Approaches to spectral harmony in the music for Tom Schan’s feature film ‘Martyr’ (2006)

Conference paper


Evans, F. 2006. Approaches to spectral harmony in the music for Tom Schan’s feature film ‘Martyr’ (2006). Middlesex University Music Research Symposium. Middlesex University, London 2006 pp. 1-12
TypeConference paper
TitleApproaches to spectral harmony in the music for Tom Schan’s feature film ‘Martyr’ (2006)
AuthorsEvans, F.
Abstract

Spectral composition techniques unveil new fields of expression for the composer of music for film. In this paper is presented an illustrated description of the application of spectral techniques to narrative ends in the score for a British feature film.

Research GroupMusic group
ConferenceMiddlesex University Music Research Symposium
Page range1-12
Publication dates
Print2006
Publication process dates
Deposited15 Jun 2015
Output statusPublished
Copyright Statement

Access to full text restricted pending copyright check

LanguageEnglish
Permalink -

https://repository.mdx.ac.uk/item/859wy

Restricted files

Publisher's version

  • 29
    total views
  • 0
    total downloads
  • 1
    views this month
  • 0
    downloads this month

Export as

Related outputs

The lunatic, the lover & the poet
Evans, F. 2022. The lunatic, the lover & the poet.
Post-graduate arts students meet the artists of Notting Hill Carnival; an ongoing programme by Middlesex University London to develop and promote carnival arts. The pioneering work of Adela Ruth Tompsett
Dines, M., Shah, H., Daykin, J., Beaven, Z. and Evans, F. 2022. Post-graduate arts students meet the artists of Notting Hill Carnival; an ongoing programme by Middlesex University London to develop and promote carnival arts. The pioneering work of Adela Ruth Tompsett. International Journal of Carnival Arts. 5, pp. 83-96.
Pavlovian Wolves: the sound world of Wadleigh's 'Wolfen' (1981)
Evans, F. 2019. Pavlovian Wolves: the sound world of Wadleigh's 'Wolfen' (1981).
The Barry Gray archive
Evans, F. 2016. The Barry Gray archive. Journal of Film Music. 6 (2), pp. 127-134. https://doi.org/10.1558/jfm.29830
Gray matters (the electroacoustic film music of Barry Gray)
Evans, F. 2014. Gray matters (the electroacoustic film music of Barry Gray). Music and Screen Media Conference. University of Liverpool, Liverpool, UK 25 - 26 Jun 2014
The punk & the princess
Evans, F. 1992. The punk & the princess.
A fistful of fingers
Evans, F. 1994. A fistful of fingers.
Pervirella
Evans, F. 1997. Pervirella.
Hitman
Evans, F. 1997. Hitman.
Sudden fury
Evans, F. 1998. Sudden fury.
The 3 kings
Evans, F. 1999. The 3 kings.
Martyr
Evans, F. 2006. Martyr.
Game over
Evans, F. 2014. Game over.
Barry Gray centenary concert
Evans, F. 2008. Barry Gray centenary concert. Royal Festival Hall, South Bank Centre, London
Listening perspectives: the composition & assessment of electroacoustic music
Evans, F. 2004. Listening perspectives: the composition & assessment of electroacoustic music. Leeds College of Music International Music & Technology Conference. Leeds College of Music, Leeds 2004
Rhythmic structures & synchronicity in Sir William Walton’s Agincourt sequence from Olivier’s ‘Henry V’ (1944)
Evans, F. 2005. Rhythmic structures & synchronicity in Sir William Walton’s Agincourt sequence from Olivier’s ‘Henry V’ (1944). 11th Bradford International Film Festival. Bradford, UK 2005
Incorporating spectral composition techniques in film
Evans, F. 2009. Incorporating spectral composition techniques in film. Film Music Conference. University of Leeds
Deus ex machina: psychodynamics of identity in sound streams
Evans, F. 2005. Deus ex machina: psychodynamics of identity in sound streams. 17th International Conference on systems research, Infomatics & cybernetics (The 7th Symposium on Systems Research in the Arts: Music, Environmental Design and the Choreography of Space). Baden-Baden, Germany 01 - 07 Aug 2005 International Institute for Advanced Studies in Systems Research and Cybernetics.
The beseeching tone: The 'Musifex' of Barry Gray and their implications for composers
Evans, F. 2014. The beseeching tone: The 'Musifex' of Barry Gray and their implications for composers. Music for Audio Visual Media. University of Leeds 04 - 06 Sep 2014 pp. 1-7
The Barry Gray archive
Evans, F. 2015. The Barry Gray archive. Audio-Visual Archives conference. British Library, London, United Kingdom 17 - 19 Jul 2015
Symphony no. 2
Inglis, B., Shiel, D. and Evans, F. 2009. Symphony no. 2.