Performing memory

Show or exhibition


Maude-Roxby, A. 2010. Performing memory. Kunstraum Niederösterreich, Vienna, Austria
Title of workPerforming memory
CreatorsMaude-Roxby, A.
Description

Performing Memory was a symposium held at Kunstraum Niederösterreich Vienna and an eponymous publication following the event. The subject of the symposium was the interrogation of the influence of performance documents on the interface between lived, remembered and recorded aspects of live art events. I was invited to deliver a keynote paper contextualising my collaborative research with Françoise Masson, the photographer of Gina Pane, which had been influential on the work of one of the curators of the symposium - the Austrian artist Julia Kläring. Kläring produced a radio play based on interviews with Gina Pane utilising sections of my earlier co-authored publication ‘On Record: advertising, architecture and the actions of Gina Pane.’ Extracts from Kläring’s piece appear in the publication Performing Memory. For the live event/symposium a performance by Julia Kläring focusing on the work of Gina Pane was realised., My published paper, adapted from my keynote address, forms a chapter of Performing Memory. Other speakers and writers included in the symposium and book are Christiane Krejs, Julia Kläring and Virginie Bobin (Bo-ring), Carola Dertnig, Andrea Salzmann, Barbara Matijevic, Giuseppe Chico, Bojana Cvejić. Stefanie Seibold has pinpointed my body of work as influential and references my address in an installation relating to Pane and Masson.

Research GroupCREATE/Feminisms cluster
Exhibition titlePerforming Memory
First publicly available date
Print2010
Publication process dates
Deposited06 Dec 2013
Output statusPublished
LanguageEnglish
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Related outputs

Excavating the archive: exchanges between artists and their photographers
Maude-Roxby, A. 2022. Excavating the archive: exchanges between artists and their photographers. PERPHOTO International Conference: The Archive, the Body, and the Medium - Crossing Photography and Performance in Theory and Practice. Faculdade Letras Da Universidade de Lisboa, Lisbon, Portugal 20 - 23 Sep 2022
Out of the archive: Berenice Abbott's changing New York and the carry-all coat
Maude-Roxby, A. 2020. Out of the archive: Berenice Abbott's changing New York and the carry-all coat. Photography and Culture. 13 (3-4), pp. 419-430. https://doi.org/10.1080/17514517.2020.1834764
Resist: be modern (again)
Maude-Roxby, A. and Seibold, S. Maude-Roxby, A. and Seibold, S. (ed.) 2019. Resist: be modern (again). Southampton, UK John Hansard Gallery.
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Maude-Roxby, A. 2019. The collaborative practices of Gina Pane and Francoise Masson. Fast Forward: How do Women Work?. Tate Modern, London, UK 30 Nov - 02 Dec 2019
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Maude-Roxby, A. 2019. The trouble with captions: the censorship of Elizabeth McCausland’s texts that were originally intended to accompany Berenice Abbott’s photographs within their Changing New York, 1939, Dutton publication [presentation]. Fast forward 2: Women in photography [The sixth research workshop]. Slade, University College London, UCL 13 - 14 Feb 2019
Censored realities/changing New York [presentation]
Maude-Roxby, A. and Seibold, S. 2018. Censored realities/changing New York [presentation]. Censored Realities/Changing New York - Book Launch. Neue Gesellschaft für Bildende Kunst, nGbK in Berlin 21 Dec 2018
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Maude-Roxby, A. 2018. [Experimental and perfomative provocations]. Writing Photographs Conference. Tate Modern 13 Oct 2018
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Maude-Roxby, A. and Seibold, S. 2017. Preview presentation of Censored Realities, a book project by Alice Maude-Roxby and Stefanie Seibold. MISS READ: Berlin Art Book Fair. Haus der Kulturen der Welt, Berlin 14 - 17 Jul 2017
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Censored Realities / Changing New York
Maude-Roxby, A. and Seibold, S. 2018. Censored Realities / Changing New York. Austria
The performance document: assimilations of gesture and genre
Maude-Roxby, A. and Li, D. 2018. The performance document: assimilations of gesture and genre. Photography and Culture. 11 (2), pp. 197-209. https://doi.org/10.1080/17514517.2018.1467088
Past-present -future
Maude-Roxby, A. 2015. Past-present -future. in: Vason, M. and Evans, D. (ed.) Double Exposures: Performance as Photography, Photography as Performance London Intellect with Live Art Development Agency. pp. 31-34
Feminist Art Activisms and Artivisms - 2 July 2018, Middlesex University
Deepwell, K., Kokoli, A., Robinson, A., Mullaniff, K., Dick, E., Attwood, F., Leeson, L. and Maude-Roxby, A. 2018. Feminist Art Activisms and Artivisms - 2 July 2018, Middlesex University. Feminist Art Activisms and Artivisms. Middlesex University, London, UK 02 Jul 2018 Middlesex University. https://doi.org/10.22023/mdx.6716054.v1
Sapphic Modernists - Re-visiting Elizabeth McCausland and Berenice Abbott’s Changing New York
Maude-Roxby, A., Seibold, S. and Goldsmiths University in conjunction with Tate Modern 2016. Sapphic Modernists - Re-visiting Elizabeth McCausland and Berenice Abbott’s Changing New York. Urban Encounters Conference. Goldsmiths University and Tate Modern 03 - 06 Nov 2016
Performance and Photography: Theatre of Photography
Maude-Roxby, A., London College of Communication and Swedenborg 2015. Performance and Photography: Theatre of Photography. Moose on the Loose. Swedenborg Society London
The Art of Intervention
Maude-Roxby, A. 2009. The Art of Intervention. Fleur Gallery, Kyoto, Japan; UK
12 Approaches to 12 Shooters
Maude-Roxby, A. 2009. 12 Approaches to 12 Shooters. in: Maizlish, J. (ed.) Marcia Farquhar's 12 shooters London Live Art Development Agency. pp. 177-189
Anti-academy
Maude-Roxby, A. 2013. Anti-academy. John Hansard Gallery, Southampton, UK