Dance group


TitleDance group

Latest research outputs

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Dance and politics in China: interculturalism, hybridity, and the ArtsCross project
Kolb, A. 2017. Dance and politics in China: interculturalism, hybridity, and the ArtsCross project. in: Kowal, R., Siegmund, G. and Martin, R. (ed.) The Oxford Handbook of Dance and Politics Oxford University Press (OUP). pp. 347-370

Book chapter

Schuhplattler
Kolb, A. 2016. Schuhplattler. in: Hartmann, A. and Woitas, M. (ed.) Das große Tanzlexikon: Personen - Werke - Tanzkulturen - Epochen Laaber. pp. 548

Book chapter

Hexentanz
Kolb, A. 2016. Hexentanz. in: Hartmann, A. and Woitas, M. (ed.) Das große Tanzlexikon: Personen - Werke - Tanzkulturen - Epochen Laaber. pp. 272-273

Book chapter

Ausdruckstanz
Kolb, A. 2016. Ausdruckstanz. in: Woitas, M. and Hartmann, A. (ed.) Das große Tanzlexikon: Personen - Werke - Tanzkulturen - Epochen Laaber. pp. 33-36

Book chapter

Mary Wigman
Kolb, A. 2016. Mary Wigman. in: Das große Tanzlexikon: Personen - Werke - Tanzkulturen - Epochen Laaber. pp. 682-684

Book chapter

Wiesenthal, Grete (1885–1970)
Kolb, A. 2016. Wiesenthal, Grete (1885–1970). in: The Routledge Encyclopedia of Modernism Taylor and Francis.

Book chapter

Collaboration, democracy and the total artwork
Kolb, A. 2015. Collaboration, democracy and the total artwork. in: Colin, N. and Sachsenmaier, S. (ed.) Collaboration in Performance Practice: Premises, Workings and Failures London Palgrave Macmillan. pp. 51-74

Book chapter

Creative Articulations Process (CAP)
Bacon, J. and Midgelow, V. 2014. Creative Articulations Process (CAP). Choreographic Practices. 5 (1), pp. 7-31. https://doi.org/10.1386/chor.5.1.7_1

Article

Home (a replacing)
Midgelow, V. and Williams, T. 2014. Home (a replacing).

Digital or visual media

Closer to the body: reflections on skript and extracts from collected writings
Bacon, J. and Midgelow, V. 2014. Closer to the body: reflections on skript and extracts from collected writings. Choreographic Practices. 5 (1), pp. 73-94. https://doi.org/10.1386/chor.5.1.73_1

Article

Just in time: ‘momentary’ events in the making of Rosemary Butcher’s signature practices
Melrose, S., Sachsenmaier, S. and Butcher, R. 2013. Just in time: ‘momentary’ events in the making of Rosemary Butcher’s signature practices. Performance Studies International Conference (PSi 19). Stanford, CA, United States 26 - 30 Jun 2013

Conference paper

Creative articulations process: a rhizomatic practice
Bacon, J. and Midgelow, V. 2014. Creative articulations process: a rhizomatic practice. Choreographic Practices 5(1), 1 April 2014 Intellect.

Portfolio

Robert Cohan teaching: body of knowledge
Bannerman, C. and Donnelly, A. 2013. Robert Cohan teaching: body of knowledge.

Design

Voice (a retracing)
Williams, T., Midgelow, V. and Halliday, T. 2012. Voice (a retracing).

Digital or visual media

ArtsCross Beijing 2012: light and water
Bannerman, C., Beijing Dance Academy (BDA), ResCen Research Centre, Middlesex University (ResCen) and School of Dance, Taipei National University of the Arts (TNUA) 2012. ArtsCross Beijing 2012: light and water. Beijing, China 2012

Performance

Curation, and direction of ArtsCross (a large scale international exchange project)
Bannerman, C. Curation, and direction of ArtsCross (a large scale international exchange project). ResCen, the Centre for Research into Creation in the Performing Arts.

Other

Curation and direction of DansCross (a large international collaborative dance project)
Bannerman, C. Curation and direction of DansCross (a large international collaborative dance project). ResCen, the Centre for Research into Creation in the Performing Arts.

Other

Between
Woodhouse, A. and Broadhead, C. 2011. Between. Trinity Laban Bonnie Bird stage 24 Jan 2011

Show or exhibition

Sighted
Woodhouse, A. and Broadhead, C. 2009. Sighted. The Place, London 2009

Show or exhibition

Skript: a micro installation
Midgelow, V. 2013. Skript: a micro installation.

Artefact

After Kaprow: The silent room; and, Book of journeys
Butcher, R. 2012. After Kaprow: The silent room; and, Book of journeys. The Place, London 15 - 17 Nov 2012

Performance

Allan Kaprow's 18 happening in 6 parts
Butcher, R. 2010. Allan Kaprow's 18 happening in 6 parts. London, UK 26 - 28 Nov 2010

Performance

Lapped translated lines
Butcher, R. 2010. Lapped translated lines. London, UK 23 Sep - 03 Oct 2010

Performance

Invitus invitam
Brandstrup, K. 2010. Invitus invitam. London, UK Oct 2010

Performance

Eidolon 1 & 2
Brandstrup, K. 2010. Eidolon 1 & 2. Copenhagen, Denmark May 2010

Performance

Goldberg - the Brandstrup-Rojo project
Brandstrup, K. 2009. Goldberg - the Brandstrup-Rojo project. London, UK 21 Sep 2009

Performance

Rushes: fragments of a lost story
Brandstrup, K. 2008. Rushes: fragments of a lost story. London, UK 23 Apr - 14 May 2008

Performance

TooMortal [Too mortal]
Jeyasingh, S. 2012. TooMortal [Too mortal].

Performance

Classic cut
Jeyasingh, S. 2012. Classic cut.

Performance

Counterpoint
Jeyasingh, S. 2010. Counterpoint.

Performance

Decentring bodies: postfeminist corporealities in dance
Midgelow, V. 2006. Decentring bodies: postfeminist corporealities in dance. in: Haas, B. (ed.) Der Postfeministische Diskurs Wurzburg, Germany Konigshausen & Neumann.

Book chapter

Threshold: Fleshfold
Midgelow, V., O'Connor, B. and Wilsmore, R. 2004. Threshold: Fleshfold.

Performance

Threshold: Fleshfold
Midgelow, V., O'Connor, B. and Wilsmore, R. 2005. Threshold: Fleshfold.

Performance

Voice (a retracing): an emerging lexicon
Midgelow, V. and Williams, T. 2012. Voice (a retracing): an emerging lexicon. Journal of Artistic Research.

Article

Nomadism and ethics in/as improvised movement practices
Midgelow, V. 2012. Nomadism and ethics in/as improvised movement practices. Critical Studies in Improvisation / Études Critiques en Improvisation. 8 (1).

Article

Sensualities: experiencing/dancing/writing
Midgelow, V. 2013. Sensualities: experiencing/dancing/writing. New Writing: The International Journal for the Practice and Theory of Creative Writing. 10 (1), pp. 3-17. https://doi.org/10.1080/14790726.2012.693098

Article

Danscross: dancing in a shaking world. The Danscross papers, Beijing 2009
Wang, C., Bannerman, C., Xu, R., Pan, L., Mu, Y., Jin, H., Tong, Y., Qing, Q., Liu, C., Zhang, P., Claid, E., Hutera, D., O'Shea, J., Rae, P., Mezur, K., Inata, N., Wang, M., Liu, Y., Wang, Z., Wang, Y., Zhao, Z., Guo, T., Jiang, Q., Liu, J. and Beijing Dance Academy 2011. Danscross: dancing in a shaking world. The Danscross papers, Beijing 2009. Journal of Beijing Dance Academy.

Article

Still harping on (about expert practitioner-centred modes of knowledge and models of intelligibility)
Melrose, S. 2007. Still harping on (about expert practitioner-centred modes of knowledge and models of intelligibility). E-science institute workshop: digital representations in the performing arts. Edinburgh 18 Jul 2007

Conference keynote

Postmodernism and performance.
Melrose, S. 2011. Postmodernism and performance. in: Sim, S. (ed.) The Routledge companion to postmodernism. London and New York Routledge. pp. 194-203

Book chapter

Expert-performance-practitioner-centred modes of knowledge and models of intelligibility: disciplinary specificity and the digital submission
Melrose, S. 2012. Expert-performance-practitioner-centred modes of knowledge and models of intelligibility: disciplinary specificity and the digital submission. in: Andrews, R., Borg, E., Boyd Davis, S., Domingo, M. and England, J. (ed.) The Sage handbook of digital dissertations and theses London SAGE Publications. pp. 298-314

Book chapter

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