Performance for futures (Intellectual Output 3)

Book chapter


Bacon, T. and de Senna, P. 2023. Performance for futures (Intellectual Output 3). in: de Senna, P., Gulmans, J. and Kononiuk, A. (ed.) Replay Your Futures: Training Manual for High School Facilitators Radom, Poland Łukasiewicz Research Network - Institute for Sustainable Technologies. pp. 54-74
Chapter titlePerformance for futures (Intellectual Output 3)
AuthorsBacon, T. and de Senna, P.
Abstract

Performance for Futures students are invite to experiment with a more embodied way of using the future by means of three powerful theatric ‘acts’.

In ACT 1 students can experiment with the concept of status, which may increase self-awareness about their status (and that of others) in challenging situations, and empower them to take conscious action to positively affect it.
In ACT 2 students are invited to engage with devising and dramaturgy, two stages in a theatre-making process, and perform a variety of futures for themselves to discover how they relate to these futures.
In ACT 3 students will be introduced to image theatre techniques that will help them get ‘out of their heads’ and ‘into their bodies’. Embodying their imagined futures will allow them to give actual, physical shape to their emotions and feelings related to their imagined futures.

Keywordsfutures; future literacy; education; High school; facilitation; outreach; workshops
Sustainable Development Goals4 Quality education
Middlesex University ThemeCreativity, Culture & Enterprise
Page range54-74
Book titleReplay Your Futures: Training Manual for High School Facilitators
Editorsde Senna, P., Gulmans, J. and Kononiuk, A.
PublisherŁukasiewicz Research Network - Institute for Sustainable Technologies
Place of publicationRadom, Poland
ISBN9788377897232
Publication dates
Print2023
Publication process dates
Accepted2023
Deposited18 Oct 2023
Output statusPublished
Publisher's version
License
Web address (URL)https://futuresproject.pb.edu.pl/app/uploads/2023/08/Replay-your-futures-Training-manual-high-school-facilitators.pdf
Related Output
ContinuesPerformance for futures (Intellectual Output 2)
Is documented byhttps://futuresproject.pb.edu.pl/download/results-of-io3/
LanguageEnglish
Permalink -

https://repository.mdx.ac.uk/item/v8q55

  • 116
    total views
  • 69
    total downloads
  • 1
    views this month
  • 2
    downloads this month

Export as

Related outputs

Performance for Futures
de Senna, P. 2023. Performance for Futures. Performance for Futures Symposium. Middlesex University, London 14 - 14 Jul 2023
Shifting futures perspectives: experiencing diverse futures approaches in practice
de Senna, P., Holtorf. C. and Watts, L. 2023. Shifting futures perspectives: experiencing diverse futures approaches in practice. World Futures Day. UNESCO 04 - 04 Dec 2023 Paris, France UNESCO.
Director training and education: Models from Brazil and the UK
de Senna, P., Adams, B. and Schneider Alcure, A. 2023. Director training and education: Models from Brazil and the UK. Theatre, Dance and Performance Training. 14 (3), pp. 383-396. https://doi.org/10.1080/19443927.2023.2243172
Performance for futures (Intellectual Output 2)
Bacon, T. J. and de Senna, P. 2023. Performance for futures (Intellectual Output 2). in: Replay your futures: Labs for exploring undiscovered pathways Radom, Poland Łukasiewicz Research Network - Institute for Sustainable Technologies.
Futures literacy theatre lab with unaccompanied asylum-seeking minors: practical and ethical considerations
de Senna, P. 2019. Futures literacy theatre lab with unaccompanied asylum-seeking minors: practical and ethical considerations. Conceição/Conception. 8 (2), pp. 75-93. https://doi.org/10.20396/conce.v8i2.8657876
The rapture and rupture of the lived body
Bacon, T. J. 2022. The rapture and rupture of the lived body. in: An introduction to the phenomenology of performance art: SELF/s Bristol, UK Intellect. pp. 93 - 139
The intersubjectivity and intercorporeality of noise and sonic arts
Bacon, T. J. 2022. The intersubjectivity and intercorporeality of noise and sonic arts. in: An introduction to the phenomenology of performance art: SELF/s Bristol, UK Intellect. pp. 139 - 177
The argument for queering 'The origin of the work of art'
Bacon, T. J. 2022. The argument for queering 'The origin of the work of art'. in: An introduction to the phenomenology of performance art: SELF/s Bristol, UK Intellect. pp. 243-246
Introduction to phenomenology and SELF/s
Bacon, T. J. 2022. Introduction to phenomenology and SELF/s. in: An introduction to the phenomenology of performance art: SELF/s Bristol, UK Intellect. pp. 1-19
Embodied experience
Bacon, T. J. 2022. Embodied experience. in: An introduction to the phenomenology of performance art: SELF/s Bristol, UK Intellect. pp. 19-88
An introduction to the phenomenology of performance art: SELF/s
Bacon, T. J. 2022. An introduction to the phenomenology of performance art: SELF/s. Bristol, UK Intellect.
The garden of dystopian pleasures
de Senna, P., Dousos, F., Ieropoulos, F. and Pfützenreuter, R. 2021. The garden of dystopian pleasures. Studies in Theatre and Performance. 41 (3), pp. 281-304. https://doi.org/10.1080/14682761.2021.1974693
Performance and the Right
de Senna, P. and Hudson, J. 2021. Performance and the Right. Studies in Theatre and Performance. 41 (3), pp. 231-235. https://doi.org/10.1080/14682761.2021.1974674
T. J. Bacon reflects on CHTHONIC
Bacon, T. 2020. T. J. Bacon reflects on CHTHONIC. in: Guttenplan, Z. (ed.) Emergency index: an annual document of performance practice New York, US Ugly Duckling Presse.
Freedom in the margins: Experiences from Brazil
de Senna, P., Gayotto, L. and Meirelles, M. 2021. Freedom in the margins: Experiences from Brazil. Studies in Theatre and Performance. 41 (1), pp. 68-82. https://doi.org/10.1080/14682761.2021.1885961
Rumble Dramaturgies
de Senna, P. and Svich, C. 2021. Rumble Dramaturgies. https://doi.org/10.25389/rcssd.14015357.v2
The lived body: REDUX
Bacon, T. 2014. The lived body: REDUX. The Island, Bristol - Tempting Failure 2014
FIRE
Bacon, T. and Alexander, F. 2015. FIRE. Buzzcut Festival, Glasgow 2015
PASSION/Flower
Fischer, E. and Bacon, T. 2014. PASSION/Flower. MPA Berlin, Germany 2014
TF16 - London Biennial of International Performance Art
Bacon, T. 2016. TF16 - London Biennial of International Performance Art. Matthews Yard (Croydon) Jul 2016
TF18 - London Biennial of International Performance Art
Bacon, T. 2018. TF18 - London Biennial of International Performance Art. Live Art Development Agency Jul 2018
PRESENCE/s
Bacon, T. and Lanz, J. 2015. PRESENCE/s. Ausland, Berlin 2015
Traces of being: a document of absence in words
Bacon, T. 2011. Traces of being: a document of absence in words. activate. 1 (1), pp. 1-19.
CHTHONIC
Bacon, T. 2019. CHTHONIC. Raw Labs, Bow Arts Trust, as part of London Festival of Architecture, London, UK 21 Jun 2019
Psychogenesis series
Bacon, T. 2018. Psychogenesis series. in: Gluzman, Y. and Cleary, S. (ed.) Emergency index: an annual document of performance practice New York, US Ugly Duckling Presse.
Diversity in the discipline working group: chair’s report 2015-17
de Senna, P. 2018. Diversity in the discipline working group: chair’s report 2015-17. SCUDD.
Foreword [The furthest point in space is also inside our body]
Bacon, T. 2018. Foreword [The furthest point in space is also inside our body]. in: Dolphin-Krute, M. and Martinez, C. C. (ed.) No one thing is the root of all anything: phases and performance of the imminent by Chelsea Coon Los Angeles, CA Not a Cult. pp. 1-6
Lines in the Landscape Residency 2017 - Sidney Nolan Trust
Bacon, T. 2017. Lines in the Landscape Residency 2017 - Sidney Nolan Trust. United Kingdom Sidney Nolan Trust.
Experiencing a multiplicity of self/s
Bacon, T. 2016. Experiencing a multiplicity of self/s. PhD thesis University of Bristol Department of Theatre
Tempting failure: London Biennial Festival of Live Art 2016 & 2018
Bacon, T. 2016. Tempting failure: London Biennial Festival of Live Art 2016 & 2018.
Ensaio.Hamlet: adaptation as rehearsal as essay
de Senna, P. 2017. Ensaio.Hamlet: adaptation as rehearsal as essay. in: Reilly, K. (ed.) Contemporary Approaches to Adaptation in Theatre Palgrave Macmillan UK. pp. 331-347
Laying siege to Carthage
de Senna, P. 2016. Laying siege to Carthage. in: Jarman (All This Maddening Beauty) and Other Plays Bristol Intellect. pp. 81-98
CHTHONIC (2019) PSYCHOGENESIS SERIES (2018) PERCEPTION:LAB (2015)
Bacon, T. 2015. CHTHONIC (2019) PSYCHOGENESIS SERIES (2018) PERCEPTION:LAB (2015).
PERCEPTION:Lab
Bacon, T. 2015. PERCEPTION:Lab. Mobius Inc., Boston USA 20 Jun 2015
Student choice in the curriculum: an investigation into existing practices in theatre and drama
de Senna, P. 2014. Student choice in the curriculum: an investigation into existing practices in theatre and drama. York, UK Higher Education Academy.
Two launch pads
de Senna, P. 2015. Two launch pads. in: Svich, C. (ed.) Innovation in five acts: strategies for theatre and performance Theatre Communications Group.
‘Nothing about us without us’: collaborations between disabled and non-disabled practitioners
de Senna, P., Bowditch, C. and Bower, D. 2015. ‘Nothing about us without us’: collaborations between disabled and non-disabled practitioners. in: Colin, N. and Sachsenmaier, S. (ed.) Collaboration in Performance Practice: Premises, Workings and Failures London Palgrave Macmillan. pp. 221-235
This blasted translation: or location, dislocation, relocation
de Senna, P. 2009. This blasted translation: or location, dislocation, relocation. Journal of Adaptation in Film & Performance. 2 (3), pp. 255-265. https://doi.org/10.1386/jafp.2.3.255/1
When creation, translation and adaptation meet: SignDance Collective's New gold
de Senna, P. 2013. When creation, translation and adaptation meet: SignDance Collective's New gold. in: Krebs, K. (ed.) Translation and adaptation in theatre and film Routledge.
Half a penny & The other side of the coin
de Senna, P. and Signdance Collective International 2012. Half a penny & The other side of the coin. Croydon, UK Apr 2012
A tragédia de Ismene, princesa de Tebas
de Senna, P. 2013. A tragédia de Ismene, princesa de Tebas. Mobile Editorial.