Theatre Arts group
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Latest research outputs
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Gestures of resistance between the street and the theatre: documentary theatre in Egypt and Laila Soliman’s No Time For Art
Hussein, N. 2015. Gestures of resistance between the street and the theatre: documentary theatre in Egypt and Laila Soliman’s No Time For Art. New Anarchist Research Group Monthly Meeting. Torriano Meeting House, London 25 Apr 2015Conference paper
Gestures of resistance between the street and the theatre: documentary theatre in Egypt and Laila Soliman’s No Time For Art
Hussein, N. 2015. Gestures of resistance between the street and the theatre: documentary theatre in Egypt and Laila Soliman’s No Time For Art. Contemporary Theatre Review. 25 (3), pp. 357-370. https://doi.org/10.1080/10486801.2015.1049822Article
Gjendin ridge
Vesty, R., de la Fe, A., Söör, P. and Camiloti, M. 2015. Gjendin ridge. Ravensfield Theatre, Middlesex University, UK 23 - 24 Oct 2015Performance
Guest editors' introduction: Creative practices/resistant acts
Hussein, N. and MacKenzie, I. 2017. Guest editors' introduction: Creative practices/resistant acts. Contention - The Multidisciplinary Journal of Social Protest. 5 (1), pp. iv-107. https://doi.org/10.3167/cont.2017.050102Article
Gwineverra, Tom and the enemy of man
Vesty, R., Hanne, B. and Burns, L. 2015. Gwineverra, Tom and the enemy of man. Goldsmith's University, UK 23 Jul 2015Performance
Here, there, and the question of belonging in a time of revolution
Hussein, N. 2015. Here, there, and the question of belonging in a time of revolution. Contested Exchanged: Space, Place and the Performance of Democracy. Artaud Performance Centre. Brunel University, London. 28 Mar 2015Conference item
Here… there… and the question of belonging
Hussein, N. 2015. Here… there… and the question of belonging. Arab Women Artists Now (AWAN) Festival.. Rich Mix, London. 07 Mar 2015Conference item
Identity, performance and technology: practices of empowerment, embodiment and technicity
Broadhurst, S. and Machon, J. (ed.) 2012. Identity, performance and technology: practices of empowerment, embodiment and technicity. Basingstoke Palgrave Macmillan.Book
Imagina(c)tion - The Feldenkrais Method® and Action Theater™ improvisation in conversation about the integration of imagination and action
Vesty, R. 2015. Imagina(c)tion - The Feldenkrais Method® and Action Theater™ improvisation in conversation about the integration of imagination and action. re)storing performance - The Feldenkrais Method and Creative Practice. Bath Spa University, Bath, UK 27 Jun 2016Conference paper
Immersed in illusion, haunted by history: Marisa Carnesky’s ghost train
Machon, J. 2013. Immersed in illusion, haunted by history: Marisa Carnesky’s ghost train. in: Jenzen, O. and Munt, S. (ed.) The Ashgate research companion to paranormal cultures Ashgate. pp. 241-254Book chapter
Immersive performance, (syn)aesthetics and the phenomenology of technologies
Machon, J. 2013. Immersive performance, (syn)aesthetics and the phenomenology of technologies. in: Shaughnessy, N. (ed.) Affective performance and cognitive science: body, brain and being Bloomsbury.Book chapter
Immersive theatres: intimacy and immediacy in contemporary performance
Machon, J. 2013. Immersive theatres: intimacy and immediacy in contemporary performance. Basingstoke Palgrave Macmillan.Book
Introduction: Creative practices/resistant acts
Hussein, N. and MacKenzie, I. 2017. Introduction: Creative practices/resistant acts. Contention - The Multidisciplinary Journal of Social Protest. 5 (1), pp. 1-13. https://doi.org/10.3167/cont.2017.050102Article
Intuition
Sachsenmaier, S. Intuition.Design
It’s alive! Design as a visual dramaturgy in a collaborative practice
Lane, K. 2016. It’s alive! Design as a visual dramaturgy in a collaborative practice. Costume & Fashion in Context and Practice. University of Huddersfield, United Kingdom 05 - 06 Dec 2016Conference paper
Just in time: ‘momentary’ events in the making of Rosemary Butcher’s signature practices
Melrose, S., Sachsenmaier, S. and Butcher, R. 2013. Just in time: ‘momentary’ events in the making of Rosemary Butcher’s signature practices. Performance Studies International Conference (PSi 19). Stanford, CA, United States 26 - 30 Jun 2013Conference paper
Just intuitive.
Melrose, S. 2005. Just intuitive. The impossibility of representation?. AHRC Research Centre for Cross-Cultural Music and Dance Performance, School of Oriental and African Studies, University of LondonConference keynote
Kitty Marion: actor and activist edited by Viv Gardner and Diane Atkinson, Manchester, Manchester University Press, 2019, 282 pp., ISBN 978-1-5261-3804-0 [Book review]
Beale, S. 2019. Kitty Marion: actor and activist edited by Viv Gardner and Diane Atkinson, Manchester, Manchester University Press, 2019, 282 pp., ISBN 978-1-5261-3804-0 [Book review]. Women's History Review. 28 (6), pp. 1011-1012. https://doi.org/10.1080/09612025.2019.1650700Article
Lichtspur
Sachsenmaier, S. and Lammers, C. 2012. Lichtspur. St. Paulskirche Munich Apr 2012Performance
Lichtung
Sachsenmaier, S., Lammers, C. and Imori, M. 2011. Lichtung. UniCredit Kunstraum am Viktualienmarkt, Munich Dec 2011Performance
Light Steps promo
Akinleye, A. and Califano, A. 2014. Light Steps promo.Artefact
Lines in the Landscape Residency 2017 - Sidney Nolan Trust
Bacon, T. 2017. Lines in the Landscape Residency 2017 - Sidney Nolan Trust. United Kingdom Sidney Nolan Trust.Blog
Make/Believe - UK Design for Performance 2011 - 15
Lane, K. 2015. Make/Believe - UK Design for Performance 2011 - 15.Artefact
Making marks and memories – the body in recorded time
Butcher, R. and Sachsenmaier, S. 2015. Making marks and memories – the body in recorded time. Memory Sentiment Body Space Object Symposium. Coventry 15 May 2015Conference keynote
Missing rooms and unknown clouds: darkness and illumination in the work of Lundahl & Seitl
Machon, J., Lundahl, C. and Seitl, M. 2017. Missing rooms and unknown clouds: darkness and illumination in the work of Lundahl & Seitl. in: Alston, A. and Welton, M. (ed.) Theatre in the Dark: Shadow, Gloom and Blackout in Contemporary Theatre London Bloomsbury Methuen Drama. pp. 147-168Book chapter
Moving target: theatre translation and cultural relocation
Upton, C. (ed.) 2000. Moving target: theatre translation and cultural relocation. St Jerome Publishing.Book
My City, My Revolution
Hussein, N., Papadelli, V., Goely, M. and Picknett, M. 2015. My City, My Revolution. Rich Mix theatre, London 23 Jan 2015Performance
My heart, my heart: live poetry jukebox
Diedrich, A. and Malten, T. 2017. My heart, my heart: live poetry jukebox. Cambridge Junction 06 Sep 2017Performance
Myth and gender in contemporary Irish drama
Maguire, T. and Upton, C. 2013. Myth and gender in contemporary Irish drama. Fitzpatrick, L. (ed.) Third Annual NEICN Conference, ‘Ireland: Lands of Saints and Scholars’. University of Sunderland Carysfort Press.Conference paper
Naomi Wallace and the politics of desire
Machon, J. 2013. Naomi Wallace and the politics of desire. in: Stevens Abbit, E. and Palmer, S. (ed.) The innovative theatre of Naomi Wallace: embodied dialogues Palgrave Macmillan.Book chapter
Not yet, and already no longer: loitering with intent between the expert practitioner at work, and the archive
Melrose, S. 2007. Not yet, and already no longer: loitering with intent between the expert practitioner at work, and the archive. in: DeLahunta, S. and Bastien, M. (ed.) (Capturing intention): documentatie, analyse en notatieonderzoek gebaseerd Amsterdam, Netherlands Emio Greco. pp. 74-78Book chapter
Nothing like...falling...
Melrose, S. 2018. Nothing like...falling... Performance Research. 23 (4-5), pp. 151-161. https://doi.org/10.1080/13528165.2018.1511037Article
On ‘A Piece for Two (Lovers)’ - an unrehearsed performance piece
Vesty, R. and de la Fe, A. 2017. On ‘A Piece for Two (Lovers)’ - an unrehearsed performance piece. Research in Drama Education: The Journal of Applied Theatre and Performance. 22 (1), pp. 166-171. https://doi.org/10.1080/13569783.2016.1262252Article
On being immersed: the pleasure of being: washing, feeding, holding
Machon, J. 2017. On being immersed: the pleasure of being: washing, feeding, holding. in: Frieze, J. (ed.) Reframing Immersive Theatre: The Politics and Pragmatics of Participatory Performance Basingstoke, UK Palgrave Macmillan. pp. 29-42Book chapter
Out of words.
Melrose, S. 2005. Out of words. CHARM (AHRC Research Centre for the History and Analysis of Recorded Music) Symposium 1: Comparative perspectives in the study of recordings.. Royal Holloway, University of London, Egham 14 - 16 Apr 2005Conference keynote
PASSION/Flower
Fischer, E. and Bacon, T. 2014. PASSION/Flower. MPA Berlin, Germany 2014Performance
PERCEPTION:Lab
Bacon, T. 2015. PERCEPTION:Lab. Mobius Inc., Boston USA 20 Jun 2015Public installation
Performance and technology: practices of virtual embodiment and interactivity
Broadhurst, S. and Machon, J. (ed.) 2011. Performance and technology: practices of virtual embodiment and interactivity. Basingstoke, UK Palgrave Macmillan.Book
Performance and technology: practices of virtual embodiment and interactivity
Broadhurst, S. and Machon, J. (ed.) 2006. Performance and technology: practices of virtual embodiment and interactivity. Basingstoke, UK Palgrave Macmillan.Book
Performance and the Right
de Senna, P. and Hudson, J. 2021. Performance and the Right. Studies in Theatre and Performance. 41 (3), pp. 231-235. https://doi.org/10.1080/14682761.2021.1974674Article
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