Prof Kenechukwu Igweonu
| Name | Prof Kenechukwu Igweonu |
|---|---|
| Job title | Academic Dean of Faculty of Arts & Creative Industries |
| Research institute | |
| Primary appointment | ACI Faculty Leadership |
| ORCID | https://orcid.org/0000-0002-8937-4206 |
| Contact category | Academic staff (past) |
Research outputs
From posture to acture: developing awareness in movement and performer training in UK Higher Education using the Feldenkrais Method ®
Igweonu, K. 2019. From posture to acture: developing awareness in movement and performer training in UK Higher Education using the Feldenkrais Method ®. Feldenkrais Research Journal. 6, pp. 1-13.Dynamics of distancing in Nigerian drama: a functional approach to Metatheatre. By Nadia Anwar. Stuttgart: ibidem-Verlag, 2016. Pp. xiv + 256. £26.86/€29.90 Pb. [Book review]
Igweonu, K. 2017. Dynamics of distancing in Nigerian drama: a functional approach to Metatheatre. By Nadia Anwar. Stuttgart: ibidem-Verlag, 2016. Pp. xiv + 256. £26.86/€29.90 Pb. [Book review]. Theatre Research International. 42 (2), pp. 204-205. https://doi.org/10.1017/S0307883317000505Stanislavsky in Nigeria: convergences and counterpoints in actor training and practice
Igweonu, K. 2017. Stanislavsky in Nigeria: convergences and counterpoints in actor training and practice. in: Pitches, J. and Aquilina, S. (ed.) Stanislavsky in the World: The System and its Transformations Across Continents London Bloomsbury Methuen Drama. pp. 277-289'The tree has four or five leaves': Talawa, Britishness and the first all-black production of Waiting for Godot in Britain
Igweonu, K. 2016. 'The tree has four or five leaves': Talawa, Britishness and the first all-black production of Waiting for Godot in Britain. in: Tucker, D. and McTighe, T. (ed.) Staging Beckett in Great Britain London Bloomsbury Methuen Drama. pp. 141-156Plays one
Igweonu, K. 2016. Plays one. Ibadan Kraft Books: Kraftgriots.Zakes Mda
Igweonu, K. 2015. Zakes Mda. in: Middeke, M., Schnierer, P. and Homann, G. (ed.) The Methuen drama guide to contemporary South African theatre London, UK Bloomsbury Methuen Drama. pp. 177-193A ritual for survival: questions of identity and politics in one hundred year of Nigerian dance
Igweonu, K. 2015. A ritual for survival: questions of identity and politics in one hundred year of Nigerian dance. Dance Journal of Nigeria. 2, pp. 19-37.Talawa
Igweonu, K. 2015. Talawa. in: Saunders, G. (ed.) British Theatre Companies 1980-1994: Joint Stock, Gay Sweatshop, Complicite, Forced Entertainment, Women's Theatre Group, Talawa London Bloomsbury Methuen Drama. pp. 237-255African drama and the construction of an indigenous cultural identity: an examination of four major Nigerian plays
Igweonu, K. 2014. African drama and the construction of an indigenous cultural identity: an examination of four major Nigerian plays. in: Diala, I. (ed.) Syncretic arenas: essays on postcolonial African drama and theatre for Esiaba Irobi Amsterdam and New York Rodopi.Keeping it together: Talawa theatre company, britishness, aesthetics of scale and mainstreaming the black-British experience
Igweonu, K. 2014. Keeping it together: Talawa theatre company, britishness, aesthetics of scale and mainstreaming the black-British experience. in: Duggan, P. and Ukaegbu, V. (ed.) Reverberations across Small-Scale British Theatre: Politics, Aesthetics and Forms Bristol Intellect.Performative inter-actions in African theatre 1: diaspora representations and the interweaving of cultures
Igweonu, K. and Okagbue, O. (ed.) 2013. Performative inter-actions in African theatre 1: diaspora representations and the interweaving of cultures. Newcastle upon Tyne Cambridge Scholars Publishing.Performative inter-actions in African theatre 3: making space, rethinking drama and theatre in Africa
Igweonu, K. and Okagbue, O. (ed.) 2013. Performative inter-actions in African theatre 3: making space, rethinking drama and theatre in Africa. Newcastle upon Tyne Cambridge Scholars Publishing.Performative inter-actions in African theatre 2: innovation, creativity and social change
Igweonu, K. and Okagbue, O. (ed.) 2013. Performative inter-actions in African theatre 2: innovation, creativity and social change. Newcastle upon Tyne Cambridge Scholars Publishing.Training and ... body parts
Woods, N., Binyon, C., Turner, J., Igweonu, K., Woodall, E., Walton, R. and Brayshaw, T. 2013. Training and ... body parts. Theatre, Dance and Performance Training. 4 (1), pp. 124-125. https://doi.org/10.1080/19443927.2013.774815Revealing the elusive obvious: making sense of creative practice through reflection and writing out
Igweonu, K., Fagence, B., Petch, M. and Davies, G. 2011. Revealing the elusive obvious: making sense of creative practice through reflection and writing out. Journal of Writing in Creative Practice. 4 (2), pp. 225-238. https://doi.org/10.1386/jwcp.4.2.225_1Practice, theory and reflection: an examination of writing in performance training and research
Igweonu, K. 2011. Practice, theory and reflection: an examination of writing in performance training and research. Journal of Writing in Creative Practice. 4 (2), pp. 141-151. https://doi.org/10.1386/jwcp.4.2.141_1Culture and identity in African and Caribbean theatre [Book review]
Igweonu, K. 2011. Culture and identity in African and Caribbean theatre [Book review]. South African Theatre Journal. 25 (2), pp. 175-177. https://doi.org/10.1080/10137548.2011.646791Interculturalism revisited: identity construction in African and African-Caribbean performance
Igweonu, K. 2011. Interculturalism revisited: identity construction in African and African-Caribbean performance. in: Igweonu, K. (ed.) Trends in twenty-first century African theatre and performance Amsterdam and New York Brill | Rodopi.7
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