Visual Culture and Curating cluster
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Latest research outputs
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Jackie Chan vs. Walter Benjamin: postcolonial “Utopias of the Body” in Kung Fu comedy
White, L. 2017. Jackie Chan vs. Walter Benjamin: postcolonial “Utopias of the Body” in Kung Fu comedy. Research Seminar Series, Department of English Literature, Linguistics and Cultural Studies. University of Westminster, London, United Kingdom 08 Mar 2017Conference paper
Marvel’s Daredevil: Ninjas, Blind Swordsmen and the Oriental Obscene
White, L. 2017. Marvel’s Daredevil: Ninjas, Blind Swordsmen and the Oriental Obscene. Them! The Visual Cultures of 'Othering' in Post-Referendum UK and Post-General-Election USA. Middlesex University, London, United Kingdom 13 Jan 2017Conference paper
Lines in the Landscape Residency 2017 - Sidney Nolan Trust
Bacon, T. 2017. Lines in the Landscape Residency 2017 - Sidney Nolan Trust. United Kingdom Sidney Nolan Trust.Blog
Trickraum_Spacetricks
Buchan, S. and Janser, A. 2005. Trickraum_Spacetricks. Museum for Design ZurichShow or exhibition
Bob Godfrey: Satire, Surrealism, Sex
Buchan, S. 2008. Bob Godfrey: Satire, Surrealism, Sex. The Gallery, The Arts Institute at BournemouthShow or exhibition
Experiencing a multiplicity of self/s
Bacon, T. 2016. Experiencing a multiplicity of self/s. PhD thesis University of Bristol Department of TheatrePhD thesis
Feminism-art-theory 1968-2014: an anthology
Robinson, H. (ed.) 2015. Feminism-art-theory 1968-2014: an anthology. Malden MA; Oxford UK WileyBlackwell.Book
PERCEPTION:Lab
Bacon, T. 2015. PERCEPTION:Lab. Mobius Inc., Boston USA 20 Jun 2015Public installation
Love triangles: the hidden mechanisms of the independent group
Massey, A. 2015. Love triangles: the hidden mechanisms of the independent group. Behind the Scenes: The hidden mechanisms of design and architectural culture. University for the Creative Arts, Canterbury, United Kingdom 10 - 11 Jun 2015Conference paper
Interior lives: biography and the interior
Massey, A. and Sparke, P. (ed.) 2013. Interior lives: biography and the interior. Farnham, Surrey, UK and Burlington, VT, USA Ashgate.Book
Parallel of art & life: the Independent Group at the ICA
Massey, A. and Williams, M. 2013. Parallel of art & life: the Independent Group at the ICA. Institute of Contemporary ArtsShow or exhibition
Institute of Contemporary Arts: an archival experiment
Bayley, L., Cranfield, B. and Massey, A. 2014. Institute of Contemporary Arts: an archival experiment. mnemoscape. 1 (1).Article
Introduction to the themed Issue: the Independent Group
Massey, A. 2013. Introduction to the themed Issue: the Independent Group. Journal of Visual Culture. 12 (2), pp. 203-2014. https://doi.org/10.1177/1470412913491186Article
ICA exhibitions 1948-1961: from a Picasso picture to a headscarf: paintings into textiles
Massey, A. 2014. ICA exhibitions 1948-1961: from a Picasso picture to a headscarf: paintings into textiles. Post-War British Exhibitions, 1945-61. Paul Mellon Centre for the Study of British Art 13 Jun 2014Conference paper
Cataloguing the ICA’s history: an ephemeral past
Massey, A. 2014. Cataloguing the ICA’s history: an ephemeral past. Association of Art Historians Annual Conference. Royal College of Art 10 - 12 Apr 2014Conference paper
Institute of Contemporary Arts 1946-1968
Massey, A. and Muir, G. 2014. Institute of Contemporary Arts 1946-1968. London ICA.Book
Night optimised care technology for users needing assisted lifestyles
Augusto, J., Mulvenna, M., Zheng, H., Wang, H., Martin, S., McCullagh, P. and Wallace, J. 2014. Night optimised care technology for users needing assisted lifestyles. Behaviour and Information Technology. 33 (12), pp. 1261-1277. https://doi.org/10.1080/0144929X.2013.816773Article
A ‘narrow world, strewn with prohibitions’: Chang Cheh’s The Assassin and the 1967 Hong Kong riots
White, L. 2015. A ‘narrow world, strewn with prohibitions’: Chang Cheh’s The Assassin and the 1967 Hong Kong riots. Asian Cinema. 26 (1), pp. 79-98. https://doi.org/10.1386/ac.26.1.79_1Article
Short circuits and footnote traces: the Quay Brothers
Buchan, S. 2013. Short circuits and footnote traces: the Quay Brothers. in: Guldemond, J. and Bloemheuvel, M. (ed.) The Quay Brothers' Universum Amsterdam nai010. pp. 8-15Book chapter
“Let the dance floor feel your leather”: set design, dance, and the articulation of audiences in RKO Radio’s Astaire-Rogers series
Sutton, D. 2015. “Let the dance floor feel your leather”: set design, dance, and the articulation of audiences in RKO Radio’s Astaire-Rogers series. Journal of Popular Film and Television. 43 (1), pp. 2-13. https://doi.org/10.1080/01956051.2014.961997Article
Lau Kar-leung with Walter Benjamin: storytelling, authenticity, film performance and martial arts pedagogy
White, L. 2014. Lau Kar-leung with Walter Benjamin: storytelling, authenticity, film performance and martial arts pedagogy. Journalism Media and Cultural Studies (JOMEC). 5, pp. 1-17. https://doi.org/10.18573/j.2014.10277Article
“...it was true! How can you laugh?”: the conflation of history and memory in the reception of Titanic in Britain and Southampton’
Massey, A. and Hammond, M. 1999. “...it was true! How can you laugh?”: the conflation of history and memory in the reception of Titanic in Britain and Southampton’. in: Studlar, G. and Sandler, K. (ed.) Titanic: Anatomy of a Blockbuster Rutgers University Press. pp. 239-264Book chapter
The Independent Group as design theorists
Massey, A. 1985. The Independent Group as design theorists. in: Hamilton, N. (ed.) From Spitfire to microchip: studies in the history of design from 1945 (Proceedings of a conference of the Design History Society held at the City of London Polytechnic, 1981.) Design Council.Book chapter
Interior lifestyles
Massey, A. 1993. Interior lifestyles. in: Biba: the Look, the Lifestyle, the Label: Exhibition Catalogue Tyne & Wear Museums.Book chapter
Life in the UK: the creative partnership of Lawrence Alloway and Sylvia Sleigh
Massey, A. 2001. Life in the UK: the creative partnership of Lawrence Alloway and Sylvia Sleigh. in: An unnerving romanticism : the art of Sylvia Sleigh and Lawrence Alloway (Catalogue of an exhibition held at Philadelphia Art Alliance (Philadelphia), 22 Mar. - 13 May 2001.) Philadelphia Art Alliance.Book chapter
The Independent Group : urban reality and the impact of science, the media and American popular culture
Massey, A. 2002. The Independent Group : urban reality and the impact of science, the media and American popular culture. in: Hughes, H., Van Tuyl, G. and Broeker, H. (ed.) Blast to Freeze : British Art in the 20th Century (Catalogue of an exhibition held at Kunstmuseum Wolfsburg, Sept. 14, 2002-Jan. 19, 2003; Les Abattoirs, Toulouse, Feb. 24-May 11, 2003) Wolfsburg Kunstmuseum.Book chapter
Ocean liner posters
Cadringher, G. and Massey, A. 2011. Ocean liner posters. Antique Collectors' Club.Book
Tricky spaces: animation, installation and spatial politics
Buchan, S. 2011. Tricky spaces: animation, installation and spatial politics. in: Grausgruber, W. and Wagner, B. (ed.) Tricky women: Animationsfilmkunst von Frauen [= women in animation] Marburg, Germany.Book chapter
Playing with words: typography and text
Buchan, S. 2006. Playing with words: typography and text. in: Pugh, A. (ed.) 5th Norwich International Animation Festival Norwich International Animation Festival. pp. 60-63Book chapter
Animated chiaroscuro
Buchan, S. 2006. Animated chiaroscuro. in: Pugh, A. (ed.) 5th Norwich International Animation Festival Norwich International Animation Festival. pp. 56-59Book chapter
The animation fulcrum
Buchan, S. 2007. The animation fulcrum. in: Hertz, B. (ed.) Animated painting San Diego Museum of Art. pp. 28-35Book chapter
Trickraum: spacetricks
Buchan, S. and Janser, A. 2005. Trickraum: spacetricks. Christoph Merian Verlag.Book
Animated 'worlds'
Buchan, S. (ed.) 2006. Animated 'worlds'. John Libbey.Book
Oscillating at the 'high/low' art divide: curating and exhibiting animation
Buchan, S. 2007. Oscillating at the 'high/low' art divide: curating and exhibiting animation. in: Rugg, J. and Sedgwick, M. (ed.) Issues in curating contemporary art and performance Intellect. pp. 131-146Book chapter
Whose beauty? Women, art, and inter-subjectivity in Luce Irigaray’s writings
Robinson, H. 2000. Whose beauty? Women, art, and inter-subjectivity in Luce Irigaray’s writings. in: Brand, P. (ed.) Beauty Matters Indiana University Press. pp. 224-251Book chapter
Within the Pale in from: Beyond the Pale: the construction of femininity in the curating of an exhibition season at the Irish Museum of Modern Art, Dublin
Robinson, H. 1997. Within the Pale in from: Beyond the Pale: the construction of femininity in the curating of an exhibition season at the Irish Museum of Modern Art, Dublin. Journal of Gender Studies. 6 (3), pp. 255-267. https://doi.org/10.1080/09589236.1997.9960686Article
Damien Hirst: the capitalism sublime?
White, L. 2012. Damien Hirst: the capitalism sublime? Marxism in Culture. Institute of Historical Research, University College London 01 Jun 2012Conference paper
Foreword [to Generation yacht: Lee Valley leisure]
Brown, C. 2005. Foreword [to Generation yacht: Lee Valley leisure]. in: Generation yacht: Lee Valley leisure Generation Press. pp. 1-3Book chapter
Ville Mona: a proper kind of house
Ryley, M., Brown, C. and Ryley, B. 2006. Ville Mona: a proper kind of house. Dorset TRACE editions.Book
Introduction
Brown, C. 2007. Introduction. in: The hitcher / Chris Coekin Walkout Books. pp. 3-5Book chapter
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