Just go and do It: A Blockchain technology "Live Project" for nascent music entrepreneurs

Book chapter


O'Dair, M. and Beaven, Z. 2017. Just go and do It: A Blockchain technology "Live Project" for nascent music entrepreneurs. in: Smith, G., Dines, M. and Parkinson, T. (ed.) Punk Pedagogies: Music, Culture and Learning London Routledge. pp. 73-90
Chapter titleJust go and do It: A Blockchain technology "Live Project" for nascent music entrepreneurs
AuthorsO'Dair, M. and Beaven, Z.
Research GroupMusic group
Page range73-90
Book titlePunk Pedagogies: Music, Culture and Learning
EditorsSmith, G., Dines, M. and Parkinson, T.
PublisherRoutledge
Place of publicationLondon
ISBN
Hardcover1138279889
Publication dates
Print02 Oct 2017
Publication process dates
Deposited30 Jan 2019
Output statusPublished
Additional information

Paperback: 9781138279889
Hardback: 9781138279872

Web address (URL)https://www.routledge.com/Punk-Pedagogies-Music-Culture-and-Learning-1st-Edition/Smith-Dines-Parkinson/p/book/9781138279889
LanguageEnglish
Permalink -

https://repository.mdx.ac.uk/item/8826x

  • 36
    total views
  • 0
    total downloads
  • 1
    views this month
  • 0
    downloads this month

Export as

Related outputs

Post-graduate arts students meet the artists of Notting Hill Carnival; an ongoing programme by Middlesex University London to develop and promote carnival arts. The pioneering work of Adela Ruth Tompsett
Dines, M., Shah, H., Daykin, J., Beaven, Z. and Evans, F. 2022. Post-graduate arts students meet the artists of Notting Hill Carnival; an ongoing programme by Middlesex University London to develop and promote carnival arts. The pioneering work of Adela Ruth Tompsett. International Journal of Carnival Arts. 5, pp. 83-96.
How Blockchain technology can monetize new music ventures: an examination of new business models
Owen, R. and O'Dair, M. 2020. How Blockchain technology can monetize new music ventures: an examination of new business models. Journal of Risk Finance. 21 (4), pp. 333-353. https://doi.org/10.1108/JRF-03-2020-0053
The networked record industry: how blockchain technology could transform the record industry
O'Dair, M. and Beaven, Z. 2017. The networked record industry: how blockchain technology could transform the record industry. Strategic Change. 26 (5), pp. 471-480. https://doi.org/10.1002/jsc.2147
Introduction: Mute Records
Osborne, R. and Beaven, Z. 2018. Introduction: Mute Records. in: Beaven, Z., O'Dair, M. and Osborne, R. (ed.) Mute Records: Artists, business, history New York and London Bloomsbury Academic. pp. 1-14
Financing new creative enterprise through Blockchain technology: opportunities and policy implications
O'Dair, M. and Owen, R. 2019. Financing new creative enterprise through Blockchain technology: opportunities and policy implications. Strategic Change. 28 (1), pp. 9-17. https://doi.org/10.1002/jsc.2242
How blockchain is transforming the creative industries: copyright and rights management in the second era of the internet
O'Dair, M. 2017. How blockchain is transforming the creative industries: copyright and rights management in the second era of the internet. Blockchain Research Institute.
A critical examination of the application of blockchain technology for intellectual property management
Ito, K. and O'Dair, M. 2019. A critical examination of the application of blockchain technology for intellectual property management. in: Treiblmaier, H. and Beck, R. (ed.) Business Transformation through Blockchain: Volume II Palgrave.
Music, blockchains and data: overview and analysis of the music blockchain and data landscape
O'Dair, M. 2018. Music, blockchains and data: overview and analysis of the music blockchain and data landscape. Music 4.5.
Music and AI: overview and analysis of the music AI landscape
O'Dair, M. 2018. Music and AI: overview and analysis of the music AI landscape. Music 4.5.
Insight 4.5: Music sync – the evolving deals: Overview and analysis of the music sync landscape
O'Dair, M. 2018. Insight 4.5: Music sync – the evolving deals: Overview and analysis of the music sync landscape. Music 4.5.
Pacts, paratext and polyphony: writing the authorised biography of Robert Wyatt
O'Dair, M. 2019. Pacts, paratext and polyphony: writing the authorised biography of Robert Wyatt. Life Writing. 16 (2), pp. 279-294. https://doi.org/10.1080/14484528.2019.1548265
Distributed creativity: how blockchain technology will transform the creative economy
O'Dair, M. 2018. Distributed creativity: how blockchain technology will transform the creative economy. Palgrave Macmillan.
Revitalising audience research: innovations in European audience research [Book review]
O'Dair, M. 2018. Revitalising audience research: innovations in European audience research [Book review]. Participations: Journal of Audience and Reception Studies. 15 (1), pp. 460-462.
Book Review: Sarah Baker, Andy Bennett and Jodie Taylor (eds). 2013. Redefining Mainstream Popular Music
O'Dair, M. 2018. Book Review: Sarah Baker, Andy Bennett and Jodie Taylor (eds). 2013. Redefining Mainstream Popular Music. Journal of World Popular Music. 5 (1), pp. 122-124. https://doi.org/10.1558/jwpm.29433
"Even the ghost was more than one person": authorship and authorisation in I'm Not There
O'Dair, M. 2017. "Even the ghost was more than one person": authorship and authorisation in I'm Not There. Journal of the International Association for the Study of Popular Music. 7 (1), pp. 88-106. https://doi.org/10.5429/2079-3871(2017)v7i1.7en
Heteroglossia and ‘hagiography’: authorship, authorisation and the collective/ individual couplet in different every time and associated public works
O'Dair, M. 2018. Heteroglossia and ‘hagiography’: authorship, authorisation and the collective/ individual couplet in different every time and associated public works. PhD thesis Middlesex University Arts and Creative Industries
In for the long haul – models of sustained graduate support and education
McNeill, T., Khatun, A., Giddens, C., Beaven, Z. and Shorley, J. 2014. In for the long haul – models of sustained graduate support and education. Industry and Higher Education. 28 (6), pp. 417-425. https://doi.org/10.5367/ihe.2014.0230
An unusual job for a woman? Female entrepreneurs in scientific, engineering and technology sectors
Martin, L., Wright, L., Beaven, Z. and Matlay, H. 2015. An unusual job for a woman? Female entrepreneurs in scientific, engineering and technology sectors. International Journal of Entrepreneurial Behavior & Research. 21 (4), pp. 539-556. https://doi.org/10.1108/IJEBR-08-2011-0095
Music on the blockchain
O'Dair, M., Beaven, Z., Neilson, D., Osborne, R. and Pacifico, P. 2016. Music on the blockchain. Middlesex University.
Different every time: the authorised biography of Robert Wyatt
O'Dair, M. 2014. Different every time: the authorised biography of Robert Wyatt. Serpent's Tail.
The slow burn: questioning the discourse surrounding popular music success, and exploring opportunities for entrepreneurship in the long tail
O'Dair, M. 2014. The slow burn: questioning the discourse surrounding popular music success, and exploring opportunities for entrepreneurship in the long tail. Innovation in Music 2013. York, United Kingdom 04 - 06 Dec 2013 Future Technology Press.
Trouble with the neighbours: jazz, geopolitics and Finland's totalitarian shadow
O'Dair, M. 2016. Trouble with the neighbours: jazz, geopolitics and Finland's totalitarian shadow. in: Johnson, B. (ed.) Jazz and Totalitarianism Routledge. pp. 136-154
'Pardon me, I'm very drunk': alcohol, creativity and performance anxiety in the case of Robert Wyatt
O'Dair, M. 2016. 'Pardon me, I'm very drunk': alcohol, creativity and performance anxiety in the case of Robert Wyatt. Popular Music. 35 (2), pp. 207-221. https://doi.org/10.1017/S0261143016000039