A Snapshot of the Pierrot Ensemble Today
Article
Dromey, C. 2013. A Snapshot of the Pierrot Ensemble Today. Proceedings of the Third International Meeting for Chamber Music.
Type | Article |
---|---|
Title | A Snapshot of the Pierrot Ensemble Today |
Authors | Dromey, C. |
Abstract | 2012 was the centenary of the first performance of Arnold Schoenberg’s Pierrot lunaire, Op. 21, and over the last hundred years its mixed chamber ensemble has become, in all its protean forms, a principal line-up for modern music. As scholars have awoken to this phenomenon, so the term ‘Pierrot ensemble’ has gradually entered the lexicon of music criticism to describe such works, as well as the groups that perform them. At the same time, it is clear that music written for conventional chamber-music groupings has become increasingly rare since the early twentieth century, and that the preference of composers for more colourful and heterogeneous types of ensemble has grown. Because of these tendencies, the Pierrot ensemble’s line-up could be popular but never absolutely fixed: as we shall see, nearly all Pierrot ensembles deviate in some way from Schoenberg’s prototype. |
Publisher | University of Évora |
Journal | Proceedings of the Third International Meeting for Chamber Music |
Publication process dates | |
Deposited | 30 Jan 2013 |
Output status | Published |
Web address (URL) | http://paulinyi.com/anexos/textos/MeetingJanuary2013.pdf |
Language | English |
File |
https://repository.mdx.ac.uk/item/83xw1
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