Self contained

Show or exhibition


Fortnum, R. 2013. Self contained. London, UK 06 Mar - 26 May 2013
Title of workSelf contained
CreatorsFortnum, R.
Description

Rebecca Fortnum’s exhibition at the Freud Museum, 'Self Contained', develops several strands of her recent work on the formation of identity, dreams and the power of the gaze.
The series 'Dream' depicts children with their eyes closed in paired pencil portraits. In these small, intimate works we can look at the subjects very closely but they never look back. No blinking, no flinching; we are struck by their interiority. They shut out the intrusive viewer. The imagery responds directly to notions of the power relations of the subject’s gaze, introducing on a suggestive level the ideal of the child’s dreams and imaginings that are inaccessible to the viewer. The portraits are completed in pairs in a process developed to question the authenticity of the single image. These works will be displayed in Anna Freud’s room at the Freud Museum, along with works in silverpoint, to draw out connections with Anna Freud’s writings on the child’s relationship with the adult world.
The series 'Wide Shut' includes three large paired portraits, each with a veil of colour over the image. These are of older girls, one image of each pair with open eyes. They act out the duality of proper and improper, of communication and communicability, of potentiality and action.
Fortnum is also exhibiting a series of letterpress works that use text fragments extracted from the governess’ monologue in 'Turn of the Screw' by Henry James. These are printed by hand, making the words materially present and isolating them from the story. The texts have been selected for the way they demonstrate the governess’ use of self-narration to form her identity. It has been suggested that Freud’s The Case of Miss Lucy R was used by James as a basis for his chilling tale.
A book to accompany the exhibition will be published by RGAP, designed by Colin Sackett with essays by Graham Music, Louisa Minkin and Dr Maria Walsh. The exhibition and publication have been supported by CCW Graduate School Research Committee, University of the Arts London and The Arts Council of England.

Output mediaPencil drawings and hand printed letterpress works
Research GroupArt Practice as Investigation cluster
EventSelf contained
Publication process dates
Deposited17 Jul 2013
Web address (URL)http://www.freud.org.uk/exhibitions/75009/self-contained/
LanguageEnglish
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https://repository.mdx.ac.uk/item/84346

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Related outputs

Drawing - in and outside - writing
Morrens, P., Chorpening, K., Nys, A. and Fortnum, R. 2012. Drawing - in and outside - writing. RGAP (Research Group for Artists Publications) in collaboration with Sint-Lucas Visual Arts Ghent.
On not knowing: how artists think
Fortnum, R., Kettle's Yard, Visual Intelligences project at the Lancaster Institute for the Contemporary Arts, Lancaster University and How Art Thinks research project at the International Centre for Fine Art Research at the University of the Arts, London 2009. On not knowing: how artists think. Kettle's Yard.
Behind the eyes; making pictures
Adams, L., Fortnum, R., Harland, B., Hulson, M. and Love, J. 2013. Behind the eyes; making pictures. Newcastle upon Tyne, UK 25 Jan - 01 Mar 2013
The imagination of children
Fortnum, R. 2011. The imagination of children. London, UK 15 Oct 2011 - 05 Feb 2012
Absurd impositions
Fortnum, R. 2011. Absurd impositions. London, UK 09 Apr - 09 Oct 2011