Philosophy, politics and homage in Tears of the Black Tiger
Book chapter
Sutton, D. 2012. Philosophy, politics and homage in Tears of the Black Tiger. in: Martin-Jones, D. and Brown, W. (ed.) Deleuze and film Edinburgh Edinburgh University Press.
Chapter title | Philosophy, politics and homage in Tears of the Black Tiger |
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Authors | Sutton, D. |
Abstract | The value of Deleuze’s cinema philosophy is poorly served by the assumption that the time-image is the only appropriate tool to investigate a post-Classical cinema of nostalgia and homage, in which the motifs of classical cinema are recapitulated for a reflexive audience. Such an assumption neglects the role of naivety as a device to explore the possibilities of social change, as well as the philosophical potential of Deleuze’s movement-image in understanding it. |
Keywords | Deleuze; Thai cinema; Wisit Sasanatieng; Tears of the Black Tiger; Fa Thalai Jone; body without organs |
Research Group | Visual Culture and Curating cluster |
Book title | Deleuze and film |
Editors | Martin-Jones, D. and Brown, W. |
Publisher | Edinburgh University Press |
Place of publication | Edinburgh |
ISBN | |
Hardcover | 9780748641215 |
Publication dates | |
Apr 2012 | |
Publication process dates | |
Deposited | 21 Mar 2011 |
Output status | Published |
Web address (URL) | http://www.euppublishing.com/book/9780748641215 |
Language | English |
https://repository.mdx.ac.uk/item/832v3
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