Ms Camilla Brown
| Name | Ms Camilla Brown |
|---|---|
| Job title | Senior Lecturer in the Creative Industries |
| Research institute | |
| Primary appointment | School of Film |
| Email address | C.E.Brown@mdx.ac.uk |
| Contact category | Academic staff |
Research outputs
How the personal remains political in photography today
Brown, C. 2017. How the personal remains political in photography today. Format 2015. Quad Derby Mar 2015 Intellect. https://doi.org/10.1386/scene.5.1.23_1Camilla Brown: In the public domain - a curators perspective
Brown, C. 2017. Camilla Brown: In the public domain - a curators perspective. in: Read, S. and Simmons, M. (ed.) Photographers and Research: The role of research in contemporary photographic practice New York Routledge. pp. 246-256Playing and reality in the work of E J Major
Brown, C. 2016. Playing and reality in the work of E J Major. Photomonitor.New models and frontiers for photography collections in the digital age
Brown, C. 2016. New models and frontiers for photography collections in the digital age. Uncertain States Event: Keepers of Culture – Considering Photographic Collections. QUAD, Market Place, Cathedral Quarter, Derby. DE1 3AS. 10 Jun 2016 Uncertain States.Playing and reality the work of E J Major
Brown, C. 2015. Playing and reality the work of E J Major. Playing and Reality E J Major.Exposure 3: Human Drama and Documentary
Healey, P. and Brown, C. 2015. Exposure 3: Human Drama and Documentary. Exposure 3: Human Drama and Documentary. Institute of Contemporary Art, London, UK 25 Nov 2015Beyond the personal a new chapter in the work of Marjolaine Ryley
Brown, C. 2015. Beyond the personal a new chapter in the work of Marjolaine Ryley. in: The Thin Blue Line, The Deep Red Sea Explorations of Miscarriage and Pregnancy Loss UK NEPN (North East Photography Network) UK.Exposure 2. An event and symposium at the Photographers’ Gallery
Healey, P. and Brown, C. 2015. Exposure 2. An event and symposium at the Photographers’ Gallery.The performer emerges in the work of Sian Bonnell
Brown, C. 2014. The performer emerges in the work of Sian Bonnell. Photomonitor.Gayle Chong Kwan 'Arripare', 2013
Brown, C. 2014. Gayle Chong Kwan 'Arripare', 2013. Photomonitor.Exposure 1. An event and symposium at the Photographers’ Gallery Exposure 1. 26/11/14
Healey, P. and Brown, C. 2014. Exposure 1. An event and symposium at the Photographers’ Gallery Exposure 1. 26/11/14.Strange encounters with the work of Anne Hardy
Brown, C. 2013. Strange encounters with the work of Anne Hardy. Photomonitor.Bettina von Zwehl: Made up Love Song
Brown, C. 2012. Bettina von Zwehl: Made up Love Song. Photomonitor.Sally Mann: the family and the land
Brown, C. 2010. Sally Mann: the family and the land. London, UK 2010Dryden Goodwin: cast
Goodwin, D., Bode, S., Brown, C. and Chandler, D. Chandler, D. (ed.) 2009. Dryden Goodwin: cast. Steidl.The grand tour: Gayle Chong Kwan
Brown, C. and Chaney, E. Boyd, A. and Bonnell, P. (ed.) 2009. The grand tour: Gayle Chong Kwan. Hampshire ArtSway.Jordan Baseman: dark is the night
Seltzer, G., Barrett, D., Brown, C. and Bonnell, P. (ed.) 2009. Jordan Baseman: dark is the night. UK ArtSway.Once more, with feeling: recent photography from Colombia
Brown, C. and Oldfield, P. (ed.) 2008. Once more, with feeling: recent photography from Colombia. Bradford Impressions Gallery.Introduction
Brown, C. 2007. Introduction. in: The hitcher / Chris Coekin Walkout Books. pp. 3-5Ville Mona: a proper kind of house
Ryley, M., Brown, C. and Ryley, B. 2006. Ville Mona: a proper kind of house. Dorset TRACE editions.Foreword [to Generation yacht: Lee Valley leisure]
Brown, C. 2005. Foreword [to Generation yacht: Lee Valley leisure]. in: Generation yacht: Lee Valley leisure Generation Press. pp. 1-3Introduction
Brown, C. 1998. Introduction. in: Willie Doherty: Somewhere else Liverpool Tate Gallery Publishing. pp. 1-3786
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