Fischer, E.; Bacon, T.

PASSION/Flower

Performance

Fischer, E. and Bacon, T. 2014. PASSION/Flower. MPA Berlin, Germany 2014

First publicly available date
Title of work	PASSION/Flower
Creators	Fischer, E. and Bacon, T.
Description	Inspired by a ritual known as Matam, which takes place in the Shiite ceremony of Ashura, PASSION/Flower transcends its origins, becoming an action that opens the body to a trance state of rhythm & ritual practice, that the artists intentionally interrupt.
Output media	Performance Portfolio
Research Group	Visual Culture and Curating cluster
	Theatre Arts group
Event	PASSION/Flower
Print	31 Dec 2014
Publication process dates
Deposited	05 Feb 2020
Output status	Published
Web address (URL)	https://thomasjohnbacon.com/passionflower
Language	English

Permalink -

https://repository.mdx.ac.uk/item/88w0x

Log in to edit

Restricted files

Publisher's version

Under embargo indefinitely

62
total views
0
total downloads
2
views this month
0
downloads this month

Export as

Related outputs

Performance for futures (Intellectual Output 3)

Bacon, T. and de Senna, P. 2023. Performance for futures (Intellectual Output 3). in: de Senna, P., Gulmans, J. and Kononiuk, A. (ed.) Replay Your Futures: Training Manual for High School Facilitators Radom, Poland Łukasiewicz Research Network - Institute for Sustainable Technologies. pp. 54-74

Performance for futures (Intellectual Output 2)

Bacon, T. J. and de Senna, P. 2023. Performance for futures (Intellectual Output 2). in: Replay your futures: Labs for exploring undiscovered pathways Radom, Poland Łukasiewicz Research Network - Institute for Sustainable Technologies.

The rapture and rupture of the lived body

Bacon, T. J. 2022. The rapture and rupture of the lived body. in: An introduction to the phenomenology of performance art: SELF/s Bristol, UK Intellect. pp. 93 - 139

The intersubjectivity and intercorporeality of noise and sonic arts

Bacon, T. J. 2022. The intersubjectivity and intercorporeality of noise and sonic arts. in: An introduction to the phenomenology of performance art: SELF/s Bristol, UK Intellect. pp. 139 - 177

The argument for queering 'The origin of the work of art'

Bacon, T. J. 2022. The argument for queering 'The origin of the work of art'. in: An introduction to the phenomenology of performance art: SELF/s Bristol, UK Intellect. pp. 243-246

Introduction to phenomenology and SELF/s

Bacon, T. J. 2022. Introduction to phenomenology and SELF/s. in: An introduction to the phenomenology of performance art: SELF/s Bristol, UK Intellect. pp. 1-19

Embodied experience

Bacon, T. J. 2022. Embodied experience. in: An introduction to the phenomenology of performance art: SELF/s Bristol, UK Intellect. pp. 19-88

An introduction to the phenomenology of performance art: SELF/s

Bacon, T. J. 2022. An introduction to the phenomenology of performance art: SELF/s. Bristol, UK Intellect.

T. J. Bacon reflects on CHTHONIC

Bacon, T. 2020. T. J. Bacon reflects on CHTHONIC. in: Guttenplan, Z. (ed.) Emergency index: an annual document of performance practice New York, US Ugly Duckling Presse.

The lived body: REDUX

Bacon, T. 2014. The lived body: REDUX. The Island, Bristol - Tempting Failure 2014

FIRE

Bacon, T. and Alexander, F. 2015. FIRE. Buzzcut Festival, Glasgow 2015

TF16 - London Biennial of International Performance Art

Bacon, T. 2016. TF16 - London Biennial of International Performance Art. Matthews Yard (Croydon) Jul 2016

TF18 - London Biennial of International Performance Art

Bacon, T. 2018. TF18 - London Biennial of International Performance Art. Live Art Development Agency Jul 2018

PRESENCE/s

Bacon, T. and Lanz, J. 2015. PRESENCE/s. Ausland, Berlin 2015

Traces of being: a document of absence in words

Bacon, T. 2011. Traces of being: a document of absence in words. activate. 1 (1), pp. 1-19.

CHTHONIC

Bacon, T. 2019. CHTHONIC. Raw Labs, Bow Arts Trust, as part of London Festival of Architecture, London, UK 21 Jun 2019

Psychogenesis series

Bacon, T. 2018. Psychogenesis series. in: Gluzman, Y. and Cleary, S. (ed.) Emergency index: an annual document of performance practice New York, US Ugly Duckling Presse.

Foreword [The furthest point in space is also inside our body]

Bacon, T. 2018. Foreword [The furthest point in space is also inside our body]. in: Dolphin-Krute, M. and Martinez, C. C. (ed.) No one thing is the root of all anything: phases and performance of the imminent by Chelsea Coon Los Angeles, CA Not a Cult. pp. 1-6