Design and Urban Cultures cluster
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Latest research outputs
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Panoptic visions of London: possessing the metropolis
Arnold, D. 2009. Panoptic visions of London: possessing the metropolis. Art History. 32 (2), pp. 332-350. https://doi.org/10.1111/j.1467-8365.2009.00665.xArticle
Disinter/est: digging up our childhood. Authenticity, ambiguity and failure in the auto/biography of the infant self
Sofaer, J. and Sofaer, J. 2008. Disinter/est: digging up our childhood. Authenticity, ambiguity and failure in the auto/biography of the infant self. in: Arnold, D. and Sofaer, J. (ed.) Biographies and space: placing the subject in art and architecture Routledge. pp. 168-193Book chapter
Eyes wide shut
Rifkin, A. 2003. Eyes wide shut. in: Arnold, D. and Iversen, M. (ed.) Art and thought Oxford Blackwell. pp. 197-208Book chapter
Art Deco for swells at sea: the Normandie's magnificent glass mural graces the Met
Massey, A. 2008. Art Deco for swells at sea: the Normandie's magnificent glass mural graces the Met. Dow Jones & Company.Newspaper
Cultural mapping and sustainable communities: Planning for the arts revisited
Evans, G. and Foord, J. 2008. Cultural mapping and sustainable communities: Planning for the arts revisited. Cultural Trends. 17 (2), pp. 65-96. https://doi.org/10.1080/09548960802090634Article
Developing creativity for the world of work: a case study
Massey, A. 2005. Developing creativity for the world of work: a case study. Art, Design and Communication in Higher Education. 4 (1), p. 17.Article
Nigel Henderson
Massey, A. 2002. Nigel Henderson. Art Monthly.Article
Facts or fragments? Visual histories in the age of mechanical reproduction
Arnold, D. 2002. Facts or fragments? Visual histories in the age of mechanical reproduction. Art History. 25 (4), pp. 450-468. https://doi.org/10.1111/1467-8365.00338Article
London Bridge and its symbolic identity in the Regency Metropolis: the dialectic of civic and national pride
Arnold, D. 1999. London Bridge and its symbolic identity in the Regency Metropolis: the dialectic of civic and national pride. Art History. 22 (4), pp. 545-566. https://doi.org/10.1111/1467-8365.00175Article
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