Theatre Arts group
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Latest research outputs
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太极推手: Taiji Pushing Hands (Postcard)
Sachsenmaier, S. 2022. 太极推手: Taiji Pushing Hands (Postcard). Theatre, Dance and Performance Training. 13 (3), pp. 463-464. https://doi.org/10.1080/19443927.2022.2102741Article
"Empathy for the entire spectrum of selves and other": George Tabori's Humanism
Diedrich, A. 2018. "Empathy for the entire spectrum of selves and other": George Tabori's Humanism. in: Donahue, W. and Helfer, M. (ed.) Nexus 4: Essays in German Jewish Studies Camden House.Book chapter
"The grey and the coloured truth": memory and post-memory in George Tabori's Holocaust plays
Diedrich, A. 2014. "The grey and the coloured truth": memory and post-memory in George Tabori's Holocaust plays. Journal of Literature and Trauma Studies. 3 (1), pp. 1-21. https://doi.org/10.1353/jlt.2014.0017Article
(Re)marking the overlooked or, Stanislavski's napkin
Melrose, S. 2001. (Re)marking the overlooked or, Stanislavski's napkin. Performance Research. 6 (2), pp. 4-19.Article
(Syn)aesthetics and immersive theatre: embodied beholding in Lundahl & Seitl’s Rotating in a Room of Images
Machon, J. 2013. (Syn)aesthetics and immersive theatre: embodied beholding in Lundahl & Seitl’s Rotating in a Room of Images. in: Shaughnessy, N. (ed.) Affective performance and cognitive science Bloomsbury Methuen Drama.Book chapter
(Syn)aesthetics: redefining visceral performance
Machon, J. 2011. (Syn)aesthetics: redefining visceral performance. Basingstoke, UK Palgrave Macmillan.Book
A cautionary note or two, amid the pleasures and pains of participation in performance-making as research.
Melrose, S. 2011. A cautionary note or two, amid the pleasures and pains of participation in performance-making as research. Participatory Research & Learning in the Performing Arts. Centre for Creative Collaboration London 06 May 2011Conference keynote
A funny thing happened on the way to the checkpoint: teaching stand-up comedy in occupied Palestine
Beale, S. 2018. A funny thing happened on the way to the checkpoint: teaching stand-up comedy in occupied Palestine. Teaching Artist Journal. 16 (3-4), pp. 91-99. https://doi.org/10.1080/15411796.2018.1530520Article
A piece for two (lovers)
Vesty, R. and de la Fe, A. 2015. A piece for two (lovers). Boilerhouse Theatre, RHUL, UK 20 - 21 Feb 2015Performance
A semiotics of the dramatic text
Melrose, S. 1994. A semiotics of the dramatic text. Basingstoke Macmillan.Book
Ananse's wealth: response and responsibility in modern African theatre
Upton, C. 1996. Ananse's wealth: response and responsibility in modern African theatre. in: Merkin, R. (ed.) Popular theatres? Papers from the Popular Theatre Conference 1994 Liverpool John Moores University. pp. 140-160Book chapter
Answer the question
Hussein, N. 2018. Answer the question. Theatre, Dance and Performance Training. 9 (1), pp. 118-119. https://doi.org/10.1080/19443927.2018.1428435Article
Artefacts: a multi-voiced collection of paraphernalia, documentation and reflection on the space and words for dancers work-week
Vesty, R., Andrews, M., de la Fe, A., Hamilton, J., Hanne, B. and Di Giovanni, T. 2017. Artefacts: a multi-voiced collection of paraphernalia, documentation and reflection on the space and words for dancers work-week. Choreographic Practices. 8 (1), pp. 131-167. https://doi.org/10.1386/chor.8.1.131_1Article
Audience improvisation in the immersive experiences: the sensuous world of the body in the work of Lundahl & Seitl
Machon, J. 2019. Audience improvisation in the immersive experiences: the sensuous world of the body in the work of Lundahl & Seitl. in: Midgelow, V. (ed.) The Oxford Handbook of Improvisation in Dance Oxford University Press (OUP). pp. 671-686Book chapter
Axiom; performance machine
Lane, K. and Wild, J. 2017. Axiom; performance machine. Wimbledon College of Arts 20 - 25 Feb 2017Show or exhibition
Balad
Beale, S., Shehada, A., Shamas, H., al Batran, K., Monther, E., Swity, D. and Shyouki, R. 2022. Balad. al Qattan Foundation, Ramallah 25 Jul 2022Performance
Before the posthuman can take [its] place: performing place and person in the early 21st century
Melrose, S. 2002. Before the posthuman can take [its] place: performing place and person in the early 21st century. Performance Arts International e-journal.Article
Beyond Allan Kaprow: an interview with Rosemary Butcher
Sachsenmaier, S. 2012. Beyond Allan Kaprow: an interview with Rosemary Butcher. Journal of Dance and Somatic Practices. 4 (2), pp. 267-281. https://doi.org/10.1386/jdsp.4.2.267_1Article
Beyond borders: David Greig's transpersonal dramaturgy
Thompson, C. 2011. Beyond borders: David Greig's transpersonal dramaturgy. in: Muller, A. and Wallace, C. (ed.) Cosmotopia: transnational identities in David Greig's theatre Litteraria Pragensia. pp. 103-117Book chapter
Beyond the stomp: the Nobbs Suzuki Praxis as an Australian variant of the Suzuki method of actor training
Diedrich, A. and Barbe, F. 2023. Beyond the stomp: the Nobbs Suzuki Praxis as an Australian variant of the Suzuki method of actor training. Theatre, Dance and Performance Training. https://doi.org/10.1080/19443927.2022.2152860Article
Blind(fold)ed by light in Lundahl & Seitl’s Symphony in a Missing Room: thinking out loud in the dark
Machon, J. 2014. Blind(fold)ed by light in Lundahl & Seitl’s Symphony in a Missing Room: thinking out loud in the dark. Theatre in the Dark.. University of Surrey, SeedPOD Nodus Centre. 12 Jul 2014Conference keynote
Bodies without bodies
Melrose, S. 2006. Bodies without bodies. in: Broadhurst, S. and Machon, J. (ed.) Performance and Technology: Practices of Virtual Embodiment and Interactivity Basingstoke Palgrave Macmillan. pp. 1-12Book chapter
Botho Strauss on the English stage
Upton, C. and Meech, T. 1997. Botho Strauss on the English stage. Studies in Theatre Production. 16, pp. 35-46.Article
CHTHONIC
Bacon, T. 2019. CHTHONIC. Raw Labs, Bow Arts Trust, as part of London Festival of Architecture, London, UK 21 Jun 2019Public installation
CHTHONIC (2019) PSYCHOGENESIS SERIES (2018) PERCEPTION:LAB (2015)
Bacon, T. 2015. CHTHONIC (2019) PSYCHOGENESIS SERIES (2018) PERCEPTION:LAB (2015).Portfolio
Constitutive ambiguities: writing professional or expert performance practices, and the Theatre du Soleil, Paris
Melrose, S. 2006. Constitutive ambiguities: writing professional or expert performance practices, and the Theatre du Soleil, Paris. in: Kelleher, J. and Ridout, N. (ed.) Contemporary theatres in Europe Routledge. pp. 120-135Book chapter
Costume at the Turn of the Century, 1990 - 2015
Lane, K. 2015. Costume at the Turn of the Century, 1990 - 2015.Artefact
‘Critical Pathways’ – Training and investigating the art of choreography-making with Rosemary Butcher
Sachsenmaier, S. 2021. ‘Critical Pathways’ – Training and investigating the art of choreography-making with Rosemary Butcher. Theatre, Dance and Performance Training. 12 (2), pp. 164-183. https://doi.org/10.1080/19443927.2021.1902382Article
Diversity in the discipline working group: chair’s report 2015-17
de Senna, P. 2018. Diversity in the discipline working group: chair’s report 2015-17. SCUDD.Project report
Experiencing a multiplicity of self/s
Bacon, T. 2016. Experiencing a multiplicity of self/s. PhD thesis University of Bristol Department of TheatrePhD thesis
Expert-intuitive processing and the logics of production: struggles in (the wording of) creative decision: making in dance
Melrose, S. 2009. Expert-intuitive processing and the logics of production: struggles in (the wording of) creative decision: making in dance. in: Butterworth, J. and Wildschut, L. (ed.) Contemporary choreography: a critical reader London and New York Routledge. pp. 23Book chapter
Expert-performance-practitioner-centred modes of knowledge and models of intelligibility: disciplinary specificity and the digital submission
Melrose, S. 2012. Expert-performance-practitioner-centred modes of knowledge and models of intelligibility: disciplinary specificity and the digital submission. in: Andrews, R., Borg, E., Boyd Davis, S., Domingo, M. and England, J. (ed.) The Sage handbook of digital dissertations and theses London SAGE Publications. pp. 298-314Book chapter
FIRE
Bacon, T. and Alexander, F. 2015. FIRE. Buzzcut Festival, Glasgow 2015Performance
Foreword [The furthest point in space is also inside our body]
Bacon, T. 2018. Foreword [The furthest point in space is also inside our body]. in: Dolphin-Krute, M. and Martinez, C. C. (ed.) No one thing is the root of all anything: phases and performance of the imminent by Chelsea Coon Los Angeles, CA Not a Cult. pp. 1-6Book chapter
Free money magic show
Saville, I. 2013. Free money magic show. Edinburgh, Scotland 06 - 25 Aug 2013Performance
Freedom in the margins: Experiences from Brazil
de Senna, P., Gayotto, L. and Meirelles, M. 2021. Freedom in the margins: Experiences from Brazil. Studies in Theatre and Performance. 41 (1), pp. 68-82. https://doi.org/10.1080/14682761.2021.1885961Article
Funny and disturbing: women’s serio-comic performances on the Victorian music hall
Beale, S. 2022. Funny and disturbing: women’s serio-comic performances on the Victorian music hall. Comedy Studies. 13 (2), pp. 186-198. https://doi.org/10.1080/2040610X.2022.2091734Article
Futures literacy theatre lab with unaccompanied asylum-seeking minors: practical and ethical considerations
de Senna, P. 2019. Futures literacy theatre lab with unaccompanied asylum-seeking minors: practical and ethical considerations. Conceição/Conception. 8 (2), pp. 75-93. https://doi.org/10.20396/conce.v8i2.8657876Article
Gagging for it: irony, innuendo and the politics of subversion in women’s comic performance on the post-1880 London music-hall stage and its resonance in contemporary practice
Beale, S. 2018. Gagging for it: irony, innuendo and the politics of subversion in women’s comic performance on the post-1880 London music-hall stage and its resonance in contemporary practice. PhD thesis Middlesex University Theatre ArtsPhD thesis
Gagging for it: irony, innuendo and the politics of subversion in women’s comic performances on the London music hall stage
Beale, S. 2017. Gagging for it: irony, innuendo and the politics of subversion in women’s comic performances on the London music hall stage. Mixed Bill - Women and Comedy Symposium. Salford University, United Kingdom 19 Oct 2017Conference paper
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