Corpse, spectacle, illusion: the body as abject and object
Book chapter
Glynn, B. and Kim, J. 2009. Corpse, spectacle, illusion: the body as abject and object. in: Byers, M. and Johnson, V. (ed.) The CSI Effect: Television Crime and Governance New York Lexington. pp. 93-110
Chapter title | Corpse, spectacle, illusion: the body as abject and object |
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Authors | Glynn, B. and Kim, J. |
Abstract | In the case of CSI audiences have come to expect a body horror extravaganza and in most episodes they get one. Yet through a series of stylistic and aesthetic strategies such grisly images are not as disturbing as perhaps they should be. CSI has managed to make extreme imagery palatable to a mainstream audience rather than just a niche horror fan audience. This chapter suggests that the program has achieved this by undercutting the violent imagery it displays by advertising its artificiality so that audiences recognize and are constantly reminded of the fictional nature of what they are watching. The gore on display in CSI illustrates that audiences are not yet fully comfortable with “unrestricted” horror, but are happy to enjoy the fantasy of horror when it is clearly presented as such. |
Page range | 93-110 |
Book title | The CSI Effect: Television Crime and Governance |
Editors | Byers, M. and Johnson, V. |
Publisher | Lexington |
Place of publication | New York |
Series | Critical Studies in Television |
ISBN | |
Hardcover | 9780739124703 |
Publication dates | |
2009 | |
Publication process dates | |
Deposited | 01 Jun 2015 |
Output status | Published |
Language | English |
https://repository.mdx.ac.uk/item/8581z
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