Read my QR: Quilla Constance and the conceptualist promise of intelligibility

Conference paper

Kokoli, A. 2017. Read my QR: Quilla Constance and the conceptualist promise of intelligibility. Aikens, N., lok, s. and Orlando, S. (ed.) Conceptualism: Intersectional Readings, International Framings, Black Artists and Modernism (BAM) Conference. Van Abbemuseum, Eindhoven, Netherlands 07 - 09 Dec 2017 Van Abbemuseum. pp. 36-53
TypeConference paper
TitleRead my QR: Quilla Constance and the conceptualist promise of intelligibility
AuthorsKokoli, A.
Research GroupCREATE/Feminisms cluster
ConferenceConceptualism: Intersectional Readings, International Framings, Black Artists and Modernism (BAM) Conference
Page range36-53
EditorsAikens, N., lok, s. and Orlando, S.
ISBN
Electronic9789490757199
PublisherVan Abbemuseum
Publication dates
Print08 Dec 2017
Online31 Dec 2019
Publication process dates
Deposited03 Jan 2018
Accepted02 Oct 2017
Output statusPublished
Additional information

The edited conference proceedings was published as an ebook by Van Abbemuseum in December 2019. The e-book is licensed under a Creative Commons BY-NC-ND 4.0 licence.

Web address (URL)https://mediabank.vanabbemuseum.nl/vam/files/alexandria/publiciteit/e-pub/2019/vam_epub%20BAM_DEC19_V5_final3.pdf
LanguageEnglish
Book titleConceptualism - Intersectional Readings, International Framings
Permalink -

https://repository.mdx.ac.uk/item/87620

Log in to edit
  • 50
    total views
  • 0
    total downloads
  • 1
    views this month
  • 0
    downloads this month

Export as

Related outputs

Walking (to) Greenham, again: activating feminist heritage
Kokoli, A. 2024. Walking (to) Greenham, again: activating feminist heritage. Performance Research. 28 (8), pp. 34-42. https://doi.org/10.1080/13528165.2023.2385237
Brides and Madonnas against the Bomb: feminist activist art practices towards nuclear disarmament and more
Kokoli, A. 2024. Brides and Madonnas against the Bomb: feminist activist art practices towards nuclear disarmament and more. Women in Revolt!: Radical acts, contemporary resonances. Tate Britain, London, UK 22 - 23 Mar 2024
Greenham Common’s archival webs: towards a virtual feminist museum
Kokoli, A. 2023. Greenham Common’s archival webs: towards a virtual feminist museum. British Art Studies. (24). https://doi.org/10.17658/issn.2058-5462/issue-24/akokoli
EPISODE 163 Alexandra Kokoli: Gender, shame & visual cultures. The Surviving Society Podcast.
Kokoli, A. 2022. EPISODE 163 Alexandra Kokoli: Gender, shame & visual cultures. The Surviving Society Podcast.
The Imaginary of Greenham Common
Kokoli, A. 2022. The Imaginary of Greenham Common. The Imaginary of Greenham Common. Beaconsfield, 22 Newport Street, Vauxhall, London SE11 6AY 20 Aug 2022
Care, aftercare, and the work of transmission: learning from Greenham Common
Kokoli, A. 2023. Care, aftercare, and the work of transmission: learning from Greenham Common. in: Krasny, E. and Perry, L. (ed.) Curating with Care Routledge. pp. 117-130
Trauma and repair in the museum: an introduction
Walsh, M. and Kokoli, A. 2022. Trauma and repair in the museum: an introduction. Psychoanalysis, Culture & Society. https://doi.org/10.1057/s41282-022-00290-4
Reclaimed: The Greenham Common women’s peace camp as quotidian feminist heritage
Kokoli, A. 2022. Reclaimed: The Greenham Common women’s peace camp as quotidian feminist heritage. in: Pratt, K. (ed.) Jemima Brown: Peace Camp West Berkshire Museum.
The aesthetic labour of protest, now and then: The Women’s Peace Camp at Greenham Common (1981-2000)
Kokoli, A. 2021. The aesthetic labour of protest, now and then: The Women’s Peace Camp at Greenham Common (1981-2000). in: Schmahmann, B. (ed.) Iconic Works of Art by Feminists and Gender Activists: Mistress-Pieces Routledge. pp. 22-37
Domestic fronts: arrangements for feminist living, or survival is not a metaphor
Kokoli, A. 2020. Domestic fronts: arrangements for feminist living, or survival is not a metaphor. in: Sliwinska, B. (ed.) Feminist Visual Activism and the Body New York Routledge. pp. 88-103
Aftershocks and (un)belongings: reflecting on 'Home Strike'
Kokoli, A. and Sliwinska, B. 2021. Aftershocks and (un)belongings: reflecting on 'Home Strike'. in: Photiou, M. and Meskimmon, M. (ed.) Art, Borders and Belonging: On Home and Migration London | New York Bloomsbury Visual Arts. pp. 113-136
Witch, Witches, WITCH
Kokoli, A. 2021. Witch, Witches, WITCH.
Read my QR: Quilla Constance and the conceptualist promise of intelligibility
Kokoli, A. 2019. Read my QR: Quilla Constance and the conceptualist promise of intelligibility. in: Aikens, N., lok, s. and Orlando, S. (ed.) Conceptualism - Intersectional Readings, International Framings The Netherlands Van Abbemuseum. pp. 36-53
Crossing borders and other dividers in Western Europe and the British Isles
Kokoli, A. 2019. Crossing borders and other dividers in Western Europe and the British Isles. in: Robinson, H. and Buszek, M. (ed.) A Companion to Feminist Art United Kingdom WileyBlackwell. pp. 127-141
Domestic fronts: towards a feminist survival(ism)
Kokoli, A. 2018. Domestic fronts: towards a feminist survival(ism). Symposium: Feminist Visual Activism. ICA, London 10 Jul 2018
Creative Tensions: Making (it), unmaking, and making do in textiles informed by feminism
Kokoli, A. 2018. Creative Tensions: Making (it), unmaking, and making do in textiles informed by feminism. in: Harris, J. (ed.) A Companion to Textile Culture WileyBlackwell.
Feminist Art Activisms and Artivisms - 2 July 2018, Middlesex University
Deepwell, K., Kokoli, A., Robinson, A., Mullaniff, K., Dick, E., Attwood, F., Leeson, L. and Maude-Roxby, A. 2018. Feminist Art Activisms and Artivisms - 2 July 2018, Middlesex University. Feminist Art Activisms and Artivisms. Middlesex University, London, UK 02 Jul 2018 Middlesex University. https://doi.org/10.22023/mdx.6716054.v1
HOME STRIKE, an exhibition guest-curated by Alexandra Kokoli and Basia Sliwinska, with CANAN, Paula Chambers, Malgorzata Markiewicz and Su Richardson, l'etrangere, 8 March-21 April 2018.
Kokoli, A. and Sliwinska, B. 2018. HOME STRIKE, an exhibition guest-curated by Alexandra Kokoli and Basia Sliwinska, with CANAN, Paula Chambers, Malgorzata Markiewicz and Su Richardson, l'etrangere, 8 March-21 April 2018. l'etrangere, 44a Charlotte Road, London EC2A 3PD 08 Mar - 21 Apr 2018
Unpicking the Canon: Making (it), unmaking, and making do in textiles informed by feminism
Kokoli, A. 2017. Unpicking the Canon: Making (it), unmaking, and making do in textiles informed by feminism. A Feminist Space at Leeds: Looking Back to Think Forward. Leeds University 16 - 17 Dec 2017
Do textiles think?
Kokoli, A. 2017. Do textiles think? in: Kyprianidou, E. (ed.) Weaving Culture in Europe Nisos. pp. 99-102
Free Lunch with the Stench Wench: towards a synaesthetics of poverty and shame in Catherine Hoffmann’s performance
Kokoli, A. 2018. Free Lunch with the Stench Wench: towards a synaesthetics of poverty and shame in Catherine Hoffmann’s performance. Hypatia: A Journal of Feminist Philosophy. 33 (3), pp. 485-499. https://doi.org/10.1111/hypa.12399
The writing’s on the wall: #QC against decipherability
Kokoli, A. 2017. The writing’s on the wall: #QC against decipherability. 'Transcending the Signified', Quilla Constance Symposium. Camberwell College of Arts, UAL, London 23 Jun 2017
The ambiguous ambivalence of feminist textiles
Kokoli, A. 2017. The ambiguous ambivalence of feminist textiles. in: Ford, S. (ed.) CUT CLOTH: Contemporary Textiles and Feminism PO Publishing. pp. 60-65
Pre-emptive mourning against the bomb: exploded domesticities in art informed by feminism and anti-nuclear activism
Kokoli, A. 2017. Pre-emptive mourning against the bomb: exploded domesticities in art informed by feminism and anti-nuclear activism. Oxford Art Journal. 40 (1), pp. 153-168. https://doi.org/10.1093/oxartj/kcx004
History or not: addressing omissions in the retelling of art's stories (roundtable discussion)
Kokoli, A., Allen, F., Boyce, S., Budd, A., Hiller, S., Hudek, A. and Sainsbury, A. 2017. History or not: addressing omissions in the retelling of art's stories (roundtable discussion). History or Not: Addressing Omissions in the Retelling of Art's Stories. Raven Row, London, United Kingdom 18 Mar 2017
Tate in Focus: From the Freud Museum 1991–6 by Susan Hiller
Kokoli, A. Kokoli, A. (ed.) 2017. Tate in Focus: From the Freud Museum 1991–6 by Susan Hiller. Tate Research Publication.
Pre-emptive mourning against the bomb: the art and visual culture of feminist anti-nuclear activisms
Kokoli, A. 2016. Pre-emptive mourning against the bomb: the art and visual culture of feminist anti-nuclear activisms. Feminist Perspectives on Artistic Productions and Theories of Art, 5th edition, organised by Xabier Arakistain and Lourdes Mendez. Azkuna Zentroa, Bilbao 28 - 30 Oct 2016
Angry melancholia: towards a performative politics of time in the work of Monica Ross
Kokoli, A. 2016. Angry melancholia: towards a performative politics of time in the work of Monica Ross. in: Monica Ross: Ethical Actions - A Critical Fine Art Practice Berlin Sternberg Press. pp. 22-31
#QC: Read My QR
Kokoli, A. 2016. #QC: Read My QR. Quilla Constance: #QC_Symposium. Toynbee Studios, Artsdmin, 28 Commercial Street, London E1 6AB 10 Mar 2016
Feminism reframed: reflections on art and difference
Kokoli, A., Heath, J., Hemus, R., Chase, A., Roulstone, K., Behm, A., Germann, J., Grant, C., Tate, S., Lauritis, B., Pollock, G. and Swartz, A. Kokoli, A. (ed.) 2008. Feminism reframed: reflections on art and difference. Cambridge Scholars Publishing.
Pre-emptive mourning (or melancholia)? : the home as tomb in art informed by feminism and anti-nuclear activism
Kokoli, A. 2015. Pre-emptive mourning (or melancholia)? : the home as tomb in art informed by feminism and anti-nuclear activism. House, work, artwork: feminism and Art History's new domesticities. University of Birmingham, Birmingham. United Kingdom 03 - 04 Jul 2015
Uncanny domesticities in art informed by feminist anti-nuclear activism
Kokoli, A. 2016. Uncanny domesticities in art informed by feminist anti-nuclear activism. Artists’ Critical Interventions into Architecture and Urbanism. University of Warwick, United Kingdom 15 - 16 Jul 2016
Interview with Margaret Harrison and participation in roundtable discussion
Kokoli, A., Harrison, M., Farkas, R., Leeson, L. and Maple, S. 2016. Interview with Margaret Harrison and participation in roundtable discussion. The Practicing Feminist. Tate Britain 21 May 2016
Now, then, and again: between anniversary and HERitage
Kokoli, A. 2015. Now, then, and again: between anniversary and HERitage. Day + Gluckman.
The feminist uncanny in theory and art practice
Kokoli, A. 2016. The feminist uncanny in theory and art practice. London Bloomsbury Academic.
What Bear Grylls can’t do: survivalist mediascapes in austerity Britain
Kokoli, A. and Winter, A. 2015. What Bear Grylls can’t do: survivalist mediascapes in austerity Britain. In Media Res: A Media Commons Project Media Commons (http://mediacommons.futureofthebook.org/).
Not a straight line by a spiral: charting continuity and change in textiles informed by feminism
Kokoli, A. 2014. Not a straight line by a spiral: charting continuity and change in textiles informed by feminism. Image and Text. 23, pp. 110-129.
What a girl’s gotta do: the labour of the biopolitical celebrity in austerity Britain
Kokoli, A. and Winter, A. 2015. What a girl’s gotta do: the labour of the biopolitical celebrity in austerity Britain. Women & Performance: a journal of feminist theory. 25 (2), pp. 157-174. https://doi.org/10.1080/0740770X.2015.1057015
Misogyny: Witches and Wicked Bodies
Petherbridge, D., Segal, L., Kokoli, A., Deepwell, K. and Create/Feminism Cluster 2015. Misogyny: Witches and Wicked Bodies. Misogyny: Witches and Wicked Bodies. ICA, London, United Kingdom 18 Mar 2015
The woman artist as curatorial effect
Kokoli, A. 2013. The woman artist as curatorial effect. in: Dimitrakaki, A. and Perry, L. (ed.) Politics in a glass case: feminism, exhibition cultures and curatorial transgressions Liverpool University Press.
On probation: Tracey Emin as sign
Kokoli, A. 2010. On probation: Tracey Emin as sign. Wasafiri. 25 (1), pp. 33-40. https://doi.org/10.1080/02690050903425342
Remembering, repeating and working through in Anniversary – An Act Of Memory by Monica Ross and co-recitors (2008–)
Kokoli, A. 2012. Remembering, repeating and working through in Anniversary – An Act Of Memory by Monica Ross and co-recitors (2008–). Performance Research. 17 (5), pp. 24-30. https://doi.org/10.1080/13528165.2012.728436
The voice as uncanny index in Susan Hiller's The Last Silent Movie
Kokoli, A. 2013. The voice as uncanny index in Susan Hiller's The Last Silent Movie. Art Journal. 72 (2), pp. 6-15. https://doi.org/10.1080/00043249.2013.10791027
Sisters
Kokoli, A. 2012. Sisters. in: Dickson, R. (ed.) Judy Chicago Lund Humphries. pp. 169-177