Immanent images: photography after mobility
Book chapter
Sutton, D. 2009. Immanent images: photography after mobility. in: Rodowick, D. (ed.) Afterimages of Gilles Deleuze’s film philosophy. Minneapolis, MN, USA University of Minnesota Press.
Chapter title | Immanent images: photography after mobility |
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Authors | Sutton, D. |
Abstract | The onset of digital photography involves an image not fixed on celluloid or paper, and whose very existence is often only luminescent and evanescent – created with the smallest of thoughts, multiplying without limit and deleted without conscience. This paper uses Gilles Deleuze’s cinema theory as a lens through which to see this change in personal photography as it transcends its medium in the digital age. |
Keywords | Deleuze; photography; mobility; time; film; philosophy |
Research Group | Visual Culture and Curating cluster |
Book title | Afterimages of Gilles Deleuze’s film philosophy. |
Editors | Rodowick, D. |
Publisher | University of Minnesota Press |
Place of publication | Minneapolis, MN, USA |
ISBN | |
Hardcover | 9780816650071 |
Publication dates | |
11 Dec 2009 | |
Publication process dates | |
Deposited | 15 Mar 2011 |
Output status | Published |
Web address (URL) | http://www.upress.umn.edu/Books/R/rodowick_afterimages.html |
Language | English |
https://repository.mdx.ac.uk/item/832v1
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