Feminist Art Activisms and Artivisms - 2 July 2018, Middlesex University
Conference item
Deepwell, K., Kokoli, A., Robinson, A., Mullaniff, K., Dick, E., Attwood, F., Leeson, L. and Maude-Roxby, A. 2018. Feminist Art Activisms and Artivisms - 2 July 2018, Middlesex University. Feminist Art Activisms and Artivisms. Middlesex University, London, UK 02 Jul 2018 Middlesex University. https://doi.org/10.22023/mdx.6716054.v1
| Title | Feminist Art Activisms and Artivisms - 2 July 2018, Middlesex University |
|---|---|
| Authors | Deepwell, K., Kokoli, A., Robinson, A., Mullaniff, K., Dick, E., Attwood, F., Leeson, L. and Maude-Roxby, A. |
| Abstract | This event was organised by Katy Deepwell for the Create/Feminisms research cluster in the Visual Arts Department, Faculty of Arts and Creative Industries, Middlesex University. |
| Research Group | CREATE/Feminisms cluster |
| Conference | Feminist Art Activisms and Artivisms |
| Publisher | Middlesex University |
| Publication dates | |
| 02 Jul 2018 | |
| Publication process dates | |
| Deposited | 29 Jun 2018 |
| Accepted | 02 Jul 2018 |
| Output status | Published |
| Accepted author manuscript | License |
| First submitted version | File Access Level Controlled |
| Digital Object Identifier (DOI) | https://doi.org/10.22023/mdx.6716054.v1 |
| Language | English |
| Book title | Abstracts for Presentations in Sessions: Feminist Art Activisms and Artivisms, 2 July 2018, Middlesex University, A Create/Feminisms cluster event, ACI Faculty |
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Maude-Roxby, A. and Seibold, S. 2019. Resist: be modern (again) [Exhibition]. John Hansard Gallery, Southampton, UK 25 May - 17 Aug 2019Crossing borders and other dividers in Western Europe and the British Isles
Kokoli, A. 2019. Crossing borders and other dividers in Western Europe and the British Isles. in: Robinson, H. and Buszek, M. (ed.) A Companion to Feminist Art United Kingdom WileyBlackwell. pp. 127-141Read my QR: Quilla Constance and the conceptualist promise of intelligibility
Kokoli, A. 2019. Read my QR: Quilla Constance and the conceptualist promise of intelligibility. in: Aikens, N., Lok, S. and Orlando, S. (ed.) Conceptualism - Intersectional Readings, International Framings The Netherlands Van Abbemuseum. pp. 36-53'Booted' 2018* in 'queer timɘs school prints'
Robinson, A. 2018. 'Booted' 2018* in 'queer timɘs school prints'.Cultural heritage as economic value and social opportunity: SPINNA Circle
Dick, E. and Ganguli, R. 2017. Cultural heritage as economic value and social opportunity: SPINNA Circle. 1st InHerit International Conference on the Value of Cultural Heritage in Athens. Athens, Greece 12 - 13 May 2016 Technical University of Crete. pp. 264-272An Art of Change - photomontage 1977-2017
Leeson, L. 2018. An Art of Change - photomontage 1977-2017. Photomontage Then and Now. Four Corners, 121 Roman Road London E2 0QN 20 Sep 2018[Experimental and perfomative provocations]
Maude-Roxby, A. 2018. [Experimental and perfomative provocations]. Writing Photographs Conference. Tate Modern 13 Oct 2018Preview presentation of Censored Realities, a book project by Alice Maude-Roxby and Stefanie Seibold
Maude-Roxby, A. and Seibold, S. 2017. Preview presentation of Censored Realities, a book project by Alice Maude-Roxby and Stefanie Seibold. MISS READ: Berlin Art Book Fair. Haus der Kulturen der Welt, Berlin 14 - 17 Jul 2017Feminist art manifestos/feminist politics
Deepwell, K. 2018. Feminist art manifestos/feminist politics. Cambridge Literary Review. 11.Feminist contributions to artworks in Slide-Tape
Deepwell, K. 2018. Feminist contributions to artworks in Slide-Tape. in: White, M. (ed.) Slide / Tape Birmingham Vivid Projects. pp. 10-18n.paradoxa’s MOOC (Mass Open Online Course): a case study in feminist online pedagogies
Deepwell, K. 2019. n.paradoxa’s MOOC (Mass Open Online Course): a case study in feminist online pedagogies. in: Crimmins, G. (ed.) Strategies for resisting sexism in the academy UK, Australia Palgrave Macmillan.'Sunday School' in 'Temporalities, curated by Steven Ball, Lethaby Gallery, UAL/CSM, London
Robinson, A. 2018. 'Sunday School' in 'Temporalities, curated by Steven Ball, Lethaby Gallery, UAL/CSM, London.Feminist posters: 'Stuff This' Thinks Jane
Robinson, A. 2017. Feminist posters: 'Stuff This' Thinks Jane. Gender & Education Association 12th Biennial Conference. Middlesex University, London, UK 21 - 23 Jun 2017Inspiral London: collaborative artists' walking project
Robinson, A., Fox, C. and Smith, G. 2015. Inspiral London: collaborative artists' walking project. London and KentCommon Birds
Robinson, A. 2017. Common Birds.The performance document: assimilations of gesture and genre
Maude-Roxby, A. and Li, D. 2018. The performance document: assimilations of gesture and genre. Photography and Culture. 11 (2), pp. 197-209. https://doi.org/10.1080/17514517.2018.1467088See Red Women's workshop: exhibitions
Robinson, A., Baines, J., Mackie, S. and Stevenson, P. 2015. See Red Women's workshop: exhibitions. Huddersfield Art Gallery 06 Jun - 19 Sep 2015Enlarger than life: song-films and irrational gestures
Robinson, A. 2015. Enlarger than life: song-films and irrational gestures. PSi20 Avant-Garde, Tradition, Community. Shanghai, China 04 - 08 Jul 2014Que sera: time travel and physical thinking
Robinson, A. 2015. Que sera: time travel and physical thinking. Psi19 Now and Then. Stanford University, Palo Alto, US 26 - 30 Jun 2013Over Time: art project 2014
Robinson, A. 2014. Over Time: art project 2014. National Maritime Museum, Thames Foreshore, London Stephen Lawrence Gallery, University of Greenwich.Domestic fronts: towards a feminist survival(ism)
Kokoli, A. 2018. Domestic fronts: towards a feminist survival(ism). Symposium: Feminist Visual Activism. ICA, London 10 Jul 2018Vital excess
Robinson, A., Evans, M. and Tucker, J. 2014. Vital excess. Bank Gallery at Cass, London, UK 04 - 12 Apr 2014Thrashing in the static
Robinson, A. 2016. Thrashing in the static.The elusive digital frame and the elasticity of time in painting
Robinson, A. 2012. The elusive digital frame and the elasticity of time in painting. PhD thesis The Cass, London Metropolitan UniversityThrough the air with the greatest of ease: phonogenie
Robinson, A. 2016. Through the air with the greatest of ease: phonogenie. Seismograf/DMT. https://doi.org/10.48233/SEISMOGRAF1604The operation was successful but the patient died
Leeson, L. 2018. The operation was successful but the patient died. Patricide. 1 (1), pp. 7-12.Situated art practice and strategies for change in London’s East End
Leeson, L. 2018. Situated art practice and strategies for change in London’s East End. Symposium: Communalities, Urbanities and Artistic Commonalities. Birkbeck University of London, London, UK 05 Jun 2018Co-creation as a strategy for change
Leeson, L. 2018. Co-creation as a strategy for change. Co-Creation: Creativity-Based Methods to Engage with Communities. University of Bath, Bath, United Kingdom 24 May 2018Interview for The GLC Story
Leeson, L. 2017. Interview for The GLC Story.Sense about sex: media, sex advice, education and learning
Attwood, F., Barker, M., Boynton, P. and Hancock, J. 2015. Sense about sex: media, sex advice, education and learning. Sex Education. 15 (5), pp. 528-539. https://doi.org/10.1080/14681811.2015.1057635HOME STRIKE, an exhibition guest-curated by Alexandra Kokoli and Basia Sliwinska, with CANAN, Paula Chambers, Malgorzata Markiewicz and Su Richardson, l'etrangere, 8 March-21 April 2018.
Kokoli, A. and Sliwinska, B. 2018. HOME STRIKE, an exhibition guest-curated by Alexandra Kokoli and Basia Sliwinska, with CANAN, Paula Chambers, Malgorzata Markiewicz and Su Richardson, l'etrangere, 8 March-21 April 2018. l'etrangere, 44a Charlotte Road, London EC2A 3PD 08 Mar - 21 Apr 2018n.paradoxa's MOOC (Mass Open Online Course) on feminism and contemporary art. 10 lessons
Deepwell, K. 2017. n.paradoxa's MOOC (Mass Open Online Course) on feminism and contemporary art. 10 lessons.Feminist critique: open and critical enquiry: a conversation between Katy Deepwell and Suzana Milevska
Deepwell, K. and Milevska, S. 2015. Feminist critique: open and critical enquiry: a conversation between Katy Deepwell and Suzana Milevska. in: Lijster, T., Milevska, S., Gielen, P. and Sonderegger, R. (ed.) Spaces for Criticism: Shifts in Contemporary Art Discourses Amsterdam Valiz. pp. 171-192Feminist collaborative projects in the UK in the 1970s'
Deepwell, K. 2018. Feminist collaborative projects in the UK in the 1970s'. in: Jakubowska, A. and Deepwell, K. (ed.) All-Women art spaces in Europe in the Long 1970s Liverpool Liverpool University Press.‘Thinking/acting with tactics of displacement’
Deepwell, K. 2015. ‘Thinking/acting with tactics of displacement’. in: Alonso, S. and Marful, I. (ed.) RE-ACTION, una ginología artística contra el canon Spain, Asturia Sala LAUDEO, Universidad de Oviedo. pp. 31-36Unpicking the Canon: Making (it), unmaking, and making do in textiles informed by feminism
Kokoli, A. 2017. Unpicking the Canon: Making (it), unmaking, and making do in textiles informed by feminism. A Feminist Space at Leeds: Looking Back to Think Forward. Leeds University 16 - 17 Dec 2017Do textiles think?
Kokoli, A. 2017. Do textiles think? in: Kyprianidou, E. (ed.) Weaving Culture in Europe Nisos. pp. 99-102See Red Women's Workshop Posters in group exhibition "Still I rise"
Robinson, A. 2018. See Red Women's Workshop Posters in group exhibition "Still I rise".Censored realities/changing New York [presentation]
Maude-Roxby, A. and Seibold, S. 2018. Censored realities/changing New York [presentation]. Censored Realities/Changing New York - Book Launch. Neue Gesellschaft für Bildende Kunst, nGbK in Berlin 21 Dec 2018Censored Realities / Changing New York
Maude-Roxby, A. and Seibold, S. 2018. Censored Realities / Changing New York. AustriaWakeful
Robinson, A. 2018. Wakeful.Water power: creativity and the unlocking of community knowledge
Leeson, L. 2018. Water power: creativity and the unlocking of community knowledge. in: Roberts, L. and Phillips, K. (ed.) Water, Creativity and Meaning: Multidisciplinary understandings of human-water relationships Routledge. pp. 23-35Silvertown and North Woolwich - past and present
Leeson, L. 2018. Silvertown and North Woolwich - past and present. University of East London 12 - 16 Jun 2018Performing Eurasia in the textiles and clothing businesses along the Silk Road
Dick, E. 2018. Performing Eurasia in the textiles and clothing businesses along the Silk Road. Cambridge Journal of Eurasian Studies. 2, pp. 1-14. https://doi.org/10.22261/cjes.5n9400Interview for "The NHS: A People's History"
Leeson, L. 2018. Interview for "The NHS: A People's History". BBC FOURCultural democracy [Blog post]
Leeson, L. 2018. Cultural democracy [Blog post]. MDX Minds Middlesex University.Free Lunch with the Stench Wench: towards a synaesthetics of poverty and shame in Catherine Hoffmann’s performance
Kokoli, A. 2018. Free Lunch with the Stench Wench: towards a synaesthetics of poverty and shame in Catherine Hoffmann’s performance. Hypatia: A Journal of Feminist Philosophy. 33 (3), pp. 485-499. https://doi.org/10.1111/hypa.12399The viscosity of duration: Painterly surface and the phenomenology of time in the London paintings of Frank Auerbach
Robinson, A. 2018. The viscosity of duration: Painterly surface and the phenomenology of time in the London paintings of Frank Auerbach. Journal of Contemporary Painting. 4 (1), pp. 199-217. https://doi.org/10.1386/jcp.4.1.199_1Experience as art: fine art social practice at Middlesex University
Leeson, L. and Duman, A. 2018. Experience as art: fine art social practice at Middlesex University. in: Sholette, G., Bass, C. and Social Practice Queens (ed.) Art as Social Action: An Introduction to the Principles and Practices of Teaching Social Practice Art New York Allworth Press. pp. 223-228Cultural democracy
Jacques, J., Leeson, L., Wainwright, H. and Mahamdallie, H. 2017. Cultural democracy. Resonance FM - Suite (212).For Walls with Tongues
Leeson, L. 2017. For Walls with Tongues. For Walls with Tongues. Whitechapel Gallery 01 Nov 2017Confluence: Public Art and the Thames / A Conversation with Six Artists
Leeson, L. 2017. Confluence: Public Art and the Thames / A Conversation with Six Artists. Totally Thames Festival. Thames Tunnel Shaft, Brunel Museum 11 Sep 2017Places in Flux and the Place for Art
Leeson, L. 2017. Places in Flux and the Place for Art. Places in Flux and the Place for Art. V&A Lansbury Micro Museum, London 29 Apr 2017Active energy: Three Mills - project launch
Leeson, L. 2017. Active energy: Three Mills - project launch.The Things that Make You Sick
Leeson, L. and Dunn, P. 2017. The Things that Make You Sick. ICA, London 06 May - 09 Jul 2017The writing’s on the wall: #QC against decipherability
Kokoli, A. 2017. The writing’s on the wall: #QC against decipherability. 'Transcending the Signified', Quilla Constance Symposium. Camberwell College of Arts, UAL, London 23 Jun 2017Leadership for sustainability: leading for equality and the future in teaching
Dick, E. and O'Loughlin, M. 2014. Leadership for sustainability: leading for equality and the future in teaching. CREATE/Feminisms Conference 2014. Middlesex University London 22 Jul 2014The ambiguous ambivalence of feminist textiles
Kokoli, A. 2017. The ambiguous ambivalence of feminist textiles. in: Ford, S. (ed.) CUT CLOTH: Contemporary Textiles and Feminism PO Publishing. pp. 60-65History or not: addressing omissions in the retelling of art's stories (roundtable discussion)
Kokoli, A., Allen, F., Boyce, S., Budd, A., Hiller, S., Hudek, A. and Sainsbury, A. 2017. History or not: addressing omissions in the retelling of art's stories (roundtable discussion). History or Not: Addressing Omissions in the Retelling of Art's Stories. Raven Row, London, United Kingdom 18 Mar 2017Our Land: creative approaches to the redevelopment of London’s Docklands
Leeson, L. 2019. Our Land: creative approaches to the redevelopment of London’s Docklands. International Journal of Heritage Studies. 25 (4), pp. 365-379. https://doi.org/10.1080/13527258.2018.1485166Sapphic Modernists - Re-visiting Elizabeth McCausland and Berenice Abbott’s Changing New York
Maude-Roxby, A., Seibold, S. and Goldsmiths University in conjunction with Tate Modern 2016. Sapphic Modernists - Re-visiting Elizabeth McCausland and Berenice Abbott’s Changing New York. Urban Encounters Conference. Goldsmiths University and Tate Modern 03 - 06 Nov 2016Tate in Focus: From the Freud Museum 1991–6 by Susan Hiller
Kokoli, A. Kokoli, A. (ed.) 2017. Tate in Focus: From the Freud Museum 1991–6 by Susan Hiller. Tate Research Publication.Active Energy
Leeson, L. 2016. Active Energy. Feeding the Insatiable: a creative summit. Dartington Hall, Devon, England 09 - 11 Nov 2016Why feminist stories matter: Katy Deepwell interviews Clare Hemmings
Deepwell, K. 2017. Why feminist stories matter: Katy Deepwell interviews Clare Hemmings. n.paradoxa: international feminist art journal. 40, pp. 60-68.Interview and video in London Community Video Archive
Leeson, L. 2017. Interview and video in London Community Video Archive.On the beginnings and end of n.paradoxa: international feminist art journal
Deepwell, K. 2017. On the beginnings and end of n.paradoxa: international feminist art journal. n.paradoxa: international feminist art journal. 40, pp. 5-13.Read my QR: Quilla Constance and the conceptualist promise of intelligibility
Kokoli, A. 2017. Read my QR: Quilla Constance and the conceptualist promise of intelligibility. Aikens, N., Lok, S. and Orlando, S. (ed.) Conceptualism: Intersectional Readings, International Framings, Black Artists and Modernism (BAM) Conference. Van Abbemuseum, Eindhoven, Netherlands 07 - 09 Dec 2017 Van Abbemuseum. pp. 36-53The Unlimited Edition Live!
Leeson, L. 2017. The Unlimited Edition Live! London Festival of Architecture 2017. Underdog Gallery, London 07 Jun 2017Art: Process: Change - inside a socially situated practice
Leeson, L. 2017. Art: Process: Change - inside a socially situated practice. London and New York Routledge.Pre-emptive mourning against the bomb: exploded domesticities in art informed by feminism and anti-nuclear activism
Kokoli, A. 2017. Pre-emptive mourning against the bomb: exploded domesticities in art informed by feminism and anti-nuclear activism. Oxford Art Journal. 40 (1), pp. 153-168. https://doi.org/10.1093/oxartj/kcx004Pre-emptive mourning against the bomb: the art and visual culture of feminist anti-nuclear activisms
Kokoli, A. 2016. Pre-emptive mourning against the bomb: the art and visual culture of feminist anti-nuclear activisms. Feminist Perspectives on Artistic Productions and Theories of Art, 5th edition, organised by Xabier Arakistain and Lourdes Mendez. Azkuna Zentroa, Bilbao 28 - 30 Oct 2016Angry melancholia: towards a performative politics of time in the work of Monica Ross
Kokoli, A. 2016. Angry melancholia: towards a performative politics of time in the work of Monica Ross. in: Monica Ross: Ethical Actions - A Critical Fine Art Practice Berlin Sternberg Press. pp. 22-31'Contrast' / Skyline Project Space / Curated by Kathleen Mullaniff
Mullaniff, K. 2016. 'Contrast' / Skyline Project Space / Curated by Kathleen Mullaniff. East Sussex'Garland' part of Showcase
Mullaniff, K. 2016. 'Garland' part of Showcase."Four" Kathleen Mullaniff, Eugene Palmer, Charlotte Snook. Skyline Project Space Artists working with Artists. Curated by Kathleen Mullaniff
Mullaniff, K. 2016. "Four" Kathleen Mullaniff, Eugene Palmer, Charlotte Snook. Skyline Project Space Artists working with Artists. Curated by Kathleen Mullaniff."Skyline" Sinéid Codd, Kathleen Mullaniff, Eugene Palmer, Charlotte Snook Kathleen Mullaniff, Senior Lecturer BA Fine Art, curates the exhibition Skyline.
Mullaniff, K. 2016. "Skyline" Sinéid Codd, Kathleen Mullaniff, Eugene Palmer, Charlotte Snook Kathleen Mullaniff, Senior Lecturer BA Fine Art, curates the exhibition Skyline. East Sussex 30 Jul - 07 Aug 2016#QC: Read My QR
Kokoli, A. 2016. #QC: Read My QR. Quilla Constance: #QC_Symposium. Toynbee Studios, Artsdmin, 28 Commercial Street, London E1 6AB 10 Mar 2016Big money is moving in, Docklands community poster project and posters from the east London health project
Leeson, L. and Dunn, P. 2015. Big money is moving in, Docklands community poster project and posters from the east London health project.Feminism reframed: reflections on art and difference
Kokoli, A., Heath, J., Hemus, R., Chase, A., Roulstone, K., Behm, A., Germann, J., Grant, C., Tate, S., Lauritis, B., Pollock, G. and Swartz, A. Kokoli, A. (ed.) 2008. Feminism reframed: reflections on art and difference. Cambridge Scholars Publishing.Pre-emptive mourning (or melancholia)? : the home as tomb in art informed by feminism and anti-nuclear activism
Kokoli, A. 2015. Pre-emptive mourning (or melancholia)? : the home as tomb in art informed by feminism and anti-nuclear activism. House, work, artwork: feminism and Art History's new domesticities. University of Birmingham, Birmingham. United Kingdom 03 - 04 Jul 2015Uncanny domesticities in art informed by feminist anti-nuclear activism
Kokoli, A. 2016. Uncanny domesticities in art informed by feminist anti-nuclear activism. Artists’ Critical Interventions into Architecture and Urbanism. University of Warwick, United Kingdom 15 - 16 Jul 2016Interview with Margaret Harrison and participation in roundtable discussion
Kokoli, A., Harrison, M., Farkas, R., Leeson, L. and Maple, S. 2016. Interview with Margaret Harrison and participation in roundtable discussion. The Practicing Feminist. Tate Britain 21 May 2016Collaborative art activism – a UK perspective
Leeson, L. 2016. Collaborative art activism – a UK perspective. Public Exposures: the art - activism of Condé + Beveridge (1976-2016) - Symposium. OCAD University, Toronto, Canada 27 - 29 May 2016Conceptualism/feminism/cultural activism
Leeson, L. 2016. Conceptualism/feminism/cultural activism. The Practicing Feminist. Tate Britain 21 May 2016Cultural policy of the GLC
Leeson, L. 2015. Cultural policy of the GLC. A Greater London: the GLC story 1981-8. The Rag Factory 02 Dec 2015Active energy - London: capital / climate / culture
Leeson, L. 2015. Active energy - London: capital / climate / culture. Deadline@Tate. Tate Modern 04 - 06 Dec 2015Now, then, and again: between anniversary and HERitage
Kokoli, A. 2015. Now, then, and again: between anniversary and HERitage. Day + Gluckman.What Bear Grylls can’t do: survivalist mediascapes in austerity Britain
Kokoli, A. and Winter, A. 2015. What Bear Grylls can’t do: survivalist mediascapes in austerity Britain. In Media Res: A Media Commons Project Media Commons (http://mediacommons.futureofthebook.org/).Pauline Barrie talks with Katy Deepwell: Founding feminism: womens workshop, artists union and women artists slide library
Barrie, P. and Deepwell, K. 2016. Pauline Barrie talks with Katy Deepwell: Founding feminism: womens workshop, artists union and women artists slide library. n.paradoxa: international feminist art journal. 38, pp. 56-65.See red women's workshop: feminist posters 1974 -1990
Robinson, A., Stevenson, P., Baines, J. and Mackie, S. 2016. See red women's workshop: feminist posters 1974 -1990. London, UKThe Docklands Community Poster Project and other creative approaches to regeneration
Leeson, L. 2016. The Docklands Community Poster Project and other creative approaches to regeneration. Top down meets bottom up in post-industrial regeneration: Good practice and challenges in participatory approaches to community engagement in city planning. Riverside Museum, Glasgow 20 - 21 Jan 2017The art of the state
Leeson, L., Tomkins, A., Harpe, B. and Wainwright, B. 2016. The art of the state. The World Transformed. The Black-e, Liverpool 23 - 27 Sep 2016Bred and born - a reflection
Leeson, L. 2016. Bred and born - a reflection. Four Corners - 40 Years of Film in the East End. Whitechapel Gallery 02 Jul 2016Active Energy: Three mills - hydrocitizenship open workshop
Leeson, L. 2016. Active Energy: Three mills - hydrocitizenship open workshop. Hydrocitizenship.The feminist uncanny in theory and art practice
Kokoli, A. 2016. The feminist uncanny in theory and art practice. London Bloomsbury Publishing.Community politics of the GLC (Greater London Council)
Leeson, L. 2016. Community politics of the GLC (Greater London Council). How to Do It: Creating bottom-up political participation. King's College London, UK 09 - 10 Apr 2016Constructing fashionable dress and identity in Bhutan
Dick, E. 2016. Constructing fashionable dress and identity in Bhutan. in: Craik, J. and Jansen, M. (ed.) Modern Fashion Traditions: Negotiating Tradition and Modernity Through Fashion London Bloomsbury Publishing. pp. 185-206Community collaborations 1978-2015
Leeson, L. 2015. Community collaborations 1978-2015. Community arts? Learning from the legacy of artists’ social initiatives. The Black-e, Liverpool, United Kingdom 01 Nov 2015'Garland' at MYB Textiles
Mullaniff, K. and Dick, E. 2015. 'Garland' at MYB Textiles. MYB Textiles 04 Jun - 31 Jul 2015Giving more than you take: a conversation about the ethics, responsibilities and practicalities of facilitating student participation in community-based projects: Dr. Loraine Leeson in conversation with Marianne Springham
Leeson, L. and Springham, M. 2015. Giving more than you take: a conversation about the ethics, responsibilities and practicalities of facilitating student participation in community-based projects: Dr. Loraine Leeson in conversation with Marianne Springham. in: Collins, D. (ed.) The Tetley Feast: Documentation and Critical Reflections Leeds College of Art. pp. 81-85East London Health Project
Leeson, L. 2015. East London Health Project. Storming the Citadels?: changing attitudes and frameworks to arts practices sf research in community contexts. Birkbeck University of London, London, United Kingdom 25 Jul 2015Criticality in the mediation of fashion
Dick, E., Gobin, K. and Thomas, P. 2015. Criticality in the mediation of fashion. Textual Fashion. University of Brighton, Brighton, United Kingdom 08 - 10 Jul 2015Preface
Deepwell, K. 2014. Preface. in: Kosmala, K. (ed.) Sexing the Border, Gender, Art and New Media in Central and Eastern Europe Newcastle upon Tyne Cambridge Scholars Publishing. pp. xv-xvi'Drift' Two Person Exhibition of Drawings with Evelyn Buchanan. Part of the Edinburgh Fringe Festival 2014
Mullaniff, K. 2015. 'Drift' Two Person Exhibition of Drawings with Evelyn Buchanan. Part of the Edinburgh Fringe Festival 2014. Edinburgh 07 Aug - 07 Sep 2015'Wave' Rituals and Relics, The Crypt Gallery, St Mary in the Castle
Mullaniff, K. 2014. 'Wave' Rituals and Relics, The Crypt Gallery, St Mary in the Castle.'A Nunhead Garden' part of the exhibition 'On London' 100th anniversary of the London Group’s first exhibition
Mullaniff, K. 2014. 'A Nunhead Garden' part of the exhibition 'On London' 100th anniversary of the London Group’s first exhibition.'Blue Plate' Coastal Currents Arts Festival
Mullaniff, K. 2015. 'Blue Plate' Coastal Currents Arts Festival.'The journey to Rye on the train' The Crypt Gallery and Arts in Healthcare NHS East Sussex
Mullaniff, K. 2015. 'The journey to Rye on the train' The Crypt Gallery and Arts in Healthcare NHS East Sussex.Blue lace: part of Draw II
Mullaniff, K. 2015. Blue lace: part of Draw II.Not a straight line by a spiral: charting continuity and change in textiles informed by feminism
Kokoli, A. 2014. Not a straight line by a spiral: charting continuity and change in textiles informed by feminism. Image and Text. 23, pp. 110-129.Citizen innovation: DIY design and the Thames water turbine
Leeson, L. and Light, A. 2014. Citizen innovation: DIY design and the Thames water turbine. Creative Citizens. Royal College of Art, London 18 - 19 Sep 2014Reflections on an art and politics of social engagement
Leeson, L. 2014. Reflections on an art and politics of social engagement. The Impossible Constellation. University of Lincoln 02 - 03 Jun 2014Re-thinking (e)valuation
Leeson, L. 2014. Re-thinking (e)valuation. Art, Recognition and Social Science: Re-Thinking (E)valuation. Central Library, Liverpool, UK 16 May 2014Art as a force for change
Leeson, L. 2014. Art as a force for change. Curating Community? The Relational and Agonistic Value of Participatory Arts in Superdiverse Localities. Centre For Creative Collaboration, London, UK 01 May 2014Experiments in ‘real world’ education
Leeson, L. 2014. Experiments in ‘real world’ education. Just What Is It That Makes Today's Art Schools So Different, So Appealing?. ICA, London 29 Mar 2014Some lessons learned on the art and politics of social engagement 1978 – 2013
Leeson, L. 2014. Some lessons learned on the art and politics of social engagement 1978 – 2013. The Tetley Feast. The Tetley, Leeds, UK 08 Jan - 12 Feb 2014In a walled garden: an artist book
Mullaniff, K. 2014. In a walled garden: an artist book.Fade in Fade out
Mullaniff, K. 2012. Fade in Fade out. Tokarska Gallery. London.Wave patterns
Mullaniff, K. 2013. Wave patterns.We don’t need another heroine: Sanja Ivekovic’s counter-narratives
Deepwell, K. 2013. We don’t need another heroine: Sanja Ivekovic’s counter-narratives. in: Reckitt, H. (ed.) Sanja Ivekovic: Unknown Heroine - A Reader London Calvert 22 Foundation. pp. 110-133Feminist problematic(s) in contemporary art
Deepwell, K. 2014. Feminist problematic(s) in contemporary art. Arta: Revista de arte vizuale (Bucharest).Wave forms : part of the London Group centenary exhibition
Mullaniff, K. 2013. Wave forms : part of the London Group centenary exhibition.Lace part of 'From David Bomberg to Paula Rego: The London Group in Southampton'
Mullaniff, K. 2014. Lace part of 'From David Bomberg to Paula Rego: The London Group in Southampton'. Southampton City Art Gallery 28 Jun - 01 Nov 2014Jane F. Gerhard, The Dinner Party: Judy Chicago and the Power of Popular Feminism, 1970–2007 (Athens: University of Georgia Press, 2013), pp. x + 336. Series: Since 1970: Histories of Contemporary America. ISBN 978 0820344577 [Book review]
Kokoli, A. 2015. Jane F. Gerhard, The Dinner Party: Judy Chicago and the Power of Popular Feminism, 1970–2007 (Athens: University of Georgia Press, 2013), pp. x + 336. Series: Since 1970: Histories of Contemporary America. ISBN 978 0820344577 [Book review]. Gender and History. 27 (1), pp. 228-229. https://doi.org/10.1111/1468-0424.12117Mobilizing memory: interview with Ayse Gül Altinay and Isin Önol
Deepwell, K. 2015. Mobilizing memory: interview with Ayse Gül Altinay and Isin Önol. n.paradoxa: international feminist art journal. 35, pp. 31-39.Past-present -future
Maude-Roxby, A. 2015. Past-present -future. in: Vason, M. and Evans, D. (ed.) Double Exposures: Performance as Photography, Photography as Performance London Intellect. pp. 31-34Performance and Photography: Theatre of Photography
Maude-Roxby, A., London College of Communication and Swedenborg 2015. Performance and Photography: Theatre of Photography. Moose on the Loose. Swedenborg Society LondonLambeth floating marsh
Leeson, L., Rai, N. and Iles, H. 2015. Lambeth floating marsh. cSPACE.Narratives of women artists in/out of Vorticism
Deepwell, K. 2015. Narratives of women artists in/out of Vorticism. in: Berghaus, G. (ed.) International Yearbook of Futurism Studies (Vol 5, 2015) Special issue: Women Artists and Futurism Berlin | Boston Walter de Gruyter.What a girl’s gotta do: the labour of the biopolitical celebrity in austerity Britain
Kokoli, A. and Winter, A. 2015. What a girl’s gotta do: the labour of the biopolitical celebrity in austerity Britain. Women & Performance: a journal of feminist theory. 25 (2), pp. 157-174. https://doi.org/10.1080/0740770X.2015.1057015Misogyny: Witches and Wicked Bodies
Petherbridge, D., Segal, L., Kokoli, A., Deepwell, K. and Create/Feminism Cluster 2015. Misogyny: Witches and Wicked Bodies. Misogyny: Witches and Wicked Bodies. ICA, London, United Kingdom 18 Mar 2015Case study: engaging older people in creative thinking: the Active Energy project
Leeson, L. 2015. Case study: engaging older people in creative thinking: the Active Energy project. in: Clift, S. and Camic, P. (ed.) Oxford Textbook of Creative Arts, Health and Wellbeing: International perspectives on practice, policy and research Oxford University Press (OUP). pp. 245-250Anti/pro/critical porn studies
Smith, C. and Attwood, F. 2014. Anti/pro/critical porn studies. Porn Studies. 1 (1-2), pp. 7-23. https://doi.org/10.1080/23268743.2014.887364Porn Studies: an introduction
Attwood, F. and Smith, C. 2014. Porn Studies: an introduction. Porn Studies. 1 (1-2), pp. 1-6. https://doi.org/10.1080/23268743.2014.887308Felicity Sparrow: forming Circles
Deepwell, K. 2014. Felicity Sparrow: forming Circles. n.paradoxa: international feminist art journal. 34, pp. 86-95.Active Energy (2014-2020)
Leeson, L. 2014. Active Energy (2014-2020). Middlesex University Research Repository.Questions of agency and the artisan within Uzbekistan
Dick, E. 2014. Questions of agency and the artisan within Uzbekistan. 3rd International (Non)Western Fashion Conference The Global Politics of Fashion. University of Hong Kong 22 - 23 Nov 2014Active Energy - where art and engineering meet
Leeson, L. 2014. Active Energy - where art and engineering meet. CAA 102nd Annual Conference. Chicago 12 - 15 Feb 2014Groundswell on the Thames: 30 years of cultural activism with London’s riverside communities
Leeson, L. 2014. Groundswell on the Thames: 30 years of cultural activism with London’s riverside communities. Women Environmental Artists Directory. (7).‘Other’ and ‘Not-All’, rethinking the place of the woman artist in ‘Contemporary Art’
Deepwell, K. 2014. ‘Other’ and ‘Not-All’, rethinking the place of the woman artist in ‘Contemporary Art’. Revista de Estudios Globales y Arte Contemporáneo: Art Global Age. 2 (1), pp. 191-212. https://doi.org/10.1344/regac2014.1.11Ten decades: careers of ten women artists born 1897-1906
Deepwell, K. Checketts, L. (ed.) 1992. Ten decades: careers of ten women artists born 1897-1906. Norwich Norwich Gallery, Norwich School of Art & Design.Beatrice Cussol: feminist not feminine
Deepwell, K. 2013. Beatrice Cussol: feminist not feminine. in: Sundberg, M. (ed.) Beatrice Cussol: Rude Girls Stockholm Art and Theory Publishing: Spritmuseum and Absolut Art Collection. pp. 25-35We don't need another heroine: Sanja Ivekovic's counter-narratives
Deepwell, K. 2013. We don't need another heroine: Sanja Ivekovic's counter-narratives. in: Reckitt, H. (ed.) Sanja Ivekovic: Unknown Heroine - a Reader London Calvert 22 Foundation. pp. 110-113The Art of Intervention
Maude-Roxby, A. 2009. The Art of Intervention. Fleur Gallery, Kyoto, Japan; UK12 Approaches to 12 Shooters
Maude-Roxby, A. 2009. 12 Approaches to 12 Shooters. in: Maizlish, J. (ed.) Marcia Farquhar's 12 shooters London Live Art Development Agency. pp. 177-189Performing memory
Maude-Roxby, A. 2010. Performing memory. Kunstraum Niederösterreich, Vienna, AustriaAnti-academy
Maude-Roxby, A. 2013. Anti-academy. John Hansard Gallery, Southampton, UKIntimate adventures: sex blogs, sex 'blooks' and women's sexual narration
Attwood, F. 2009. Intimate adventures: sex blogs, sex 'blooks' and women's sexual narration. European Journal of Cultural Studies. 12 (1), pp. 5-20. https://doi.org/10.1177/1367549408098702Defining the problem: women artists, feminism and globalization (English title of Russian text)
Deepwell, K. 2013. Defining the problem: women artists, feminism and globalization (English title of Russian text). in: Kamenetskaya, N., Loshak, M. and Turkina, O. (ed.) Celebrating International Women’s Day (8 March): Feminism: from avant-garde to present day (English title of Russian exhibition catalogue) Moscow Manege. pp. 23-29Hepworth and her critics
Deepwell, K. 1998. Hepworth and her critics. in: Deepwell, K. (ed.) Women Artists and Modernism Manchester Manchester University Press. pp. 97-111It's time for action (there's no option): about feminism
Jones, A., Bunz, M., Buszek, M. and Deepwell, K. Munder, H. (ed.) 2007. It's time for action (there's no option): about feminism. Zurich, Switzerland J. P. Ringier.Women artists between the wars: a fair field and no favour
Deepwell, K. 2010. Women artists between the wars: a fair field and no favour. Manchester University Press.The young person's guide 2 East London
Leeson, L. and cSPACE 2012. The young person's guide 2 East London. cSPACE.The woman artist as curatorial effect
Kokoli, A. 2013. The woman artist as curatorial effect. in: Dimitrakaki, A. and Perry, L. (ed.) Politics in a glass case: feminism, exhibition cultures and curatorial transgressions Liverpool University Press.On probation: Tracey Emin as sign
Kokoli, A. 2010. On probation: Tracey Emin as sign. Wasafiri. 25 (1), pp. 33-40. https://doi.org/10.1080/02690050903425342Remembering, repeating and working through in Anniversary – An Act Of Memory by Monica Ross and co-recitors (2008–)
Kokoli, A. 2012. Remembering, repeating and working through in Anniversary – An Act Of Memory by Monica Ross and co-recitors (2008–). Performance Research. 17 (5), pp. 24-30. https://doi.org/10.1080/13528165.2012.728436Claims for a feminist politics in painting
Deepwell, K. 2010. Claims for a feminist politics in painting. in: Petersen, A., Bogh, M., Christensen, H. and Larsen, P. (ed.) Contemporary painting in context Museum Tusculanum Press. pp. 143-164Art school sluts: art, porn and aesthetics
Attwood, F. 2012. Art school sluts: art, porn and aesthetics. in: Hines, C. and Kerr, D. (ed.) Hard to swallow: reading pornography on screen Columbia University Press.Younger, paler, decidedly less straight: the new porn professionals
Attwood, F. 2010. Younger, paler, decidedly less straight: the new porn professionals. in: Attwood, F. (ed.) Porn.com: making sense of online pornography New York Peter Lang.Through the looking glass? Sexual agency and subjectification in cyberspace
Attwood, F. 2011. Through the looking glass? Sexual agency and subjectification in cyberspace. in: New femininities : postfeminism, neoliberalism and subjectivity Basingstoke Palgrave Macmillan. pp. 203-214deepthroatfucker and Discerning Adonis: men and cybersex
Attwood, F. 2009. deepthroatfucker and Discerning Adonis: men and cybersex. International Journal of Cultural Studies. 12 (3), pp. 279-294. https://doi.org/10.1177/1367877908101573Invasions and fakes: Susan Hiller in conversation with Alexandra Kokoli
Hiller, S. and Kokoli, A. 2013. Invasions and fakes: Susan Hiller in conversation with Alexandra Kokoli. in: Mays, S. and Matheson, N. (ed.) The Machine and the Ghost: Technology and Spiritualism in Nineteenth- to Twenty-First-Century Art and Culture Manchester University Press. pp. 103-122The voice as uncanny index in Susan Hiller's The Last Silent Movie
Kokoli, A. 2013. The voice as uncanny index in Susan Hiller's The Last Silent Movie. Art Journal. 72 (2), pp. 6-15. https://doi.org/10.1080/00043249.2013.10791027Sanja Iveković: we don't need another heroine
Deepwell, K. 2013. Sanja Iveković: we don't need another heroine. Twenty three percent*. London, UK 25 Jan 2013Sisters
Kokoli, A. 2012. Sisters. in: Dickson, R. (ed.) Judy Chicago Lund Humphries. pp. 169-177Containing culture, a series of three symposia. Symposium three: lacking in discipline
Mullaniff, K. and Manchester Metropolitan University 2007. Containing culture, a series of three symposia. Symposium three: lacking in discipline. Lacking in Discipline. Manchester Metropolitan University 29 Jun 2007Touch, textiles, technology: collaboration across Europe
Mullaniff, K. and Goldmiths, University of London. 2007. Touch, textiles, technology: collaboration across Europe. Touch, Textiles, Technology: Collaboration Across Europe.. London, UKLarkspur, Open Exhibition 2011, The London Group
Mullaniff, K. 2012. Larkspur, Open Exhibition 2011, The London Group."Journey." Arthur Green Shop. Hastings. Part of Coastal Currents. Visual Arts Festival.
Mullaniff, K., South Coast Artists. and Coastal Currents. Hastings Arts Festival. 2010. "Journey." Arthur Green Shop. Hastings. Part of Coastal Currents. Visual Arts Festival. Arthur Green Shop. Hastings. Part of Coastal Currents. Visual Arts Festival. Sep 2010Tracing Memory Part Two: a journey along the black river.
Mullaniff, K. and The Leinster Gallery Dublin 2006. Tracing Memory Part Two: a journey along the black river. The Leinster Gallery Dublin'"Wren, Drift and Merge" [part of Midsummer Magic.]
Mullaniff, K. 2011. '"Wren, Drift and Merge" [part of Midsummer Magic.]. Jaggedart, 28 A Devonshire Street, London. 15 Jun - 22 Jul 2011Re.act feminism: feminist, gender-critical and trans-gender performance art: Katy Deepwell interviews Bettina Knaup and Beatrice E. Stammer
Deepwell, K. 2012. Re.act feminism: feminist, gender-critical and trans-gender performance art: Katy Deepwell interviews Bettina Knaup and Beatrice E. Stammer. n.paradoxa: international feminist art journal. 30, pp. 77-82.Interior [Part of Fabric: reinterpreting the house exhibition]
Mullaniff, K. 2002. Interior [Part of Fabric: reinterpreting the house exhibition]. Abbot Hall Art Gallery, Kendal, CumbriaIn a walled garden
Mullaniff, K. and Andrea Harari. Jaggedart. London. 2009. In a walled garden. Jaggedart. Elliott House 28A Devonshire Street London W1G 6PS 08 May - 06 Jun 2009From 'Marginalia' to 'Monalisa': an interview with Ida Appelbroog
Deepwell, K. 2011. From 'Marginalia' to 'Monalisa': an interview with Ida Appelbroog. n.paradoxa: international feminist art journal. 28, pp. 48-56.Questioning the gender order: feminist interventions in aesthetics and cultural politics
Deepwell, K. 2011. Questioning the gender order: feminist interventions in aesthetics and cultural politics. in: Artistic Production and the Feminist Theory of Art: New Debates III Vitoria-Gasteiz, Spain Centro Cultural Montehermoso Kulturunea.'The relationship between big and small things': Tsaplya and Gluklya, Factory of Found Clothes: interview by Katy Deepwell
Deepwell, K. 2011. 'The relationship between big and small things': Tsaplya and Gluklya, Factory of Found Clothes: interview by Katy Deepwell. n.paradoxa: international feminist art journal. 27, pp. 81-92.Storyteller: No 2 [part of Re-valuation:the evocative power of the familiar exhibition]
Mullaniff, K. and Jaggedart 2008. Storyteller: No 2 [part of Re-valuation:the evocative power of the familiar exhibition]. Jagged art., London. 03 - 26 Apr 2008Encrypted 1-8 [part of Paisley: exploding the teardrop exhibition].
Mullaniff, K. 2008. Encrypted 1-8 [part of Paisley: exploding the teardrop exhibition]. PM Gallery and House. London 27 Nov 2007 - 12 Jan 2008Ed Ruscha's Los Angeles By Alexandra Schwartz [Book review]
Kokoli, A. 2010. Ed Ruscha's Los Angeles By Alexandra Schwartz [Book review]. The Art Book. 17 (4), pp. 52-54. https://doi.org/10.1111/j.1467-8357.2010.01137_5.xSelf/Image: Technology, Representation and the Contemporary Subject by Amelia Jones [Book review]
Kokoli, A. 2009. Self/Image: Technology, Representation and the Contemporary Subject by Amelia Jones [Book review]. The Art Book. 16 (3), pp. 76-76. https://doi.org/10.1111/j.1467-8357.2009.01050_1.xQuilting
Kokoli, A. 2009. Quilting. in: O'Brien, J. (ed.) Encyclopedia of Gender and Society SAGE Publications. pp. 698-699Women Artists
Kokoli, A. 2009. Women Artists. in: O'Brien, J. (ed.) Encyclopedia of Gender and Society SAGE Publications. pp. 894-896Art, Gender Images in
Kokoli, A. 2009. Art, Gender Images in. in: O'Brien, J. (ed.) Encyclopedia of Gender and Society SAGE Publications. pp. 44-47Castration
Kokoli, A. 2009. Castration. in: O'Brien, J. (ed.) Encyclopedia of Gender and Society SAGE Publications. pp. 117-118Interview with Mirjam Westen, curator of REBELLE: Kunst & Feminisme, 1969-2009
Deepwell, K. 2009. Interview with Mirjam Westen, curator of REBELLE: Kunst & Feminisme, 1969-2009. n.paradoxa: international feminist art journal. 24, pp. 22-29.Active energy
Leeson, L. and SPACE 2009. Active energy. SPACE Studios.Purl.
Mullaniff, K. and Langley, J. 2004. Purl. Museum of Domestic Architecture, Middlesex University 2004Traces.
Mullaniff, K. 2003. Traces. Wolsey Art Gallery, Christchurch Mansion, Ipswich. 2003The Storyteller: No 1.
Mullaniff, K. 2002. The Storyteller: No 1. Centro Brasileiro Britanico, São Paulo, Brasil. 2002The ghosts of songs: the film art of the black audio film collective, 1982 - 1998 by Kodwo Eshun and Anjalika Sager (Eds). [Book review]
Kokoli, A. 2008. The ghosts of songs: the film art of the black audio film collective, 1982 - 1998 by Kodwo Eshun and Anjalika Sager (Eds). [Book review]. The Art Book. 15 (2), pp. 70-71. https://doi.org/10.1111/j.1467-8357.2008.00965_1.xHigh Art Lite: The rise and fall of young British art (revised and expanded edition) By Julian Stallabrass [Book review]
Kokoli, A. 2007. High Art Lite: The rise and fall of young British art (revised and expanded edition) By Julian Stallabrass [Book review]. The Art Book. 14 (3), pp. 70-70. https://doi.org/10.1111/j.1467-8357.2007.00853_4.xWomen Artists at the Millenium By Carol Armstrong and Catherine De Zegher (Eds.) [Book review]
Kokoli, A. 2007. Women Artists at the Millenium By Carol Armstrong and Catherine De Zegher (Eds.) [Book review]. The Art Book. 14 (4), pp. 46-47. https://doi.org/10.1111/j.1467-8357.2007.00873.xBack to Basics? Edited by Norma Broude and Mary D. Garrard [Book review]
Kokoli, A. 2007. Back to Basics? Edited by Norma Broude and Mary D. Garrard [Book review]. Art History. 30 (5), pp. 777-781. https://doi.org/10.1111/j.1467-8365.2007.00574_3.xCyberfem: feminism on the electronic landscape: Katy Deepwell interviews Ana Martinez-Collado
Deepwell, K. 2007. Cyberfem: feminism on the electronic landscape: Katy Deepwell interviews Ana Martinez-Collado. n.paradoxa: international feminist art journal. 19, pp. 68-72.Social feminism and the question of difference, Fran Cottell
Deepwell, K. 2007. Social feminism and the question of difference, Fran Cottell. n.paradoxa: international feminist art journal. 19, pp. 90-93.Active energy (2007 - 2020)
Leeson, L., Light, A. and SPACE 2007. Active energy (2007 - 2020).Curatorial strategies and feminist politics: part 1: an interview with Rosa Martinez, part 2: an interview with Maria Lind
Deepwell, K. 2006. Curatorial strategies and feminist politics: part 1: an interview with Rosa Martinez, part 2: an interview with Maria Lind. n.paradoxa: international feminist art journal. 18, pp. 5-15.KISSS revealed: Deej Fabyc, Paula Roush and Camilla Brueton on Kinship International Strategy on Surveillance and Suppression (KISSS)
Deepwell, K. 2006. KISSS revealed: Deej Fabyc, Paula Roush and Camilla Brueton on Kinship International Strategy on Surveillance and Suppression (KISSS). n.paradoxa: international feminist art journal. 17, pp. 36-43.Sutapa Biswas
Kokoli, A. Sutapa Biswas. The Art Book. 12 (1), pp. 20-21. https://doi.org/10.1111/j.1467-8357.2005.t01-5-00492.xDifference and Excess in Contemporary Art: The Visibility of Women's Practice [Book review]
Kokoli, A. 2005. Difference and Excess in Contemporary Art: The Visibility of Women's Practice [Book review]. The Art Book. 12 (4), pp. 39-40. https://doi.org/10.1111/j.1467-8357.2005.00604.xJane Prophet's Imaginary Organs of a Cyborg
Deepwell, K. 2005. Jane Prophet's Imaginary Organs of a Cyborg. n.paradoxa: international feminist art journal. 15, pp. 89-92.Dialogues: Women Artists from Ireland
Deepwell, K. 2004. Dialogues: Women Artists from Ireland. London I.B. Tauris.Musing on myths
Deepwell, K. 2003. Musing on myths. Paletten. 64 (3-4), pp. 48-51.Performing provocation: Katy Deepwell interviews Karen Finley
Deepwell, K. 2003. Performing provocation: Katy Deepwell interviews Karen Finley. n.paradoxa: international feminist art journal. 12, pp. 82-89.Curating New Narratives interviews Ute Meta Bauer
Deepwell, K. 2002. Curating New Narratives interviews Ute Meta Bauer. n.paradoxa: international feminist art journal. 10, pp. 65-74.'The cabinet of Edgar Allan Poe': towards a feminist remodelling of (meta)history
Kokoli, A. 2002. 'The cabinet of Edgar Allan Poe': towards a feminist remodelling of (meta)history. In-between: Essays & Studies in Literary Criticism. 11 (1), pp. 55-70.Working notes: conversation with Katy Deepwell
Connor, M. and Deepwell, K. 2002. Working notes: conversation with Katy Deepwell. Art Journal. 61 (2), pp. 32-42. https://doi.org/10.1080/00043249.2002.10792116