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Latest research outputs
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Creative choice – on whose authority
Main, L. 2013. Creative choice – on whose authority. Choreographic Practices. 4 (1), pp. 60-74. https://doi.org/10.1386/chor.4.1.59_1Article
Curation and direction of DansCross (a large international collaborative dance project)
Bannerman, C. Curation and direction of DansCross (a large international collaborative dance project). ResCen, the Centre for Research into Creation in the Performing Arts.Other
Curation, and direction of ArtsCross (a large scale international exchange project)
Bannerman, C. Curation, and direction of ArtsCross (a large scale international exchange project). ResCen, the Centre for Research into Creation in the Performing Arts.Other
Dance and politics in China: interculturalism, hybridity, and the ArtsCross project
Kolb, A. 2017. Dance and politics in China: interculturalism, hybridity, and the ArtsCross project. in: Kowal, R., Siegmund, G. and Martin, R. (ed.) The Oxford Handbook of Dance and Politics Oxford University Press (OUP). pp. 347-370Book chapter
Dance Well evaluation report 2016-2019
Farmer, C. 2019. Dance Well evaluation report 2016-2019. London, UK Akademi South Asian Dance UK.Report
Dancing narratives: an analytical approach to the narrative of the ballet fantastique
Bernkopf, A. 2008. Dancing narratives: an analytical approach to the narrative of the ballet fantastique. Dance Today: the Dance Magazine of Israel. 14.Article
Dancing the digital age: a survey of the new technologies in the choreographic process
Preciado-Azanza, G. and Akinleye, A. 2020. Dancing the digital age: a survey of the new technologies in the choreographic process. Journal of Genius and Eminence. 5 (2), pp. 37-52. https://doi.org/10.18536/jge.2020.01.04Article
Dancing the everyday: some very ordinary and private experiences
Kolb, A. 2015. Dancing the everyday: some very ordinary and private experiences. International Federation of Theatre Research (IFTR) Annual Conference 2015. Hyderabad, India 05 - 10 Jul 2015Conference paper
Dancing the in-between-ness: (re)articulating Bartenieff Fundamentals through improvised dance performance-making
Kindred, H. 2022. Dancing the in-between-ness: (re)articulating Bartenieff Fundamentals through improvised dance performance-making. PhD thesis Middlesex UniversityPhD thesis
Danscross: dancing in a shaking world
Bannerman, C., Xu, R. and Beijing Dance Academy 2009. Danscross: dancing in a shaking world. Poly Theatre Beijing 07 - 08 Nov 2009Performance
Danscross: dancing in a shaking world. The Danscross papers, Beijing 2009
Wang, C., Bannerman, C., Xu, R., Pan, L., Mu, Y., Jin, H., Tong, Y., Qing, Q., Liu, C., Zhang, P., Claid, E., Hutera, D., O'Shea, J., Rae, P., Mezur, K., Inata, N., Wang, M., Liu, Y., Wang, Z., Wang, Y., Zhao, Z., Guo, T., Jiang, Q., Liu, J. and Beijing Dance Academy 2011. Danscross: dancing in a shaking world. The Danscross papers, Beijing 2009. Journal of Beijing Dance Academy.Article
Decentring bodies: postfeminist corporealities in dance
Midgelow, V. 2006. Decentring bodies: postfeminist corporealities in dance. in: Haas, B. (ed.) Der Postfeministische Diskurs Wurzburg, Germany Konigshausen & Neumann.Book chapter
Detritus.
Jeyasingh, S., ResCen and Beijing Dance Academy 2009. Detritus. Poly Theatre, Beijing, China 06 - 07 Nov 2009Performance
Disappearing Acts
Sandiland, N. and Flexer, Y. 2016. Disappearing Acts. JW3 Arts Centre, London 09 May 2016Performance
Dramaturgy of desire: an analytical approach to dance narratives
Bernkopf, A. 2006. Dramaturgy of desire: an analytical approach to dance narratives. Choreologica. 2 (1), pp. 41-60.Article
Eidolon 1 & 2
Brandstrup, K. 2010. Eidolon 1 & 2. Copenhagen, Denmark May 2010Performance
espacement
Kindred, H. 2019. espacement.Digital or visual media
Everywhere and nowhere: improvisation as an un/rans/disciplinary practice a performance lecture
Midgelow, V. 2015. Everywhere and nowhere: improvisation as an un/rans/disciplinary practice a performance lecture. Leeds University, Leeds 21 - 22 May 2015Performance
Exit no exit.
Jeyasingh, S. 2006. Exit no exit.Performance
Expanded Landscapes
Woodhouse, A. 2022. Expanded Landscapes. Canary Wharf Estate 10 Jun - 06 Sep 2022Public installation
Expert-intuitive processing and the logics of production: struggles in (the wording of) creative decision: making in dance
Melrose, S. 2009. Expert-intuitive processing and the logics of production: struggles in (the wording of) creative decision: making in dance. in: Butterworth, J. and Wildschut, L. (ed.) Contemporary choreography: a critical reader London and New York Routledge. pp. 23Book chapter
Expert-performance-practitioner-centred modes of knowledge and models of intelligibility: disciplinary specificity and the digital submission
Melrose, S. 2012. Expert-performance-practitioner-centred modes of knowledge and models of intelligibility: disciplinary specificity and the digital submission. in: Andrews, R., Borg, E., Boyd Davis, S., Domingo, M. and England, J. (ed.) The Sage handbook of digital dissertations and theses London SAGE Publications. pp. 298-314Book chapter
Faultline.
Jeyasingh, S. 2007. Faultline.Performance
Frequency of upper body muscular actions in ballet and contemporary dance performance
Farmer, C. and Brouner, J. 2022. Frequency of upper body muscular actions in ballet and contemporary dance performance. 32nd Annual Conference International Association for Dance Medicine and Science (IADMS). Limerick, Ireland 28 - 31 Oct 2022 IADMS.Conference item
Goldberg - the Brandstrup-Rojo project
Brandstrup, K. 2009. Goldberg - the Brandstrup-Rojo project. London, UK 21 Sep 2009Performance
Hamlet
Brandstrup, K. 2003. Hamlet.Performance
Hexentanz
Kolb, A. 2016. Hexentanz. in: Hartmann, A. and Woitas, M. (ed.) Das große Tanzlexikon: Personen - Werke - Tanzkulturen - Epochen Laaber. pp. 272-273Book chapter
Home (a replacing)
Midgelow, V. and Williams, T. 2014. Home (a replacing).Digital or visual media
Humphrey, Doris (1895-1958)
Main, L. 2018. Humphrey, Doris (1895-1958). in: Ross, S. (ed.) The Routledge Encyclopedia of Modernism Routledge.Book chapter
I will take you with me (2013) presented at Slowing and Stilling symposium, Birmingham Conservatoire, as part of Birmingham International Festival 2018
Woodhouse, A. 2018. I will take you with me (2013) presented at Slowing and Stilling symposium, Birmingham Conservatoire, as part of Birmingham International Festival 2018. Slowing and Stilling: foregrounding process in performance practices. Birmingham Conservatoire 11 - 12 Jun 2018Conference item
Impact of choreographic approach on health and performance aesthetics in a company of mature dancers
Laws, H., Farmer, C., Eldon, S. and Maliphant, R. 2022. Impact of choreographic approach on health and performance aesthetics in a company of mature dancers. 32nd Annual Conference International Association for Dance Medicine and Science (IADMS). Limerick, Ireland 28 - 31 Oct 2022 IADMS.Conference item
Improvisation practices and dramaturgical consciousness: a workshop
Midgelow, V. 2015. Improvisation practices and dramaturgical consciousness: a workshop. in: Hansen, P. and Callison, D. (ed.) Dance Dramaturgy: Modes of Agency, Awareness and Engagement USA Palgrave Macmillan. pp. 106-123Book chapter
Improvisation practices and dramaturgical consciousness: a workshop
Midgelow, V. 2015. Improvisation practices and dramaturgical consciousness: a workshop. in: Callison, D. and Hansen, P. (ed.) Dance Dramaturgy: Modes of Agency, Awareness and Engagement USA Palgrave Macmillan. pp. 106-123Book chapter
In-the-between-ness: decolonising and re-inhabiting our dancing
Kindred, H. and Akinleye, A. 2018. In-the-between-ness: decolonising and re-inhabiting our dancing. in: Akinleye, A. (ed.) Narratives in Black British Dance: Embodied Practices Palgrave Macmillan. pp. 65-78Book chapter
Invitus invitam
Brandstrup, K. 2010. Invitus invitam. London, UK Oct 2010Performance
Jenn Joy, The Choreographic [Book Review]
Kolb, A. 2016. Jenn Joy, The Choreographic [Book Review]. Dance Research. 34 (2), pp. 243-244. https://doi.org/10.3366/drs.2016.0161Article
Just add water?
Jeyasingh, S. and Gough, O. 2009. Just add water? Linbury Theatre, Royal Opera House, London 01 - 05 May 2009Performance
Just in time: ‘momentary’ events in the making of Rosemary Butcher’s signature practices
Melrose, S., Sachsenmaier, S. and Butcher, R. 2013. Just in time: ‘momentary’ events in the making of Rosemary Butcher’s signature practices. Performance Studies International Conference (PSi 19). Stanford, CA, United States 26 - 30 Jun 2013Conference paper
Just intuitive.
Melrose, S. 2005. Just intuitive. The impossibility of representation?. AHRC Research Centre for Cross-Cultural Music and Dance Performance, School of Oriental and African Studies, University of LondonConference keynote
Kim Brandstrup website
Brandstrup, K. 2007. Kim Brandstrup website. AHRC Fellowship.Other
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