Theatre Arts group


TitleTheatre Arts group

Latest research outputs

Sort by Date Title
Beyond the stomp: the Nobbs Suzuki Praxis as an Australian variant of the Suzuki method of actor training
Diedrich, A. and Barbe, F. 2023. Beyond the stomp: the Nobbs Suzuki Praxis as an Australian variant of the Suzuki method of actor training. Theatre, Dance and Performance Training. https://doi.org/10.1080/19443927.2022.2152860

Article

Futures literacy theatre lab with unaccompanied asylum-seeking minors: practical and ethical considerations
de Senna, P. 2019. Futures literacy theatre lab with unaccompanied asylum-seeking minors: practical and ethical considerations. Conceição/Conception. 8 (2), pp. 75-93. https://doi.org/10.20396/conce.v8i2.8657876

Article

太极推手: Taiji Pushing Hands (Postcard)
Sachsenmaier, S. 2022. 太极推手: Taiji Pushing Hands (Postcard). Theatre, Dance and Performance Training. 13 (3), pp. 463-464. https://doi.org/10.1080/19443927.2022.2102741

Article

Balad
Beale, S., Shehada, A., Shamas, H., al Batran, K., Monther, E., Swity, D. and Shyouki, R. 2022. Balad. al Qattan Foundation, Ramallah 25 Jul 2022

Performance

Funny and disturbing: women’s serio-comic performances on the Victorian music hall
Beale, S. 2022. Funny and disturbing: women’s serio-comic performances on the Victorian music hall. Comedy Studies. 13 (2), pp. 186-198. https://doi.org/10.1080/2040610X.2022.2091734

Article

Solidarity in Performance: considering activist processes in neoliberal times
Sachsenmaier, S. 2022. Solidarity in Performance: considering activist processes in neoliberal times. Performance Research. 27 (5), pp. 4-15. https://doi.org/10.1080/13528165.2022.2160913

Article

Performance Research, Volume 27, Issue 5 (2022): On Solidarity
Colin, N. and Sachsenmaier, S. (ed.) 2022. Performance Research, Volume 27, Issue 5 (2022): On Solidarity. Taylor & Francis (Routledge).

Edited Journal

Special Issue: Critical Stages: Unstable grounds: reconfigurations of performance and politics, Issue 23, ISSN 2409-7411
Argyropoulou, G. and Sachsenmaier, S. 2021. Special Issue: Critical Stages: Unstable grounds: reconfigurations of performance and politics, Issue 23, ISSN 2409-7411. Critical Stages/Scènes critiques.

Edited Journal

The garden of dystopian pleasures
de Senna, P., Dousos, F., Ieropoulos, F. and Pfützenreuter, R. 2021. The garden of dystopian pleasures. Studies in Theatre and Performance. 41 (3), pp. 281-304. https://doi.org/10.1080/14682761.2021.1974693

Article

Performance and the Right
de Senna, P. and Hudson, J. 2021. Performance and the Right. Studies in Theatre and Performance. 41 (3), pp. 231-235. https://doi.org/10.1080/14682761.2021.1974674

Article

T. J. Bacon reflects on CHTHONIC
Bacon, T. 2020. T. J. Bacon reflects on CHTHONIC. in: Guttenplan, Z. (ed.) Emergency index: an annual document of performance practice New York, US Ugly Duckling Presse.

Book chapter

‘Critical Pathways’ – Training and investigating the art of choreography-making with Rosemary Butcher
Sachsenmaier, S. 2021. ‘Critical Pathways’ – Training and investigating the art of choreography-making with Rosemary Butcher. Theatre, Dance and Performance Training. 12 (2), pp. 164-183. https://doi.org/10.1080/19443927.2021.1902382

Article

Freedom in the margins: Experiences from Brazil
de Senna, P., Gayotto, L. and Meirelles, M. 2021. Freedom in the margins: Experiences from Brazil. Studies in Theatre and Performance. 41 (1), pp. 68-82. https://doi.org/10.1080/14682761.2021.1885961

Article

Showtime from the frontline
Beale, S., Thomas, M., Douglas, J., Shehada, A. and Abuallhaja, F. 2018. Showtime from the frontline.

Digital or visual media

Showtime from the frontline
Beale, S., Thomas, M., Douglas, J., Shehada, A. and Abualhaja, F. 2018. Showtime from the frontline. Bristol Old Vic, Bristol, UK 12 Feb 2018

Performance

The comedy and legacy of music-hall women 1880-1920: brazen impudence and boisterous vulgarity
Beale, S. 2020. The comedy and legacy of music-hall women 1880-1920: brazen impudence and boisterous vulgarity. Switzerland Palgrave MacMillian.

Authored Book

The lived body: REDUX
Bacon, T. 2014. The lived body: REDUX. The Island, Bristol - Tempting Failure 2014

Performance

FIRE
Bacon, T. and Alexander, F. 2015. FIRE. Buzzcut Festival, Glasgow 2015

Performance

PASSION/Flower
Fischer, E. and Bacon, T. 2014. PASSION/Flower. MPA Berlin, Germany 2014

Performance

TF16 - London Biennial of International Performance Art
Bacon, T. 2016. TF16 - London Biennial of International Performance Art. Matthews Yard (Croydon) Jul 2016

Show or exhibition

TF18 - London Biennial of International Performance Art
Bacon, T. 2018. TF18 - London Biennial of International Performance Art. Live Art Development Agency Jul 2018

Show or exhibition

PRESENCE/s
Bacon, T. and Lanz, J. 2015. PRESENCE/s. Ausland, Berlin 2015

Performance

Traces of being: a document of absence in words
Bacon, T. 2011. Traces of being: a document of absence in words. activate. 1 (1), pp. 1-19.

Article

Kitty Marion: actor and activist edited by Viv Gardner and Diane Atkinson, Manchester, Manchester University Press, 2019, 282 pp., ISBN 978-1-5261-3804-0 [Book review]
Beale, S. 2019. Kitty Marion: actor and activist edited by Viv Gardner and Diane Atkinson, Manchester, Manchester University Press, 2019, 282 pp., ISBN 978-1-5261-3804-0 [Book review]. Women's History Review. 28 (6), pp. 1011-1012. https://doi.org/10.1080/09612025.2019.1650700

Article

The aesthetics of immersion in Punchdrunk's The Drowned Man: A Hollywood Fable
Machon, J. 2017. The aesthetics of immersion in Punchdrunk's The Drowned Man: A Hollywood Fable. in: Atkinson, S. and Kennedy, H. (ed.) Live Cinema: Cultures, Economies, Aesthetics. London Bloomsbury Academic. pp. 219-230

Book chapter

My heart, my heart: live poetry jukebox
Diedrich, A. and Malten, T. 2017. My heart, my heart: live poetry jukebox. Cambridge Junction 06 Sep 2017

Performance

Introduction: Creative practices/resistant acts
Hussein, N. and MacKenzie, I. 2017. Introduction: Creative practices/resistant acts. Contention - The Multidisciplinary Journal of Social Protest. 5 (1), pp. 1-13. https://doi.org/10.3167/cont.2017.050102

Article

CHTHONIC
Bacon, T. 2019. CHTHONIC. Raw Labs, Bow Arts Trust, as part of London Festival of Architecture, London, UK 21 Jun 2019

Public installation

The Punchdrunk encyclopaedia
Machon, J. (ed.) 2018. The Punchdrunk encyclopaedia. London Routledge.

Book

Psychogenesis series
Bacon, T. 2018. Psychogenesis series. in: Gluzman, Y. and Cleary, S. (ed.) Emergency index: an annual document of performance practice New York, US Ugly Duckling Presse.

Book chapter

A funny thing happened on the way to the checkpoint: teaching stand-up comedy in occupied Palestine
Beale, S. 2018. A funny thing happened on the way to the checkpoint: teaching stand-up comedy in occupied Palestine. Teaching Artist Journal. 16 (3-4), pp. 91-99. https://doi.org/10.1080/15411796.2018.1530520

Article

Diversity in the discipline working group: chair’s report 2015-17
de Senna, P. 2018. Diversity in the discipline working group: chair’s report 2015-17. SCUDD.

Project report

Rewriting Narratives in Egyptian Theatre: Translation, Performance, Politics. Edited by Sirkku Aaltonen and Areeg Ibrahim . Abingdon and New York: Routledge, 2016. Pp. 288 17 illus. £110 Hb [Book Review]
Hussein, N. 2017. Rewriting Narratives in Egyptian Theatre: Translation, Performance, Politics. Edited by Sirkku Aaltonen and Areeg Ibrahim . Abingdon and New York: Routledge, 2016. Pp. 288 17 illus. £110 Hb [Book Review]. Theatre Research International. 42 (3), pp. 353-355. https://doi.org/10.1017/S0307883317000669

Article

Artefacts: a multi-voiced collection of paraphernalia, documentation and reflection on the space and words for dancers work-week
Vesty, R., Andrews, M., de la Fe, A., Hamilton, J., Hanne, B. and Di Giovanni, T. 2017. Artefacts: a multi-voiced collection of paraphernalia, documentation and reflection on the space and words for dancers work-week. Choreographic Practices. 8 (1), pp. 131-167. https://doi.org/10.1386/chor.8.1.131_1

Article

Words and dance
Vesty, R. 2017. Words and dance. Choreographic Practices. 8 (1), pp. 3-8. https://doi.org/10.1386/chor.8.1.3_2

Article

It’s alive! Design as a visual dramaturgy in a collaborative practice
Lane, K. 2016. It’s alive! Design as a visual dramaturgy in a collaborative practice. Costume & Fashion in Context and Practice. University of Huddersfield, United Kingdom 05 - 06 Dec 2016

Conference paper

Axiom; performance machine
Lane, K. and Wild, J. 2017. Axiom; performance machine. Wimbledon College of Arts 20 - 25 Feb 2017

Show or exhibition

Gagging for it: irony, innuendo and the politics of subversion in women’s comic performances on the London music hall stage
Beale, S. 2017. Gagging for it: irony, innuendo and the politics of subversion in women’s comic performances on the London music hall stage. Mixed Bill - Women and Comedy Symposium. Salford University, United Kingdom 19 Oct 2017

Conference paper

Make/Believe - UK Design for Performance 2011 - 15
Lane, K. 2015. Make/Believe - UK Design for Performance 2011 - 15.

Artefact

Costume at the Turn of the Century, 1990 - 2015
Lane, K. 2015. Costume at the Turn of the Century, 1990 - 2015.

Artefact

  • 0
    total views
  • 0
    total downloads
  • 0
    views this month
  • 0
    downloads this month