Dance group


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Creative choice – on whose authority
Main, L. 2013. Creative choice – on whose authority. Choreographic Practices. 4 (1), pp. 60-74. https://doi.org/10.1386/chor.4.1.59_1

Article

Curation and direction of DansCross (a large international collaborative dance project)
Bannerman, C. Curation and direction of DansCross (a large international collaborative dance project). ResCen, the Centre for Research into Creation in the Performing Arts.

Other

Curation, and direction of ArtsCross (a large scale international exchange project)
Bannerman, C. Curation, and direction of ArtsCross (a large scale international exchange project). ResCen, the Centre for Research into Creation in the Performing Arts.

Other

Dance and politics in China: interculturalism, hybridity, and the ArtsCross project
Kolb, A. 2017. Dance and politics in China: interculturalism, hybridity, and the ArtsCross project. in: Kowal, R., Siegmund, G. and Martin, R. (ed.) The Oxford Handbook of Dance and Politics Oxford University Press (OUP). pp. 347-370

Book chapter

Dance Well evaluation report
Farmer, C. 2019. Dance Well evaluation report. London, UK Akademi South Asian Dance UK.

Report

Dancing narratives: an analytical approach to the narrative of the ballet fantastique
Bernkopf, A. 2008. Dancing narratives: an analytical approach to the narrative of the ballet fantastique. Dance Today: the Dance Magazine of Israel. 14.

Article

Dancing the digital age: a survey of the new technologies in the choreographic process
Preciado-Azanza, G. and Akinleye, A. 2020. Dancing the digital age: a survey of the new technologies in the choreographic process. Journal of Genius and Eminence. 5 (2), pp. 37-52. https://doi.org/10.18536/jge.2020.01.04

Article

Dancing the everyday: some very ordinary and private experiences
Kolb, A. 2015. Dancing the everyday: some very ordinary and private experiences. Theatre and Democracy (IFTR conference).

Conference paper

Dancing the in-between-ness: (re)articulating Bartenieff Fundamentals through improvised dance performance-making
Kindred, H. 2022. Dancing the in-between-ness: (re)articulating Bartenieff Fundamentals through improvised dance performance-making. PhD thesis Middlesex University Arts and Creative Industries

PhD thesis

Danscross: dancing in a shaking world
Bannerman, C., Xu, R. and Beijing Dance Academy 2009. Danscross: dancing in a shaking world. Poly Theatre Beijing 07 - 08 Nov 2009

Performance

Danscross: dancing in a shaking world. The Danscross papers, Beijing 2009
Wang, C., Bannerman, C., Xu, R., Pan, L., Mu, Y., Jin, H., Tong, Y., Qing, Q., Liu, C., Zhang, P., Claid, E., Hutera, D., O'Shea, J., Rae, P., Mezur, K., Inata, N., Wang, M., Liu, Y., Wang, Z., Wang, Y., Zhao, Z., Guo, T., Jiang, Q., Liu, J. and Beijing Dance Academy 2011. Danscross: dancing in a shaking world. The Danscross papers, Beijing 2009. Journal of Beijing Dance Academy.

Article

Decentring bodies: postfeminist corporealities in dance
Midgelow, V. 2006. Decentring bodies: postfeminist corporealities in dance. in: Haas, B. (ed.) Der Postfeministische Diskurs Wurzburg, Germany Konigshausen & Neumann.

Book chapter

Detritus.
Jeyasingh, S., ResCen and Beijing Dance Academy 2009. Detritus. Poly Theatre, Beijing, China 06 - 07 Nov 2009

Performance

Disappearing Acts
Sandiland, N. and Flexer, Y. 2016. Disappearing Acts. JW3 Arts Centre, London 09 May 2016

Performance

Dramaturgy of desire: an analytical approach to dance narratives
Bernkopf, A. 2006. Dramaturgy of desire: an analytical approach to dance narratives. Choreologica. 2 (1), pp. 41-60.

Article

Eidolon 1 & 2
Brandstrup, K. 2010. Eidolon 1 & 2. Copenhagen, Denmark May 2010

Performance

espacement
Kindred, H. 2019. espacement.

Digital or visual media

Everywhere and nowhere: improvisation as an un/rans/disciplinary practice a performance lecture
Midgelow, V. 2015. Everywhere and nowhere: improvisation as an un/rans/disciplinary practice a performance lecture. Leeds University, Leeds 21 - 22 May 2015

Performance

Exit no exit.
Jeyasingh, S. 2006. Exit no exit.

Performance

Expanded Landscapes
Woodhouse, A. 2022. Expanded Landscapes. Canary Wharf Estate 10 Jun - 06 Sep 2022

Public installation

Expert-intuitive processing and the logics of production: struggles in (the wording of) creative decision: making in dance
Melrose, S. 2009. Expert-intuitive processing and the logics of production: struggles in (the wording of) creative decision: making in dance. in: Butterworth, J. and Wildschut, L. (ed.) Contemporary choreography: a critical reader London and New York Routledge. pp. 23

Book chapter

Expert-performance-practitioner-centred modes of knowledge and models of intelligibility: disciplinary specificity and the digital submission
Melrose, S. 2012. Expert-performance-practitioner-centred modes of knowledge and models of intelligibility: disciplinary specificity and the digital submission. in: Andrews, R., Borg, E., Boyd Davis, S., Domingo, M. and England, J. (ed.) The Sage handbook of digital dissertations and theses London SAGE Publications. pp. 298-314

Book chapter

Faultline.
Jeyasingh, S. 2007. Faultline.

Performance

Frequency of upper body muscular actions in ballet and contemporary dance performance
Farmer, C. and Brouner, J. 2022. Frequency of upper body muscular actions in ballet and contemporary dance performance. International Association for Dance Medicine and Science (IADMS) 32nd Annual Conference. Limerick, Ireland 28 - 31 Oct 2022 IADMS.

Conference item

Goldberg - the Brandstrup-Rojo project
Brandstrup, K. 2009. Goldberg - the Brandstrup-Rojo project. London, UK 21 Sep 2009

Performance

Hamlet
Brandstrup, K. 2003. Hamlet.

Performance

Hexentanz
Kolb, A. 2016. Hexentanz. in: Hartmann, A. and Woitas, M. (ed.) Das große Tanzlexikon: Personen - Werke - Tanzkulturen - Epochen Laaber. pp. 272-273

Book chapter

Home (a replacing)
Midgelow, V. and Williams, T. 2014. Home (a replacing).

Digital or visual media

Humphrey, Doris (1895-1958)
Main, L. 2018. Humphrey, Doris (1895-1958). in: Ross, S. (ed.) The Routledge Encyclopedia of Modernism Routledge.

Book chapter

I will take you with me (2013) presented at Slowing and Stilling symposium, Birmingham Conservatoire, as part of Birmingham International Festival 2018
Woodhouse, A. 2018. I will take you with me (2013) presented at Slowing and Stilling symposium, Birmingham Conservatoire, as part of Birmingham International Festival 2018. Slowing and Stilling: foregrounding process in performance practices. Birmingham Conservatoire 11 - 12 Jun 2018

Conference item

Impact of choreographic approach on health and performance aesthetics in a company of mature dancers
Laws, H., Farmer, C., Eldon, S. and Maliphant, R. 2022. Impact of choreographic approach on health and performance aesthetics in a company of mature dancers. International Association for Dance Medicine and Science (IADMS) 32nd Annual Conference. Limerick, Ireland 28 - 31 Oct 2022 IADMS.

Conference item

Improvisation practices and dramaturgical consciousness: a workshop
Midgelow, V. 2015. Improvisation practices and dramaturgical consciousness: a workshop. in: Callison, D. and Hansen, P. (ed.) Dance Dramaturgy: Modes of Agency, Awareness and Engagement USA Palgrave Macmillan. pp. 106-123

Book chapter

Improvisation practices and dramaturgical consciousness: a workshop
Midgelow, V. 2015. Improvisation practices and dramaturgical consciousness: a workshop. in: Callison, D. and Hansen, P. (ed.) Dance Dramaturgy: Modes of Agency, Awareness and Engagement USA Palgrave Macmillan. pp. 106-123

Book chapter

In-the-between-ness: decolonising and re-inhabiting our dancing
Kindred, H. and Akinleye, A. 2018. In-the-between-ness: decolonising and re-inhabiting our dancing. in: Akinleye, A. (ed.) Narratives in Black British Dance: Embodied Practices Palgrave Macmillan. pp. 65-78

Book chapter

Invitus invitam
Brandstrup, K. 2010. Invitus invitam. London, UK Oct 2010

Performance

Jenn Joy, The Choreographic [Book Review]
Kolb, A. 2016. Jenn Joy, The Choreographic [Book Review]. Dance Research. 34 (2), pp. 243-244. https://doi.org/10.3366/drs.2016.0161

Article

Just add water?
Jeyasingh, S. and Gough, O. 2009. Just add water? Linbury Theatre, Royal Opera House, London 01 - 05 May 2009

Performance

Just in time: ‘momentary’ events in the making of Rosemary Butcher’s signature practices
Melrose, S., Sachsenmaier, S. and Butcher, R. 2013. Just in time: ‘momentary’ events in the making of Rosemary Butcher’s signature practices. Performance Studies International Conference (PSi 19). Stanford, CA, United States 26 - 30 Jun 2013

Conference paper

Just intuitive.
Melrose, S. 2005. Just intuitive. The impossibility of representation?. AHRC Research Centre for Cross-Cultural Music and Dance Performance, School of Oriental and African Studies, University of London

Conference keynote

Kim Brandstrup website
Brandstrup, K. 2007. Kim Brandstrup website. AHRC Fellowship.

Other

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