Corpse, spectacle, illusion: the body as abject and object

Book chapter


Glynn, B. and Kim, J. 2009. Corpse, spectacle, illusion: the body as abject and object. in: Byers, M. and Johnson, V. (ed.) The CSI Effect: Television Crime and Governance New York Lexington. pp. 93-110
Chapter titleCorpse, spectacle, illusion: the body as abject and object
AuthorsGlynn, B. and Kim, J.
Abstract

In the case of CSI audiences have come to expect a body horror extravaganza and in most episodes they get one. Yet through a series of stylistic and aesthetic strategies such grisly images are not as disturbing as perhaps they should be. CSI has managed to make extreme imagery palatable to a mainstream audience rather than just a niche horror fan audience. This chapter suggests that the program has achieved this by undercutting the violent imagery it displays by advertising its artificiality so that audiences recognize and are constantly reminded of the fictional nature of what they are watching. The gore on display in CSI illustrates that audiences are not yet fully comfortable with “unrestricted” horror, but are happy to enjoy the fantasy of horror when it is clearly presented as such.

Page range93-110
Book titleThe CSI Effect: Television Crime and Governance
EditorsByers, M. and Johnson, V.
PublisherLexington
Place of publicationNew York
SeriesCritical Studies in Television
ISBN
Hardcover9780739124703
Publication dates
Print2009
Publication process dates
Deposited01 Jun 2015
Output statusPublished
LanguageEnglish
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