In the mind’s ear

Show or exhibition


Spinks, T. 2016. In the mind’s ear. M2 Gallery, Peckham, London, UK
Title of workIn the mind’s ear
CreatorsSpinks, T.
Description

Imaginary Text Scores for Peckham is a small exhibition of sound-related texts that evolved after listening walks were undertaken in the environs of the M2 gallery.
If the term ‘audiate’ is to hearing what ‘visualise’ is to seeing, can we perhaps train ourselves to be more aware of the aural aspects of our surroundings and memories, by listening and giving priority to our ears?
The audiator/viewer of this exhibition is invited to read and imagine a series of Peckham related sounds that were ‘collected’ by the group on a sound walk led by Tansy Spinks earlier in the year. A series of rubbings taken from shoe soles fills another volume. In addition, aural and oral related excerpts from Muriel Spark’s novel The Ballad of Peckham Rye, 1960 are interspersed to give a sense of the sounds of a site-specific past.
Bound as sets of text scores, every open page may prompt a unique aural moment in the mind, a site-specific sound, the experience of which will have a different resonance for each reader who silently ‘performs’ the sounds for themselves.

Exhibition titleIn The Mind’s Ear: Imaginary Text Scores for Peckham
First publicly available date
PrintMar 2016
Publication process dates
Deposited08 Jun 2016
Web address (URL)http://www.quay2c.com/index.php/m2/detail/tansy_spinks
LanguageEnglish
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https://repository.mdx.ac.uk/item/86711

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Interpreting Bruce Nauman's 'walking round (the studio) playing one note on the violin' as an invited response to the site specific work Pentagon Petal
Spinks, T., Cottell, F. and Mueller, M. 2016. Interpreting Bruce Nauman's 'walking round (the studio) playing one note on the violin' as an invited response to the site specific work Pentagon Petal. Rootstein Hopkins Chelsea Parade Ground 04 - 30 Jul 2016
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Spinks, T. 2016. The echo of Henry's ballad. APT Gallery, Deptford,
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Spinks, T. and Garrelfs, I. 2014. The laboratory of sonic possibilities. Wimbledon Space Wimbledon College of Art London Mar 2014
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Spinks, T. 2015. Fluxus water scores. White Cube gallery, Bermondsey,
Black rice 1
Spinks, T., Nagle, P. and Kraft, R. 2016. Black rice 1. Iklectik artlab, London, UK 27 Sep 2016
Leeds!Leeds!Leeds!
Spinks, T. 2016. Leeds!Leeds!Leeds! n.paradoxa: international feminist art journal. 37, pp. 24-25.
Sites and interventions.
Spinks, T. and Kassianidou, M. 2011. Sites and interventions. The Practice Exchange. Chelsea College of Art, Green Room. 02 Mar 2011
Hoop [sound performance in the exhibition RELLA].
Spinks, T., Curran, M. and Gunning, L. 2010. Hoop [sound performance in the exhibition RELLA]. Beaconsfield Gallery, Newport Road, London SE11 Apr 2010
Feral Glissando [sound performance part of Experimenting with geography conference]
Spinks, T. and Gallagher, M. 2010. Feral Glissando [sound performance part of Experimenting with geography conference]. Experimenting With Geography. Edinburgh University May 2010
Henry's ballad at Harold's wharf [part of Concrete Dreams].
Spinks, T., Cottell, F. and Harrison, L. 2008. Henry's ballad at Harold's wharf [part of Concrete Dreams]. APT, Deptford Creek 2008
Sonic Triangle. [part of Uncharted Stories exhibition]
Spinks, T. and Guerrero-Rippberger, S. 2009. Sonic Triangle. [part of Uncharted Stories exhibition]. Chelsea College of Art Triangle Gallery, London SW1 Oct 2009