Instrument und Pseudoinstrument - Akusmatische Konzepte
Book chapter
Dack, J. 2002. Instrument und Pseudoinstrument - Akusmatische Konzepte. in: Ungeheuer, E. and Bottenberg, E. (ed.) Elektroakustische Musik Laaber-Verlag.
Chapter title | Instrument und Pseudoinstrument - Akusmatische Konzepte |
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Authors | Dack, J. |
Abstract | Dack's research area is contemporary Musicology/History of Ideas. He is concerned with the identification, evaluation and explanation of theoretical concepts evolving from musicians' interaction with a variety of analogue/digital technologies. There are two principal subject areas: 1) The works of the Frenchman Pierre Schaeffer and the Groupe de Recherches Musicales in Paris; 2) The development of serial thought in the Westdeutscher Rundfunk studio in Cologne. Dack's exegeses and translations of French texts are a major contribution to the increasing awareness of Schaeffer's musical theories in the English-speaking world. Moreover, his work is integral to research currently pursued within the Lansdown Centre. The Schaefferian research into interactivity and technology has significant implications for evaluating Sonic Arts/Music performance practices. Furthermore, his historical/aesthetic investigations into the articulation of space in Sound Diffusion and Installation Art clarifies interdisciplinary concerns common to Fine Art and Music. |
Research Group | Electronic and Digital Arts cluster |
Book title | Elektroakustische Musik |
Editors | Ungeheuer, E. and Bottenberg, E. |
Publisher | Laaber-Verlag |
ISBN | |
Hardcover | 3-89007-425-1 |
Publication dates | |
Jan 2002 | |
Publication process dates | |
Deposited | 13 Nov 2008 |
Output status | Published |
Copyright Statement | Author's own translation of original work also written by himself. |
Language | English |
File |
https://repository.mdx.ac.uk/item/80y08
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