Sampling India: examining cultural appropriation, intercultural exchange, and the Othering of Indian music in hip-hop and reggaeton
Masters thesis
Mohandas, T. 2021. Sampling India: examining cultural appropriation, intercultural exchange, and the Othering of Indian music in hip-hop and reggaeton. Masters thesis Middlesex University Arts and Creative Industries
Type | Masters thesis |
---|---|
Title | Sampling India: examining cultural appropriation, intercultural exchange, and the Othering of Indian music in hip-hop and reggaeton |
Authors | Mohandas, T. |
Abstract | Since Edward Said’s Orientalism (1978), scholars have continued to expound upon Said’s binary analysis of ‘Orient and Occident’. In popular music studies, India is primarily explored through its influence on psychedelic rock (Lavezzoli, 2007; Bakrania, 2013), or the impact of bhangra in shaping diasporic South Asian identities (Sharma, 1996; Dudrah, 2002). However, the role of digital sampling in the Othering of Indian culture is relatively undertheorized. |
Sustainable Development Goals | 10 Reduced inequalities |
Middlesex University Theme | Creativity, Culture & Enterprise |
Department name | Arts and Creative Industries |
Institution name | Middlesex University |
Publication dates | |
07 Nov 2022 | |
Publication process dates | |
Deposited | 07 Nov 2022 |
Accepted | 05 Jul 2021 |
Output status | Published |
Accepted author manuscript | |
Language | English |
https://repository.mdx.ac.uk/item/8q252
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