Sound, installations and music.

Book chapter

Dack, J. 2003. Sound, installations and music. in: MAXIS II Conference Proceedings MAXIS II Conference Proceedings. pp. 35-39
Chapter titleSound, installations and music.
AuthorsDack, J.
Research GroupElectronic and Digital Arts cluster
Page range35-39
Book titleMAXIS II Conference Proceedings
PublisherMAXIS II Conference Proceedings
ISBN
Hardcover1-84387-011-8
Publication dates
Print2003
Publication process dates
Deposited09 Feb 2009
Output statusPublished
LanguageEnglish
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Pierre Schaeffer and the (recorded) sound source
Dack, J. 2019. Pierre Schaeffer and the (recorded) sound source. in: Steintrager, J. and Chow, R. (ed.) Sound Objects London, UK Duke University Press. pp. 33-52
Radiophonie/Poesie/Musik
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Those blue remembered sounds
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In search of a concrete music by Pierre Schaeffer; translated by Christine North and John Dack.
Schaeffer, P., Dack, J. and North, C. 2012. In search of a concrete music by Pierre Schaeffer; translated by Christine North and John Dack. Berkeley University of California Press.
Treatise on musical objects: an essay across disciplines by Pierre Schaeffer; translated by Christine North and John Dack
Schaeffer, P., North, C. and Dack, J. 2017. Treatise on musical objects: an essay across disciplines by Pierre Schaeffer; translated by Christine North and John Dack. Oakland, USA University of California Press.
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Dack, J. 2014. Forschung im inneren des klangs. Neue Zeitschrift für Musik.
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François Bayle’s valeur obscure
Dack, J. 2015. François Bayle’s valeur obscure. in: Brech, M. and Paland, R. (ed.) Kompositionen für hörbaren Raum: die frühe elektroakustische Musik und ihre Kontexte = Compositions for audible space : the early electroacoustic music and its contexts Bielefeld Transcript Verlag. pp. 277-286
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Instrument, que nous veux-tu?
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The relationship between electro-acoustic music and instrumental/vocal composition in Europe in the period 1948-1970.
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Virtuosity and the virtual.
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Translating Pierre Schaeffer: symbolism, literature and music.
Dack, J. 2006. Translating Pierre Schaeffer: symbolism, literature and music. Musicacoustica 2006.
The open form in the arts.
Dack, J. 2004. The open form in the arts. in: IIASSRC Conference Proceedings IIASSRC Conference Proceedings. pp. 7-13
The evocation of space as a compositional determinant.
Dack, J. 2000. The evocation of space as a compositional determinant. in: IIASSRC Conference Proceedings IIASSRC Conference Proceedings. pp. 61-66
The electroacoustic music of Henri Pousseur and the open form
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The artist-couple (Sabine Schäfer and Joachim Krebs).
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The 'series' in Music and Art.
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Spectral music and Schaefferian methodology.
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The 'open' score as source for interaction.
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Sonic Art: Interactions between practice and theory.
Dack, J. 2005. Sonic Art: Interactions between practice and theory. in: IIASSRC Conference Proceedings IIASSRC Conference Proceedings. pp. 33-40
Review: the 'Nowalls' Conference at De Montfort University
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Report on the Sonic Arts Network Conference, Newcastle
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Music in space, space in music.
Dack, J. 2008. Music in space, space in music. Society for the Promotion of New Music: New Notes.
Ludwig van Henry: an interview with Pierre Henry.
Dack, J. 2000. Ludwig van Henry: an interview with Pierre Henry. Journal of Electroacoustic Music. 13, pp. 27-30.
La musique électro-acoustique 'mixte'.
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Karlheinz Stockhausen's kontakte and narrativity.
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Introduction to the work of Sabine Schäfer
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Introduction and Afterword to Sound - Time - Space - Movement by Sabine Schäfer/Joachim Krebs
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Instrument, what do you want of us?
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Histories and ideologies of synthesis.
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Henri Pousseur's 'Huit Etudes Paraboliques': the 'open' form as 'Remix'?
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From sound to music: from recording to theory.
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Francis Dhomont in London.
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Ear-training using the computer and PROGREMU Recueil des actes.
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Diffusion as performance.
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Die Herausforderung traditioneller Konzepte.
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At the limits of Schaeffer's TARTYP.
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Acoulogie: an answer to Lévi-Strauss?
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Abstract and concrete.
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Writing aloud: the sonics of language
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Soundscape: the school of sound lectures.
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Electroacoustic music: analytical perspectives
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A sense of place: a sense of space
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Foreword, afterword and translation of "Sound - Time - Space - Movement: The Space-Sound Installations of the artist couple Sabine Schäfer/Joachim Krebsâ
Nuhn, R. and Dack, J. 2004. Foreword, afterword and translation of "Sound - Time - Space - Movement: The Space-Sound Installations of the artist couple Sabine Schäfer/Joachim Krebsâ. Organised Sound. 8 (2), pp. 213-225.
Webern's Op.21 and the unity of musical space.
Dack, J. 2002. Webern's Op.21 and the unity of musical space. in: Systems Research in the Arts. IIASSRC Conference.
"Open" forms and the computer.
Dack, J. 2004. "Open" forms and the computer. in: Barbanti, R. (ed.) Musiques, arts, technologie. Pour une Approche Critique. Collection: 'Musique-philosophie' Paris Harmattan. pp. 401-412
Technology and the instrument
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Instrument und Pseudoinstrument - Akusmatische Konzepte
Dack, J. 2002. Instrument und Pseudoinstrument - Akusmatische Konzepte. in: Ungeheuer, E. and Bottenberg, E. (ed.) Elektroakustische Musik Laaber-Verlag.