Introduction to phenomenology and SELF/s

About the introduction:
An introduction to be used by those new to the application of a phenomenology in the study of performance art. But within the remit of my art-philosophy, it simultaneously functions as both a guide and a form of artistic expression through the manner in which it is designed to be read and applied.

About the book:
This book introduces the study and application of performance art through phenomenology, inviting readers to explore contemporary performance art and activate their own practices. Using queer phenomenology to unpack the importance of a multiplicity of self/s, the book teaches readers how to be academically rigorous when capturing embodied experiences. Through approachable exercises, definitions of key phenomenological terms, and interviews and insights from some of the best examples of transgressive performance art practice, the work enriches the wider scholarship of theater studies. Situated within contemporary phenomenological scholarship, the book will appeal to radical artists, educators, and practitioner-researchers.