Training and…borders

Article

Hussein, N. and Papadelli, V. 2017. Training and…borders. Theatre, Dance and Performance Training. 8 (1), pp. 109-110. https://doi.org/10.1080/19443927.2017.1275208
TypeArticle
TitleTraining and…borders
AuthorsHussein, N. and Papadelli, V.
Abstract

A collaboratively authored contribution to "Training and... Borders" section of the journal that asked multiple artists and scholars to respond to that theme.

Research GroupTheatre Arts group
PublisherRoutledge
JournalTheatre, Dance and Performance Training
ISSN1944-3927
Publication dates
Online07 Apr 2017
Print02 Jan 2017
Publication process dates
Deposited13 Jun 2018
Accepted30 Nov 2016
Output statusPublished
Additional information

Section within: Alister Lownie, Nesreen Nabil Hussein, Vanio Papadelli, Solomon Lennox & Zerrin Yanikkaya (2017) Training and … Borders, Theatre, Dance and Performance Training, 8:1, 109-110, DOI: 10.1080/19443927.2017.1275208

Digital Object Identifier (DOI)https://doi.org/10.1080/19443927.2017.1275208
LanguageEnglish
Permalink -

https://repository.mdx.ac.uk/item/87qx0

Log in to edit
  • 33
    total views
  • 0
    total downloads
  • 3
    views this month
  • 0
    downloads this month

Export as

Related outputs

Decolonisation and performance studies: Questions from the border
Hussein, N. 2022. Decolonisation and performance studies: Questions from the border. Global Performance Studies. 5 (1-2). https://doi.org/10.33303/gpsv5n1-2a114
Introduction: Creative practices/resistant acts
Hussein, N. and MacKenzie, I. 2017. Introduction: Creative practices/resistant acts. Contention - The Multidisciplinary Journal of Social Protest. 5 (1), pp. 1-13. https://doi.org/10.3167/cont.2017.050102
Rewriting Narratives in Egyptian Theatre: Translation, Performance, Politics. Edited by Sirkku Aaltonen and Areeg Ibrahim . Abingdon and New York: Routledge, 2016. Pp. 288 17 illus. £110 Hb [Book Review]
Hussein, N. 2017. Rewriting Narratives in Egyptian Theatre: Translation, Performance, Politics. Edited by Sirkku Aaltonen and Areeg Ibrahim . Abingdon and New York: Routledge, 2016. Pp. 288 17 illus. £110 Hb [Book Review]. Theatre Research International. 42 (3), pp. 353-355. https://doi.org/10.1017/S0307883317000669
Answer the question
Hussein, N. 2018. Answer the question. Theatre, Dance and Performance Training. 9 (1), pp. 118-119. https://doi.org/10.1080/19443927.2018.1428435
Guest editors' introduction: Creative practices/resistant acts
Hussein, N. and MacKenzie, I. 2017. Guest editors' introduction: Creative practices/resistant acts. Contention - The Multidisciplinary Journal of Social Protest. 5 (1), pp. iv-107. https://doi.org/10.3167/cont.2017.050102
Gestures of resistance between the street and the theatre: documentary theatre in Egypt and Laila Soliman’s No Time For Art
Hussein, N. 2015. Gestures of resistance between the street and the theatre: documentary theatre in Egypt and Laila Soliman’s No Time For Art. Contemporary Theatre Review. 25 (3), pp. 357-370. https://doi.org/10.1080/10486801.2015.1049822
Working with and supporting early career academics. A provocation
Hussein, N. 2014. Working with and supporting early career academics. A provocation. The Standing Conference of University Drama Departments' annual conference. Aberystwyth University.
Performance as a gesture of resistance in Laila Soliman’s No Time for Art
Hussein, N. 2015. Performance as a gesture of resistance in Laila Soliman’s No Time for Art. Theatre and Stratification. International Federation for Theatre Research’s world congress. The University of Warwick 28 Jul - 01 Aug 2014
Here… there… and the question of belonging
Hussein, N. 2015. Here… there… and the question of belonging. Arab Women Artists Now (AWAN) Festival.. Rich Mix, London. 07 Mar 2015
Here, there, and the question of belonging in a time of revolution
Hussein, N. 2015. Here, there, and the question of belonging in a time of revolution. Contested Exchanged: Space, Place and the Performance of Democracy. Artaud Performance Centre. Brunel University, London. 28 Mar 2015
Gestures of resistance between the street and the theatre: documentary theatre in Egypt and Laila Soliman’s No Time For Art
Hussein, N. 2015. Gestures of resistance between the street and the theatre: documentary theatre in Egypt and Laila Soliman’s No Time For Art. New Anarchist Research Group Monthly Meeting. Torriano Meeting House, London 25 Apr 2015
My City, My Revolution
Hussein, N., Papadelli, V., Goely, M. and Picknett, M. 2015. My City, My Revolution. Rich Mix theatre, London 23 Jan 2015
Cairo: my city, my revolution
Hussein, N. 2013. Cairo: my city, my revolution. in: Solga, K. and Hopkins, D. (ed.) Performance and the global city Basingstoke, UK Palgrave Macmillan. pp. 223-243