Prof Dana Arnold
| Name | Prof Dana Arnold |
|---|---|
| Job title | Professor in Design |
| Research institute | |
| Primary appointment | ACI Faculty Leadership |
| Contact category | Academic staff (past) |
Research outputs
A short book about art
Arnold, D. 2015. A short book about art. London Tate Publishing.Introduction: Paris-Londres
Arnold, D. and Cohen, J. 2015. Introduction: Paris-Londres. in: Arnold, D. and Cohen, J. (ed.) Paris-Londres Gollion, Switzerland Infolio. pp. 7-15Relative values: London and Paris as cross channel cousins
Arnold, D. 2015. Relative values: London and Paris as cross channel cousins. in: Arnold, D. and Cohen, J. (ed.) Paris-Londres Gollion, Switzerland Infolio. pp. 131-166Bric a brac and Britishness: Trafalgar Square
Arnold, D. 2014. Bric a brac and Britishness: Trafalgar Square. Visual Culture in Britain Wet Paint: Visual Culture in a Changing Britain – A Round Table Debate. https://doi.org/10.1080/14714787.2015.991620Interdisciplinary encounters: hidden and visible explorations of the work of Adrian Rifkin
Arnold, D. 2014. Interdisciplinary encounters: hidden and visible explorations of the work of Adrian Rifkin. in: Arnold, D. (ed.) Interdisciplinary encounters: hidden and visible explorations of the work of Adrian Rifkin London and New York I.B.Tauris. pp. 1-3The soundtrack to history
Arnold, D. 2014. The soundtrack to history. in: Arnold, D. (ed.) Interdisciplinary encounters: hidden and visible explorations of the work of Adrian Rifkin London and New York I.B.Tauris. pp. 55-72Interdisciplinary encounters: hidden and visible explorations of the work of Adrian Rifkin
Arnold, D. (ed.) 2014. Interdisciplinary encounters: hidden and visible explorations of the work of Adrian Rifkin. London and New York I.B.Tauris.Construire la modernité urbaine: la concession britannique à Tianjin 1860-2014
Arnold, D. 2014. Construire la modernité urbaine: la concession britannique à Tianjin 1860-2014. Outre-mers: revue d’histoire (sfhom).Ambivalent architectures
Arnold, D. 2014. Ambivalent architectures. New Perspectives on Turkey. 50, pp. 189-192.Biographies and space
Arnold, D. and Sofaer, J. (ed.) 2014. Biographies and space. Routledge.The spaces of the hospital: spatiality and urban change in London 1680-1820
Arnold, D. 2013. The spaces of the hospital: spatiality and urban change in London 1680-1820. Routledge.The Georgian country house: architecture, landscape and society
Arnold, D. 2003. The Georgian country house: architecture, landscape and society. Sutton Publishing.Art history: contemporary perspectives on method
Arnold, D. (ed.) 2010. Art history: contemporary perspectives on method. WileyBlackwell.Cultural identities and the aesthetics of Britishness
Arnold, D. (ed.) 2004. Cultural identities and the aesthetics of Britishness. Manchester University Press.Tracing architecture: the aesthetics of antiquarianism
Arnold, D. and Bending, S. (ed.) 2003. Tracing architecture: the aesthetics of antiquarianism. WileyBlackwell.Art and thought
Arnold, D. and Iversen, M. (ed.) 2003. Art and thought. WileyBlackwell.Re-presenting the Metropolis: architecture, urban experience and social life in London 1800–1840
Arnold, D. 2000. Re-presenting the Metropolis: architecture, urban experience and social life in London 1800–1840. Ashgate.Reading architectural history
Arnold, D. 2002. Reading architectural history. Routledge.Art History: a very short introduction
Arnold, D. 2004. Art History: a very short introduction. Oxford University Press (OUP).Biographies and Space: placing the subject in art and architecture
Arnold, D. and Derevenski, J. (ed.) 2007. Biographies and Space: placing the subject in art and architecture. Routledge.Rethinking architectural historiography
Arnold, D., Ergut, E. and Ozkaya, B. (ed.) 2006. Rethinking architectural historiography. Routledge.Architecture as experience: radical change in spatial practice
Arnold, D. and Ballantyne, A. (ed.) 2004. Architecture as experience: radical change in spatial practice. Routledge.Rural urbanism: London landscapes in the early nineteenth century
Arnold, D. 2005. Rural urbanism: London landscapes in the early nineteenth century. Manchester University Press.If the term baroque did not exist would it be necessary to invent it? (with apologies to Voltaire)
Arnold, D. 2010. If the term baroque did not exist would it be necessary to invent it? (with apologies to Voltaire). Ars Aeterna. 2 (1), pp. 52-61.Panoptic visions of London: possessing the metropolis
Arnold, D. 2009. Panoptic visions of London: possessing the metropolis. Art History. 32 (2), pp. 332-350. https://doi.org/10.1111/j.1467-8365.2009.00665.xFacts or fragments? Visual histories in the age of mechanical reproduction
Arnold, D. 2002. Facts or fragments? Visual histories in the age of mechanical reproduction. Art History. 25 (4), pp. 450-468. https://doi.org/10.1111/1467-8365.00338London Bridge and its symbolic identity in the Regency Metropolis: the dialectic of civic and national pride
Arnold, D. 1999. London Bridge and its symbolic identity in the Regency Metropolis: the dialectic of civic and national pride. Art History. 22 (4), pp. 545-566. https://doi.org/10.1111/1467-8365.00175A companion to British Art: 1600 to the present
Arnold, D. and Corbett, D. (ed.) 2013. A companion to British Art: 1600 to the present. WileyBlackwell.Ambivalent geographies: the British concession in Tianjin, China 1860-1946
Arnold, D. 2012. Ambivalent geographies: the British concession in Tianjin, China 1860-1946. in: Codell, J. (ed.) Transculturation in British Art, 1770–1930 Ashgate. pp. 143-155En foüllant à l’aveugle: discovering the Villa of the Papyri in the 18th century
Arnold, D. 2010. En foüllant à l’aveugle: discovering the Villa of the Papyri in the 18th century. in: Zarmakoupi, M. (ed.) The Villa of the Papyri at Herculaneum: archaeology, reception, and digital reconstruction Walter de Gruyter. pp. 139-154Making London’s modernity: capital, memory and nature
Arnold, D. 2010. Making London’s modernity: capital, memory and nature. in: Cordua, C. (ed.) Manifestoes and transformations in the early modernist city Ashgate. pp. 165-178Modernity in London and Paris
Arnold, D. 2010. Modernity in London and Paris. Synergies.Rural urbanism: London’s West End
Arnold, D. 2009. Rural urbanism: London’s West End. in: Ballantyne, A. (ed.) Rural and urban: architecture between two cultures Routledge. pp. 42-55Unlearning the images of archaeology
Arnold, D. 2005. Unlearning the images of archaeology. in: Smiles, S. and Moser, S. (ed.) Envisioning the past: archaeology and the image Blackwell Publishing. pp. 92-114Distorting mirrors: the Phoenix Park, Dublin (1832-49) and the ambiguities of empire
Arnold, D. 2003. Distorting mirrors: the Phoenix Park, Dublin (1832-49) and the ambiguities of empire. in: Dorrian, M. and Rose, G. (ed.) Deterritorialisations ... revisioning: landscapes and politics Artifice Books on Architecture.The metropolis and its image: constructing identities for London, c. 1750-1950
Arnold, D. (ed.) 1999. The metropolis and its image: constructing identities for London, c. 1750-1950. WileyBlackwell.The Georgian villa
Arnold, D. (ed.) 1996. The Georgian villa. Alan Sutton Publishing.Squanderous and lavish profusion: George IV, his image and patronage of the arts
Arnold, D. (ed.) 1995. Squanderous and lavish profusion: George IV, his image and patronage of the arts. The Georgian Group.The picturesque in late Georgian England
Arnold, D. (ed.) 1994. The picturesque in late Georgian England. The Georgian Group.Belov'd by ev'ry muse: Richard Boyle, 3rd Earl of Burlington and 4th Earl of Cork (1694-1753); essays to celebrate the tercentenary of the birth of Lord Burlington
Arnold, D. (ed.) 1994. Belov'd by ev'ry muse: Richard Boyle, 3rd Earl of Burlington and 4th Earl of Cork (1694-1753); essays to celebrate the tercentenary of the birth of Lord Burlington. The Georgian Group.22
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