The Staircase

Vron Harris's three part film, The Staircase, investigates cinematic subjectivity and whether a film can simultaneously immerse us in a character's inner world while highlighting the inevitable chasm between their internal experience and outward presentation. By grappling with this fundamental tension between inner feeling and external facade, the film explores our understanding of human psychology as portrayed through characters on screen.

Contributors to Screenworks retain the rights to their work.

This article is made available under a Creative Commons Licence CC-BY-NC-ND license, which allows for the reproduction of content, free of charge, for non-commercial use only and with the appropriate citation information.