On being immersed: the pleasure of being: washing, feeding, holding

Book chapter

Machon, J. 2017. On being immersed: the pleasure of being: washing, feeding, holding. in: Frieze, J. (ed.) Reframing Immersive Theatre: The Politics and Pragmatics of Participatory Performance Basingstoke, UK Palgrave Macmillan. pp. 29-42
Chapter titleOn being immersed: the pleasure of being: washing, feeding, holding
AuthorsMachon, J.
Research GroupTheatre Arts group
Page range29-42
Book titleReframing Immersive Theatre: The Politics and Pragmatics of Participatory Performance
EditorsFrieze, J.
PublisherPalgrave Macmillan
Place of publicationBasingstoke, UK
ISBN
Hardcover9781137366030
Electronic9781137366047
Paperback9781349676262
Publication dates
Online31 Mar 2017
Print10 Apr 2017
Publication process dates
Deposited12 Mar 2014
Output statusPublished
Copyright Statement

Copyright © The Author(s) 2016

Digital Object Identifier (DOI)https://doi.org/10.1057/978-1-137-36604-7_2
LanguageEnglish
Permalink -

https://repository.mdx.ac.uk/item/84q77

Log in to edit
  • 48
    total views
  • 0
    total downloads
  • 1
    views this month
  • 0
    downloads this month

Export as

Related outputs

The aesthetics of immersion in Punchdrunk's The Drowned Man: A Hollywood Fable
Machon, J. 2017. The aesthetics of immersion in Punchdrunk's The Drowned Man: A Hollywood Fable. in: Atkinson, S. and Kennedy, H. (ed.) Live Cinema: Cultures, Economies, Aesthetics. London Bloomsbury Academic. pp. 219-230
Watching, attending, sense-making: spectatorship in immersive theatres
Machon, J. 2016. Watching, attending, sense-making: spectatorship in immersive theatres. Journal of Contemporary Drama in English. 4 (1), pp. 34-48. https://doi.org/10.1515/jcde-2016-0004
Naomi Wallace and the politics of desire
Machon, J. 2013. Naomi Wallace and the politics of desire. in: Stevens Abbit, E. and Palmer, S. (ed.) The innovative theatre of Naomi Wallace: embodied dialogues Palgrave Macmillan.
Blind(fold)ed by light in Lundahl & Seitl’s Symphony in a Missing Room: thinking out loud in the dark
Machon, J. 2014. Blind(fold)ed by light in Lundahl & Seitl’s Symphony in a Missing Room: thinking out loud in the dark. Theatre in the Dark.. University of Surrey, SeedPOD Nodus Centre. 12 Jul 2014
Missing rooms and unknown clouds: darkness and illumination in the work of Lundahl & Seitl
Machon, J., Lundahl, C. and Seitl, M. 2017. Missing rooms and unknown clouds: darkness and illumination in the work of Lundahl & Seitl. in: Alston, A. and Welton, M. (ed.) Theatre in the Dark: Shadow, Gloom and Blackout in Contemporary Theatre London Bloomsbury Methuen Drama. pp. 147-168
Audience improvisation in the immersive experiences: the sensuous world of the body in the work of Lundahl & Seitl
Machon, J. 2019. Audience improvisation in the immersive experiences: the sensuous world of the body in the work of Lundahl & Seitl. in: Midgelow, V. (ed.) The Oxford Handbook of Improvisation in Dance Oxford University Press (OUP). pp. 671-686
(Syn)aesthetics and immersive theatre: embodied beholding in Lundahl & Seitl’s Rotating in a Room of Images
Machon, J. 2013. (Syn)aesthetics and immersive theatre: embodied beholding in Lundahl & Seitl’s Rotating in a Room of Images. in: Shaughnessy, N. (ed.) Affective performance and cognitive science Bloomsbury Methuen Drama.
Punchdrunk
Machon, J. 2015. Punchdrunk. in: Tomlin, E. (ed.) British theatre companies: 1995-2014 Methuen Drama.
(Syn)aesthetics: redefining visceral performance
Machon, J. 2011. (Syn)aesthetics: redefining visceral performance. Basingstoke, UK Palgrave Macmillan.
Punchdrunk enrichment preliminary report. November 2014.
Machon, J. and Thompson, C. 2014. Punchdrunk enrichment preliminary report. November 2014. Middlesex University.
Immersed in illusion, haunted by history: Marisa Carnesky’s ghost train
Machon, J. 2013. Immersed in illusion, haunted by history: Marisa Carnesky’s ghost train. in: Jenzen, O. and Munt, S. (ed.) The Ashgate research companion to paranormal cultures Ashgate. pp. 241-254
Immersive performance, (syn)aesthetics and the phenomenology of technologies
Machon, J. 2013. Immersive performance, (syn)aesthetics and the phenomenology of technologies. in: Shaughnessy, N. (ed.) Affective performance and cognitive science: body, brain and being Bloomsbury.
Immersive theatres: intimacy and immediacy in contemporary performance
Machon, J. 2013. Immersive theatres: intimacy and immediacy in contemporary performance. Basingstoke Palgrave Macmillan.