Words and dance

Article

Vesty, R. 2017. Words and dance. Choreographic Practices. 8 (1), pp. 3-8. https://doi.org/10.1386/chor.8.1.3_2
TypeArticle
TitleWords and dance
AuthorsVesty, R.
Abstract

Editorial/Front matter to special issue of the journal Choreographic Practices on 'Words and Dance'.

Research GroupTheatre Arts group
PublisherIntellect
JournalChoreographic Practices
ISSN2040-5669
Publication dates
Print01 Apr 2017
Publication process dates
Deposited20 Sep 2018
Accepted01 Apr 2017
Output statusPublished
Accepted author manuscript
Copyright Statement

This is an Accepted Manuscript of an article published by Intellect in Choreographic Practices. The accepted manuscript is made available in accordance with Intellect's green open access policy https://www.intellectbooks.co.uk/journals/page/index,name=openaccess... The published articles is available online at https://doi.org/10.1386/chor.8.1.3_2

Digital Object Identifier (DOI)https://doi.org/10.1386/chor.8.1.3_2
LanguageEnglish
Permalink -

https://repository.mdx.ac.uk/item/87xx8

Log in to edit

Download files

Accepted author manuscript
EDITORIAL CP Words and Dance (FINAL).pdf

  • 130
    total views
  • 45
    total downloads
  • 10
    views this month
  • 1
    downloads this month

Export as

Related outputs

Interviews with improvisers
Vesty, R. 2023. Interviews with improvisers.
Intervocal figures: a classed and queered voicing-dancer in Instant Composition
Vesty, R. 2023. Intervocal figures: a classed and queered voicing-dancer in Instant Composition. Class Concerns: Theatre, Performance and Cultural Policy in the UK. Glasgow, UK 05 - 07 Sep 2023
Seven Scenes in Tandem: Adventure with Voicing Dancer
Vesty, R. 2022. Seven Scenes in Tandem: Adventure with Voicing Dancer. 04 - 05 Nov 2021
Material words for voicing dancers: a practice-led inquiry into the role of voice for the improvising dancer
Vesty, R. 2020. Material words for voicing dancers: a practice-led inquiry into the role of voice for the improvising dancer. PhD thesis Royal Holloway, University of London
Artefacts: a multi-voiced collection of paraphernalia, documentation and reflection on the space and words for dancers work-week
Vesty, R., Andrews, M., de la Fe, A., Hamilton, J., Hanne, B. and Di Giovanni, T. 2017. Artefacts: a multi-voiced collection of paraphernalia, documentation and reflection on the space and words for dancers work-week. Choreographic Practices. 8 (1), pp. 131-167. https://doi.org/10.1386/chor.8.1.131_1
On ‘A Piece for Two (Lovers)’ - an unrehearsed performance piece
Vesty, R. and de la Fe, A. 2017. On ‘A Piece for Two (Lovers)’ - an unrehearsed performance piece. Research in Drama Education: The Journal of Applied Theatre and Performance. 22 (1), pp. 166-171. https://doi.org/10.1080/13569783.2016.1262252
Space and words for dancers
Vesty, R. 2015. Space and words for dancers.
Sand and Vision
Vesty, R. and Hamilton, J. 2016. Sand and Vision. Carthago, Brussels, Belgium 01 - 03 Apr 2016
Gjendin ridge
Vesty, R., de la Fe, A., Söör, P. and Camiloti, M. 2015. Gjendin ridge. Ravensfield Theatre, Middlesex University, UK 23 - 24 Oct 2015
Gwineverra, Tom and the enemy of man
Vesty, R., Hanne, B. and Burns, L. 2015. Gwineverra, Tom and the enemy of man. Goldsmith's University, UK 23 Jul 2015
A piece for two (lovers)
Vesty, R. and de la Fe, A. 2015. A piece for two (lovers). Boilerhouse Theatre, RHUL, UK 20 - 21 Feb 2015
The container
Vesty, R. and Söör, P. 2014. The container. Chisenhale Dance Space, London 11 Oct 2014
Imagina(c)tion - The Feldenkrais Method® and Action Theater™ improvisation in conversation about the integration of imagination and action
Vesty, R. 2015. Imagina(c)tion - The Feldenkrais Method® and Action Theater™ improvisation in conversation about the integration of imagination and action. re)storing performance - The Feldenkrais Method and Creative Practice. Bath Spa University, Bath, UK 27 Jun 2016
Ten Days in Tarbena: an evolutionary approach to moving through silence and sound to speech
Vesty, R. 2019. Ten Days in Tarbena: an evolutionary approach to moving through silence and sound to speech. in: Midgelow, V. (ed.) The Oxford Handbook of Improvisation in Dance Oxford University Press (OUP). pp. 366-382