Theatre Arts group
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Latest research outputs
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Beyond the stomp: the Nobbs Suzuki Praxis as an Australian variant of the Suzuki method of actor training
Diedrich, A. and Barbe, F. 2023. Beyond the stomp: the Nobbs Suzuki Praxis as an Australian variant of the Suzuki method of actor training. Theatre, Dance and Performance Training. https://doi.org/10.1080/19443927.2022.2152860Article
Futures literacy theatre lab with unaccompanied asylum-seeking minors: practical and ethical considerations
de Senna, P. 2019. Futures literacy theatre lab with unaccompanied asylum-seeking minors: practical and ethical considerations. Conceição/Conception. 8 (2), pp. 75-93. https://doi.org/10.20396/conce.v8i2.8657876Article
太极推手: Taiji Pushing Hands (Postcard)
Sachsenmaier, S. 2022. 太极推手: Taiji Pushing Hands (Postcard). Theatre, Dance and Performance Training. 13 (3), pp. 463-464. https://doi.org/10.1080/19443927.2022.2102741Article
Balad
Beale, S., Shehada, A., Shamas, H., al Batran, K., Monther, E., Swity, D. and Shyouki, R. 2022. Balad. al Qattan Foundation, Ramallah 25 Jul 2022Performance
Funny and disturbing: women’s serio-comic performances on the Victorian music hall
Beale, S. 2022. Funny and disturbing: women’s serio-comic performances on the Victorian music hall. Comedy Studies. 13 (2), pp. 186-198. https://doi.org/10.1080/2040610X.2022.2091734Article
Solidarity in Performance: considering activist processes in neoliberal times
Sachsenmaier, S. 2022. Solidarity in Performance: considering activist processes in neoliberal times. Performance Research. 27 (5), pp. 4-15. https://doi.org/10.1080/13528165.2022.2160913Article
Performance Research, Volume 27, Issue 5 (2022): On Solidarity
Colin, N. and Sachsenmaier, S. (ed.) 2022. Performance Research, Volume 27, Issue 5 (2022): On Solidarity. Taylor & Francis (Routledge).Edited Journal
The garden of dystopian pleasures
de Senna, P., Dousos, F., Ieropoulos, F. and Pfützenreuter, R. 2021. The garden of dystopian pleasures. Studies in Theatre and Performance. 41 (3), pp. 281-304. https://doi.org/10.1080/14682761.2021.1974693Article
Performance and the Right
de Senna, P. and Hudson, J. 2021. Performance and the Right. Studies in Theatre and Performance. 41 (3), pp. 231-235. https://doi.org/10.1080/14682761.2021.1974674Article
T. J. Bacon reflects on CHTHONIC
Bacon, T. 2020. T. J. Bacon reflects on CHTHONIC. in: Guttenplan, Z. (ed.) Emergency index: an annual document of performance practice New York, US Ugly Duckling Presse.Book chapter
‘Critical Pathways’ – Training and investigating the art of choreography-making with Rosemary Butcher
Sachsenmaier, S. 2021. ‘Critical Pathways’ – Training and investigating the art of choreography-making with Rosemary Butcher. Theatre, Dance and Performance Training. 12 (2), pp. 164-183. https://doi.org/10.1080/19443927.2021.1902382Article
Freedom in the margins: Experiences from Brazil
de Senna, P., Gayotto, L. and Meirelles, M. 2021. Freedom in the margins: Experiences from Brazil. Studies in Theatre and Performance. 41 (1), pp. 68-82. https://doi.org/10.1080/14682761.2021.1885961Article
Showtime from the frontline
Beale, S., Thomas, M., Douglas, J., Shehada, A. and Abuallhaja, F. 2018. Showtime from the frontline.Digital or visual media
Showtime from the frontline
Beale, S., Thomas, M., Douglas, J., Shehada, A. and Abualhaja, F. 2018. Showtime from the frontline. Bristol Old Vic, Bristol, UK 12 Feb 2018Performance
Special Issue: Critical Stages: Unstable grounds: reconfigurations of performance and politics, Issue 23, ISSN 2409-7411
Argyropoulou, G. and Sachsenmaier, S. 2021. Special Issue: Critical Stages: Unstable grounds: reconfigurations of performance and politics, Issue 23, ISSN 2409-7411. International Association of Theatre Critics.Edited Journal
The comedy and legacy of music-hall women 1880-1920: brazen impudence and boisterous vulgarity
Beale, S. 2020. The comedy and legacy of music-hall women 1880-1920: brazen impudence and boisterous vulgarity. Switzerland Palgrave MacMillian.Authored Book
The lived body: REDUX
Bacon, T. 2014. The lived body: REDUX. The Island, Bristol - Tempting Failure 2014Performance
FIRE
Bacon, T. and Alexander, F. 2015. FIRE. Buzzcut Festival, Glasgow 2015Performance
PASSION/Flower
Fischer, E. and Bacon, T. 2014. PASSION/Flower. MPA Berlin, Germany 2014Performance
TF16 - London Biennial of International Performance Art
Bacon, T. 2016. TF16 - London Biennial of International Performance Art. Matthews Yard (Croydon) Jul 2016Show or exhibition
TF18 - London Biennial of International Performance Art
Bacon, T. 2018. TF18 - London Biennial of International Performance Art. Live Art Development Agency Jul 2018Show or exhibition
PRESENCE/s
Bacon, T. and Lanz, J. 2015. PRESENCE/s. Ausland, Berlin 2015Performance
Traces of being: a document of absence in words
Bacon, T. 2011. Traces of being: a document of absence in words. activate. 1 (1), pp. 1-19.Article
Kitty Marion: actor and activist edited by Viv Gardner and Diane Atkinson, Manchester, Manchester University Press, 2019, 282 pp., ISBN 978-1-5261-3804-0 [Book review]
Beale, S. 2019. Kitty Marion: actor and activist edited by Viv Gardner and Diane Atkinson, Manchester, Manchester University Press, 2019, 282 pp., ISBN 978-1-5261-3804-0 [Book review]. Women's History Review. 28 (6), pp. 1011-1012. https://doi.org/10.1080/09612025.2019.1650700Article
The aesthetics of immersion in Punchdrunk's The Drowned Man: A Hollywood Fable
Machon, J. 2017. The aesthetics of immersion in Punchdrunk's The Drowned Man: A Hollywood Fable. in: Atkinson, S. and Kennedy, H. (ed.) Live Cinema: Cultures, Economies, Aesthetics. London Bloomsbury Academic. pp. 219-230Book chapter
My heart, my heart: live poetry jukebox
Diedrich, A. and Malten, T. 2017. My heart, my heart: live poetry jukebox. Cambridge Junction 06 Sep 2017Performance
Introduction: Creative practices/resistant acts
Hussein, N. and MacKenzie, I. 2017. Introduction: Creative practices/resistant acts. Contention - The Multidisciplinary Journal of Social Protest. 5 (1), pp. 1-13. https://doi.org/10.3167/cont.2017.050102Article
CHTHONIC
Bacon, T. 2019. CHTHONIC. Raw Labs, Bow Arts Trust, as part of London Festival of Architecture, London, UK 21 Jun 2019Public installation
The Punchdrunk encyclopaedia
Machon, J. (ed.) 2018. The Punchdrunk encyclopaedia. London Routledge.Book
Psychogenesis series
Bacon, T. 2018. Psychogenesis series. in: Gluzman, Y. and Cleary, S. (ed.) Emergency index: an annual document of performance practice New York, US Ugly Duckling Presse.Book chapter
A funny thing happened on the way to the checkpoint: teaching stand-up comedy in occupied Palestine
Beale, S. 2018. A funny thing happened on the way to the checkpoint: teaching stand-up comedy in occupied Palestine. Teaching Artist Journal. 16 (3-4), pp. 91-99. https://doi.org/10.1080/15411796.2018.1530520Article
Diversity in the discipline working group: chair’s report 2015-17
de Senna, P. 2018. Diversity in the discipline working group: chair’s report 2015-17. SCUDD.Project report
Rewriting Narratives in Egyptian Theatre: Translation, Performance, Politics. Edited by Sirkku Aaltonen and Areeg Ibrahim . Abingdon and New York: Routledge, 2016. Pp. 288 17 illus. £110 Hb [Book Review]
Hussein, N. 2017. Rewriting Narratives in Egyptian Theatre: Translation, Performance, Politics. Edited by Sirkku Aaltonen and Areeg Ibrahim . Abingdon and New York: Routledge, 2016. Pp. 288 17 illus. £110 Hb [Book Review]. Theatre Research International. 42 (3), pp. 353-355. https://doi.org/10.1017/S0307883317000669Article
Artefacts: a multi-voiced collection of paraphernalia, documentation and reflection on the space and words for dancers work-week
Vesty, R., Andrews, M., de la Fe, A., Hamilton, J., Hanne, B. and Di Giovanni, T. 2017. Artefacts: a multi-voiced collection of paraphernalia, documentation and reflection on the space and words for dancers work-week. Choreographic Practices. 8 (1), pp. 131-167. https://doi.org/10.1386/chor.8.1.131_1Article
Words and dance
Vesty, R. 2017. Words and dance. Choreographic Practices. 8 (1), pp. 3-8. https://doi.org/10.1386/chor.8.1.3_2Article
It’s alive! Design as a visual dramaturgy in a collaborative practice
Lane, K. 2016. It’s alive! Design as a visual dramaturgy in a collaborative practice. Costume & Fashion in Context and Practice. University of Huddersfield, United Kingdom 05 - 06 Dec 2016Conference paper
Axiom; performance machine
Lane, K. and Wild, J. 2017. Axiom; performance machine. Wimbledon College of Arts 20 - 25 Feb 2017Show or exhibition
Gagging for it: irony, innuendo and the politics of subversion in women’s comic performances on the London music hall stage
Beale, S. 2017. Gagging for it: irony, innuendo and the politics of subversion in women’s comic performances on the London music hall stage. Mixed Bill - Women and Comedy Symposium. Salford University, United Kingdom 19 Oct 2017Conference paper
Make/Believe - UK Design for Performance 2011 - 15
Lane, K. 2015. Make/Believe - UK Design for Performance 2011 - 15.Artefact
Costume at the Turn of the Century, 1990 - 2015
Lane, K. 2015. Costume at the Turn of the Century, 1990 - 2015.Artefact
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