Dr Basil Glynn
| Name | Dr Basil Glynn |
|---|---|
| Job title | Senior Lecturer in Flim and Television |
| Research institute | |
| Primary appointment | School of Film |
| ORCID | https://orcid.org/0000-0001-5880-6486 |
| Contact category | Academic staff (past) |
Research outputs
Mute, masked and murderous: the 1940s Mummy as proto-slasher
Glynn, B. 2021. Mute, masked and murderous: the 1940s Mummy as proto-slasher. The Slasher Studies Summer Camp: An International Conference on Slasher Theory, History and Practice. Online event [Birmingham City University / University for the Creative Arts] 13 - 15 Aug 2021Exclusive Identity Politics and the marginalization of dissenting voices in the branding of Hallyu drama
Glynn, B. and Kim, J. 2021. Exclusive Identity Politics and the marginalization of dissenting voices in the branding of Hallyu drama. East Asian Popular Culture Conference. Kyushu University, Fukuoka, Japan 11 - 12 Jan 2021The Mummy on screen: orientalism and monstrosity in horror cinema
Glynn, B. 2019. The Mummy on screen: orientalism and monstrosity in horror cinema. London / New York Bloomsbury Academic.The 1940s universal Mummy cycle: a decade of decay or regeneration?
Glynn, B. 2019. The 1940s universal Mummy cycle: a decade of decay or regeneration? Literature/Film Association Conference: Reboot, Repurpose, Recycle. Portland, Oregon 12 - 14 Sep 2019New television: the aesthetics and politics of a genre [Book review]
Glynn, B. 2019. New television: the aesthetics and politics of a genre [Book review]. Visual Studies. 34 (4), pp. 406-408. https://doi.org/10.1080/1472586X.2019.1655264Showcase: The Mummy turns 20
Glynn, B. 2019. Showcase: The Mummy turns 20.The Mutating Mummy: from ancient artefact to modern attraction
Glynn, B. 2019. The Mutating Mummy: from ancient artefact to modern attraction. Popular Culture Association/American Culture Association. Washington DC, USA 17 - 20 Apr 2019Life is beautiful: gay representation, moral panics, and South Korean television drama beyond Hallyu
Glynn, B. and Kim, J. 2017. Life is beautiful: gay representation, moral panics, and South Korean television drama beyond Hallyu. Quarterly Review of Film and Video. 34 (4), pp. 333-347. https://doi.org/10.1080/10509208.2016.1241615Korean wave drama: transnationalism, celebration and resistance
Glynn, B. and Kim, J. 2016. Korean wave drama: transnationalism, celebration and resistance. Transnational Screens Conference: Volatility and Compounding Transnational Traffic. De Montfort University, Leicester, United Kingdom 15 - 16 Sep 2016Mortality and morality in CSI: getting away with gore
Glynn, B. and Kim, J. 2016. Mortality and morality in CSI: getting away with gore. Death and Culture Conference. The University of York, York, UK 01 - 03 Sep 2016Emmaus in the UK 1991-2016 - Brochure / Booklet
Glynn, B., Kerr, P. and McGorrian, T. 2016. Emmaus in the UK 1991-2016 - Brochure / Booklet.The Tudors and the post-national, post-historical Henry VIII
Glynn, B. 2016. The Tudors and the post-national, post-historical Henry VIII. in: Merck, M. (ed.) The British Monarchy on Screen Manchester Manchester University Press. pp. 309-335Moving the Greeks to London: Tony Harrison’s classical theatre of the 1980s
Glynn, B. 2004. Moving the Greeks to London: Tony Harrison’s classical theatre of the 1980s. Nation, Region, Belonging, 10th International Conference on the Literature of Region and Nation. Manchester Metropolitan University 03 - 06 Aug 2004Preserved on film: The Mummy, silent cinema and Egyptomania
Glynn, B. 2004. Preserved on film: The Mummy, silent cinema and Egyptomania. Screen Studies Conference. University of Glasgow 02 - 04 Jul 2004Corpse, spectacle, illusion: mainstreaming extreme images in CSI
Glynn, B. and Kim, J. 2006. Corpse, spectacle, illusion: mainstreaming extreme images in CSI. TV Fiction Exchange: Local/Regional/National/Global. Manchester Metropolitan University 05 - 08 Sep 2006Masculinity, sex and the national past
Glynn, B. 2012. Masculinity, sex and the national past. Adapting Historical Narratives Conference. De Montfort University 28 Feb 2012Sex and digs and wrap and role: orientalism, transgressive romance and the resurrection of the Mummy
Glynn, B. 2009. Sex and digs and wrap and role: orientalism, transgressive romance and the resurrection of the Mummy. Beyond Life: The Undead in Global Cult Media, Cine Excess: The Third International Conference on Cult Film Traditions. Curzon Soho Cinema and Odeon Covent Garden 30 Apr - 02 May 2009Viscous victorians: Hammer, colour and realism
Glynn, B. 2010. Viscous victorians: Hammer, colour and realism. Bloodlines: British Horror Past and Present. De Montfort University 04 - 05 Mar 2010Asian TV comes to Britain: but does it survive the trip?: The re-authoring of The Water Margin
Glynn, B. 2009. Asian TV comes to Britain: but does it survive the trip?: The re-authoring of The Water Margin. Cultural Typhoon: Cultural Studies and Asia, Past, Present and Future. University of Foreign Studies, Tokyo 03 - 05 Jul 2009The Tudors (2007-2010) and the international, post-national and post-historical TV series
Glynn, B. 2012. The Tudors (2007-2010) and the international, post-national and post-historical TV series. The Monarchy on Screen. Senate House, University of London 23 - 24 Nov 2012The Tudors, the national past and the re-shaping of generic traditions in contemporary TV costume drama
Glynn, B. 2013. The Tudors, the national past and the re-shaping of generic traditions in contemporary TV costume drama. Media Mutations 6, Modes of Production and Narrative Forms in the Contemporary TV series. Dipartimento delle Arti visive, performative, mediali of the Università di Bologna 27 - 28 May 2013The Mummy’s revenge: secularism, religion and the sacred dead in Universal and Hammer’s Mummy movies
Glynn, B. 2015. The Mummy’s revenge: secularism, religion and the sacred dead in Universal and Hammer’s Mummy movies. Reflections on revenge: a conference on the culture and politics of vengeance. Leicester, United Kingdom 04 Sep 2015Like a version?: Balancing the foreign and domestic in imported television drama
Glynn, B. 2015. Like a version?: Balancing the foreign and domestic in imported television drama. TV in the Age of Transnationalisation and Transmedialisation: A Two Day International Conference. University of Roehampton, London, United Kingdom 22 - 23 Jun 2015The clash of past, present and cultures in Hammer’s The Mummy (1959)
Glynn, B. 2015. The clash of past, present and cultures in Hammer’s The Mummy (1959). Hammer Film Productions: A Laboratory for Modern Horror / Le studio Hammer: Laboratoire de l'horreur moderne. Université Paris Ouest Nanterre, Sorbonne Nouvelle, Paris, France 10 - 12 Jun 2015Approximating cultural proximity and accentuating cultural difference: cross-border transformations in Asian television drama
Glynn, B. 2013. Approximating cultural proximity and accentuating cultural difference: cross-border transformations in Asian television drama. in: Kim, J. (ed.) Reading Asian Television Drama: Crossing Borders and Breaking Boundaries London I.B.Tauris. pp. 43-64International circulation and local retaliation: East Asian television drama and its Asian connotations
Glynn, B. and Kim, J. 2013. International circulation and local retaliation: East Asian television drama and its Asian connotations. in: Kim, J. (ed.) Reading Asian Television Drama: Crossing Borders and Breaking Boundaries London I.B.Tauris. pp. 27-46‘”Oppa”-tunity knocks: Psy, Gangnam Style and the critical reception of K-pop in Britain.’
Glynn, B. and Kim, J. 2013. ‘”Oppa”-tunity knocks: Psy, Gangnam Style and the critical reception of K-pop in Britain.’. Situations: Cultural Studies in the East Asian Context. 7 (1), pp. 1-20.The conquests of Henry VIII: masculinity, sex and the national past in the Tudors’
Glynn, B. 2012. The conquests of Henry VIII: masculinity, sex and the national past in the Tudors’. in: Glynn, B., Johnson, B. and Aston, J. (ed.) Television, Sex and Society: Analyzing Contemporary Representations New York Continuum. pp. 157-173Television, sex and society: analysing contemporary representations
Glynn, B., Johnson, B. and Aston, J. (ed.) 2012. Television, sex and society: analysing contemporary representations. New York Continuum.Corpse, spectacle, illusion: the body as abject and object
Glynn, B. and Kim, J. 2009. Corpse, spectacle, illusion: the body as abject and object. in: Byers, M. and Johnson, V. (ed.) The CSI Effect: Television Crime and Governance New York Lexington. pp. 93-11013
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