2015. The democrativity of applied theatre and performance art. IFTR (International Federation for Theatre Research). Hyderabad, India 05 - 10 Jul 2015 pp. 1-9Conference paper
0
total views0
total downloads0
views this month0
downloads this month