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Latest research outputs
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A cautionary note or two, amid the pleasures and pains of participation in performance-making as research.
Melrose, S. 2011. A cautionary note or two, amid the pleasures and pains of participation in performance-making as research. Participatory Research & Learning in the Performing Arts. Centre for Creative Collaboration London 06 May 2011Conference keynote
After Kaprow: The silent room; and, Book of journeys
Butcher, R. 2012. After Kaprow: The silent room; and, Book of journeys. The Place, London 15 - 17 Nov 2012Performance
Allan Kaprow's 18 happening in 6 parts
Butcher, R. 2010. Allan Kaprow's 18 happening in 6 parts. London, UK 26 - 28 Nov 2010Performance
Animating architecture: foliage chorus.
Jeyasingh, S. and Watt, J. 2005. Animating architecture: foliage chorus.Digital or visual media
ArtsCross Beijing 2012: light and water
Bannerman, C., Beijing Dance Academy (BDA), ResCen Research Centre, Middlesex University (ResCen) and School of Dance, Taipei National University of the Arts (TNUA) 2012. ArtsCross Beijing 2012: light and water. Beijing, China 2012Performance
A semiotics of the dramatic text
Melrose, S. 1994. A semiotics of the dramatic text. Basingstoke Macmillan.Book
Ausdruckstanz
Kolb, A. 2016. Ausdruckstanz. in: Woitas, M. and Hartmann, A. (ed.) Das große Tanzlexikon: Personen - Werke - Tanzkulturen - Epochen Laaber. pp. 33-36Book chapter
Before the posthuman can take [its] place: performing place and person in the early 21st century
Melrose, S. 2002. Before the posthuman can take [its] place: performing place and person in the early 21st century. Performance Arts International e-journal.Article
Between
Woodhouse, A. and Broadhead, C. 2011. Between. Trinity Laban Bonnie Bird stage 24 Jan 2011Show or exhibition
Between (2011): Intimacy and spectacle in tension ans dialogue
Woodhouse, A. and Broadhead, C. 2018. Between (2011): Intimacy and spectacle in tension ans dialogue. in: Brown, C. and Longely, A. (ed.) Undisciplining Dance in Nine Movements and Eight Stumbles Auckland Cambridge Scholars Publishing. pp. 138-150Book chapter
Between stage and literature: romantic ballet’s narrative strategies.
Bernkopf, A. 2011. Between stage and literature: romantic ballet’s narrative strategies. Working with stories: Narrative as a Meeting Place for Theory Analysis and Practice.Article
Bodies without bodies
Melrose, S. 2006. Bodies without bodies. in: Broadhurst, S. and Machon, J. (ed.) Performance and Technology: Practices of Virtual Embodiment and Interactivity Basingstoke Palgrave Macmillan. pp. 1-12Book chapter
Bodyscreening
Nichol, C. 2018. Bodyscreening. PhD thesis Middlesex UniversityPhD thesis
Border identities
Akinleye, A. 2018. Border identities. People Dancing.Magazine
Breathbone
Midgelow, V. and Bacon, J. 2019. Breathbone. Nottingham 09 - 13 Oct 2019Performance
Bruise blood.
Jeyasingh, S. 2009. Bruise blood. London, UK 21 - 22 Oct 2009Performance
Cinderella, the beauty myth and a feminist conundrum
Bernkopf, A. 2019. Cinderella, the beauty myth and a feminist conundrum. in: Weedon, A. and Darwood, N. (ed.) Storytelling: Cultural and Creative Transformations of Cinderella Wayne State University Press.Book chapter
Classic cut
Jeyasingh, S. 2012. Classic cut.Performance
Close Distance
Woodhouse, A., Broadhead, C. and Sandiland, N. 2017. Close Distance. Wollaton Hall, Nottinghamshire 08 Mar - 01 May 2017Show or exhibition
Closer to the body: reflections on skript and extracts from collected writings
Bacon, J. and Midgelow, V. 2014. Closer to the body: reflections on skript and extracts from collected writings. Choreographic Practices. 5 (1), pp. 73-94. https://doi.org/10.1386/chor.5.1.73_1Article
Collaboration, democracy and the total artwork
Kolb, A. 2015. Collaboration, democracy and the total artwork. in: Colin, N. and Sachsenmaier, S. (ed.) Collaboration in Performance Practice: Premises, Workings and Failures London Palgrave Macmillan. pp. 51-74Book chapter
Collaborative ethics in practice-as-research
Bannerman, C. and McLaughlin, C. 2009. Collaborative ethics in practice-as-research. in: Fuschini, L., Jones, S., Kershaw, B. and Piccini, A. (ed.) Practice-as research In performance and screen Basingstoke Palgrave Macmillan.Book chapter
Constitutive ambiguities: writing professional or expert performance practices, and the Theatre du Soleil, Paris
Melrose, S. 2006. Constitutive ambiguities: writing professional or expert performance practices, and the Theatre du Soleil, Paris. in: Kelleher, J. and Ridout, N. (ed.) Contemporary theatres in Europe Routledge. pp. 120-135Book chapter
Counterpoint
Jeyasingh, S. 2010. Counterpoint.Performance
Court
Broadhead, C. and Woodhouse, A. 2003. Court. Court toured to 13 venues across the UK including: Angel Row Gallery, Nottingham 13-18 January, 2005; Yorkshire Sculpture Park 16-20 November 2005; Sadlers Wells Theatre, London 16,17,18 November 2006. 26 Jun 2003Show or exhibition
Creative articulations process: a rhizomatic practice
Bacon, J. and Midgelow, V. 2014. Creative articulations process: a rhizomatic practice. Intellect.Portfolio
Creative Articulations Process (CAP)
Bacon, J. and Midgelow, V. 2014. Creative Articulations Process (CAP). Choreographic Practices. 5 (1), pp. 7-31. https://doi.org/10.1386/chor.5.1.7_1Article
Creative choice – on whose authority
Main, L. 2013. Creative choice – on whose authority. Choreographic Practices. 4 (1), pp. 60-74. https://doi.org/10.1386/chor.4.1.59_1Article
Curation, and direction of ArtsCross (a large scale international exchange project)
Bannerman, C. Curation, and direction of ArtsCross (a large scale international exchange project). ResCen, the Centre for Research into Creation in the Performing Arts.Other
Curation and direction of DansCross (a large international collaborative dance project)
Bannerman, C. Curation and direction of DansCross (a large international collaborative dance project). ResCen, the Centre for Research into Creation in the Performing Arts.Other
Dance and politics in China: interculturalism, hybridity, and the ArtsCross project
Kolb, A. 2017. Dance and politics in China: interculturalism, hybridity, and the ArtsCross project. in: Kowal, R., Siegmund, G. and Martin, R. (ed.) The Oxford Handbook of Dance and Politics Oxford University Press (OUP). pp. 347-370Book chapter
Dance Well evaluation report 2016-2019
Farmer, C. 2019. Dance Well evaluation report 2016-2019. London, UK Akademi South Asian Dance UK.Report
Dancing narratives: an analytical approach to the narrative of the ballet fantastique
Bernkopf, A. 2008. Dancing narratives: an analytical approach to the narrative of the ballet fantastique. Dance Today: the Dance Magazine of Israel. 14.Article
Dancing the digital age: a survey of the new technologies in the choreographic process
Preciado-Azanza, G. and Akinleye, A. 2020. Dancing the digital age: a survey of the new technologies in the choreographic process. Journal of Genius and Eminence. 5 (2), pp. 37-52. https://doi.org/10.18536/jge.2020.01.04Article
Dancing the everyday: some very ordinary and private experiences
Kolb, A. 2015. Dancing the everyday: some very ordinary and private experiences. International Federation of Theatre Research (IFTR) Annual Conference 2015. Hyderabad, India 05 - 10 Jul 2015Conference paper
Dancing the in-between-ness: (re)articulating Bartenieff Fundamentals through improvised dance performance-making
Kindred, H. 2022. Dancing the in-between-ness: (re)articulating Bartenieff Fundamentals through improvised dance performance-making. PhD thesis Middlesex UniversityPhD thesis
Danscross: dancing in a shaking world
Bannerman, C., Xu, R. and Beijing Dance Academy 2009. Danscross: dancing in a shaking world. Poly Theatre Beijing 07 - 08 Nov 2009Performance
Danscross: dancing in a shaking world. The Danscross papers, Beijing 2009
Wang, C., Bannerman, C., Xu, R., Pan, L., Mu, Y., Jin, H., Tong, Y., Qing, Q., Liu, C., Zhang, P., Claid, E., Hutera, D., O'Shea, J., Rae, P., Mezur, K., Inata, N., Wang, M., Liu, Y., Wang, Z., Wang, Y., Zhao, Z., Guo, T., Jiang, Q., Liu, J. and Beijing Dance Academy 2011. Danscross: dancing in a shaking world. The Danscross papers, Beijing 2009. Journal of Beijing Dance Academy.Article
Decentring bodies: postfeminist corporealities in dance
Midgelow, V. 2006. Decentring bodies: postfeminist corporealities in dance. in: Haas, B. (ed.) Der Postfeministische Diskurs Wurzburg, Germany Konigshausen & Neumann.Book chapter
(de)figured in Dubai installations
Woodhouse, A. and Rackowe, N. 2019. (de)figured in Dubai installations. Alserkal Lates.Artefact
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