Introduction: Creative practices/resistant acts

Article


Hussein, N. and MacKenzie, I. 2017. Introduction: Creative practices/resistant acts. Contention - The Multidisciplinary Journal of Social Protest. 5 (1), pp. 1-13. https://doi.org/10.3167/cont.2017.050102
TypeArticle
TitleIntroduction: Creative practices/resistant acts
AuthorsHussein, N. and MacKenzie, I.
Abstract

In the opening of this special issue, we invite readers to consider, through the articles presented, how various modes of artistic expression and creative acts of resistance can lead to a better understanding of the nature and implications of political and social revolt, and how a focus on creative practices can be part of the wider debate in a time of uncertainty and unrest. The issue examines the important intersection between creative practices and acts of resistance from an interdisciplinary perspective with a focus on the Middle East and North Africa (MENA) and Mediterranean regions. The introduction aims to frame the problems presented by the sphere of creative practices of resistance and clarify what is at stake with a view to providing impetus for further research into this critical aspect of contentious politics. It concludes by tracing how the general framing of the problems operates within and through the different articles.

Research GroupTheatre Arts group
PublisherBerghahn Journals
JournalContention - The Multidisciplinary Journal of Social Protest
ISSN2572-7184
Publication dates
Online01 Jun 2017
Print01 Jun 2017
Publication process dates
Deposited03 Sep 2019
Accepted01 May 2017
Output statusPublished
Accepted author manuscript
Copyright Statement

This is a post–peer-review, precopyedited version of an article published in Contention: The Multidisciplinary Journal of Social Protest. The definitive publisher-authenticated version Hussein, N., & MacKenzie, I. (2017). Introduction, Contention, 5(1), 1-13 is available online at: https://doi.org/10.3167/cont.2017.050102

Digital Object Identifier (DOI)https://doi.org/10.3167/cont.2017.050102
LanguageEnglish
Permalink -

https://repository.mdx.ac.uk/item/88706

Download files


Accepted author manuscript
  • 32
    total views
  • 17
    total downloads
  • 0
    views this month
  • 0
    downloads this month

Export as

Related outputs

Decolonisation and performance studies: Questions from the border
Hussein, N. 2022. Decolonisation and performance studies: Questions from the border. Global Performance Studies. 5 (1-2). https://doi.org/10.33303/gpsv5n1-2a114
Rewriting Narratives in Egyptian Theatre: Translation, Performance, Politics. Edited by Sirkku Aaltonen and Areeg Ibrahim . Abingdon and New York: Routledge, 2016. Pp. 288 17 illus. £110 Hb [Book Review]
Hussein, N. 2017. Rewriting Narratives in Egyptian Theatre: Translation, Performance, Politics. Edited by Sirkku Aaltonen and Areeg Ibrahim . Abingdon and New York: Routledge, 2016. Pp. 288 17 illus. £110 Hb [Book Review]. Theatre Research International. 42 (3), pp. 353-355. https://doi.org/10.1017/S0307883317000669
Answer the question
Hussein, N. 2018. Answer the question. Theatre, Dance and Performance Training. 9 (1), pp. 118-119. https://doi.org/10.1080/19443927.2018.1428435
Training and…borders
Hussein, N. and Papadelli, V. 2017. Training and…borders. Theatre, Dance and Performance Training. 8 (1), pp. 109-110. https://doi.org/10.1080/19443927.2017.1275208
Guest editors' introduction: Creative practices/resistant acts
Hussein, N. and MacKenzie, I. 2017. Guest editors' introduction: Creative practices/resistant acts. Contention - The Multidisciplinary Journal of Social Protest. 5 (1), pp. iv-107. https://doi.org/10.3167/cont.2017.050102
Gestures of resistance between the street and the theatre: documentary theatre in Egypt and Laila Soliman’s No Time For Art
Hussein, N. 2015. Gestures of resistance between the street and the theatre: documentary theatre in Egypt and Laila Soliman’s No Time For Art. Contemporary Theatre Review. 25 (3), pp. 357-370. https://doi.org/10.1080/10486801.2015.1049822
Working with and supporting early career academics. A provocation
Hussein, N. 2014. Working with and supporting early career academics. A provocation. The Standing Conference of University Drama Departments' annual conference. Aberystwyth University.
Performance as a gesture of resistance in Laila Soliman’s No Time for Art
Hussein, N. 2015. Performance as a gesture of resistance in Laila Soliman’s No Time for Art. Theatre and Stratification. International Federation for Theatre Research’s world congress. The University of Warwick 28 Jul - 01 Aug 2014
Here… there… and the question of belonging
Hussein, N. 2015. Here… there… and the question of belonging. Arab Women Artists Now (AWAN) Festival.. Rich Mix, London. 07 Mar 2015
Here, there, and the question of belonging in a time of revolution
Hussein, N. 2015. Here, there, and the question of belonging in a time of revolution. Contested Exchanged: Space, Place and the Performance of Democracy. Artaud Performance Centre. Brunel University, London. 28 Mar 2015
Gestures of resistance between the street and the theatre: documentary theatre in Egypt and Laila Soliman’s No Time For Art
Hussein, N. 2015. Gestures of resistance between the street and the theatre: documentary theatre in Egypt and Laila Soliman’s No Time For Art. New Anarchist Research Group Monthly Meeting. Torriano Meeting House, London 25 Apr 2015
My City, My Revolution
Hussein, N., Papadelli, V., Goely, M. and Picknett, M. 2015. My City, My Revolution. Rich Mix theatre, London 23 Jan 2015
Cairo: my city, my revolution
Hussein, N. 2013. Cairo: my city, my revolution. in: Solga, K. and Hopkins, D. (ed.) Performance and the global city Basingstoke, UK Palgrave Macmillan. pp. 223-243