Damien Hirst and the legacy of the sublime in contemporary art and culture
PhD thesis
White, L. 2009. Damien Hirst and the legacy of the sublime in contemporary art and culture. PhD thesis Middlesex University Visual Culture / History of Art and Design
Type | PhD thesis |
---|---|
Title | Damien Hirst and the legacy of the sublime in contemporary art and culture |
Authors | White, L. |
Abstract | Research Questions: |
Keywords | sublime; bathos; Damien Hirst; Eighteenth-Century Culture, Literature, Theatre, Art and Society; Scriblerian satire; capitalism; globalisation; commercialised culture; popular culture; contemporary art; young British artists; Charles Saatchi; commodification; culture industry; consumption; modernity; aesthetics; Marxian thought; Alexander Pope; Dunciad; Peri Bathous; John Gay; Beggar's Opera; Colley Cibber; Henry Fielding; James Thomson; Robert Walpole; Jonathan Wilde; John Singleton Copley; Berthold Brecht; Bruegel the Elder; Steven Spielberg; Jaws; Peter Benchley; Emile Zola; Wordsworth; Piranesi; Mary Shelley; Fernand Braudel; Jacques Derrida; Jean-François Lyotard; Edmund Burke; Immanuel Kant; (Pseudo-)Longinus; John Dennis; George Gilder; Peter de Bolla; Financial revolution; Imperialism; markets; meat; shop windows; fops; plagiarism (eighteenth-century); masculinity; class; nachträglichkeit; figurality; spectrality; phantasy; phantasmagoria; Camp; sharks in modern culture; labour; cultural representations of slavery |
Research Group | Diasporas |
Visual Culture and Curating cluster | |
Department name | Visual Culture / History of Art and Design |
Institution name | Middlesex University |
Publication dates | |
02 Mar 2010 | |
Publication process dates | |
Deposited | 02 Mar 2010 |
Completed | Mar 2009 |
Output status | Published |
Accepted author manuscript | |
Language | English |
https://repository.mdx.ac.uk/item/824q5
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