Dr Maria Salgado Llopis
| Name | Dr Maria Salgado Llopis |
|---|---|
| Job title | Acting Director of Programmes for Animation and Games |
| Research institute | |
| Primary appointment | School of Film |
| ORCID | https://orcid.org/0000-0002-2007-722X |
| Contact category | Academic staff (past) |
Education and qualifications
Grants
Prizes and Awards
External activities
Research outputs
iuSui
Salgado Llopis, M. and Heger-Hedløy, A. 2023. iuSui.Reviving Hellas: the body and natural movement in early twentieth-century Britain
Salgado Llopis, M. 2020. Reviving Hellas: the body and natural movement in early twentieth-century Britain. PhD thesis Kingston University Drama, dance and performing artsPerforming history: Wind Tossed (1936), natural movement and the hyper-historian
Salgado Llopis, M. 2018. Performing history: Wind Tossed (1936), natural movement and the hyper-historian. in: Main, L. (ed.) Transmissions in Dance: Contemporary Staging Practices London Palgrave Macmillan. pp. 61-83Dialogues in sound and movement: research-led teaching in contemporary choreography and sound composition
Salazar, D. and Salgado Llopis, M. 2015. Dialogues in sound and movement: research-led teaching in contemporary choreography and sound composition. Reflective Conservatoire Conference 2015: creativity and changing cultures. London, UK 26 Feb - 01 Mar 2015Corporeal cartography: developing and navigating an expressive system for dance, improvisation and sonic art
Salazar, D. and Salgado Llopis, M. 2013. Corporeal cartography: developing and navigating an expressive system for dance, improvisation and sonic art. Researching music as process: methods and approaches. Oxford, UK 21 - 21 Nov 2013Moving bodies: exploring the power of the dance performer
Salgado Llopis, M. 2012. Moving bodies: exploring the power of the dance performer. Sensible Flesh: Rethinking the Body in the 21st Century. London, UK 13 - 13 Feb 2012Beyond the surface: articulating the power of the performer
Salgado Llopis, M. 2010. Beyond the surface: articulating the power of the performer. Embodying Power: Work over time. Seattle, United States 18 2010 - 21 Nov 2012Between subject and object: Classical Ballet, Foucault and the dancing body
Salgado Llopis, M. 2010. Between subject and object: Classical Ballet, Foucault and the dancing body. 1st Annual International Conference on Fine and Performing Arts. Athens, Greece 07 - 10 Jun 2010Orthodoxy and heresy: the codification of Natural Movement
Salgado Llopis, M. 2009. Orthodoxy and heresy: the codification of Natural Movement. Moving Naturally: Re-thinking dance 1900s-1930s. Guildford, UK 31 - 31 Oct 2009522
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