Jane F. Gerhard, The Dinner Party: Judy Chicago and the Power of Popular Feminism, 1970–2007 (Athens: University of Georgia Press, 2013), pp. x + 336. Series: Since 1970: Histories of Contemporary America. ISBN 978 0820344577 [Book review]

Article

Kokoli, A. 2015. Jane F. Gerhard, The Dinner Party: Judy Chicago and the Power of Popular Feminism, 1970–2007 (Athens: University of Georgia Press, 2013), pp. x + 336. Series: Since 1970: Histories of Contemporary America. ISBN 978 0820344577 [Book review]. Gender and History. 27 (1), pp. 228-229. https://doi.org/10.1111/1468-0424.12117
TypeArticle
TitleJane F. Gerhard, The Dinner Party: Judy Chicago and the Power of Popular Feminism, 1970–2007 (Athens: University of Georgia Press, 2013), pp. x + 336. Series: Since 1970: Histories of Contemporary America. ISBN 978 0820344577 [Book review]
AuthorsKokoli, A.
Abstract

Despite its title, Jane Gerhard's book is not just for those interested in The Dinner Party, this much debated, often maligned, and now firmly canonised art project and installation, let alone for Judy Chicago fans. Instead, it confidently and persuasively places the inspiration, making and circulation of The Dinner Party at the centre of the fruitful dialogue between art and feminism but also within the even more complex landscape of American radical and cultural feminisms since the 1970s. For Gerhard, The Dinner Party brings together a whole repertory of [...]

PublisherWiley
JournalGender and History
ISSN0953-5233
Electronic1468-0424
Publication dates
Online14 Mar 2015
PrintApr 2015
Publication process dates
Deposited15 Sep 2025
Output statusPublished
Digital Object Identifier (DOI)https://doi.org/10.1111/1468-0424.12117
Web of Science identifierWOS:000366982500023
Related Output
Reviewshttps://ugapress.org/book/9780820344577/the-dinner-party/
LanguageEnglish
Permalink -

https://repository.mdx.ac.uk/item/145w92

Log in to edit
  • 385
    total views
  • 0
    total downloads
  • 10
    views this month
  • 0
    downloads this month

Export as

Related outputs

Archives and endurance: a roundtable discussion
Beauchamp-Byrd, M., Grant, C., Kokoli, A., Klorman-Eraqi, N., Sarathy, J., Salter, G., deSouza, A. and Webb-Ingall, E. 2026. Archives and endurance: a roundtable discussion. in: Ohadi-Hamadani, M., Spencer, C. and Tobin, A. (ed.) Grassroots Artmaking: Political Struggle and Activist Art in the UK, 1960–Present Bloomsbury Publishing.
The open letter as decolonial feminist method: observations and attempts
Kokoli, A. 2025. The open letter as decolonial feminist method: observations and attempts. Feminist Art Practices and Research: Cosmos. 1 (1). https://doi.org/10.1080/29986982.2025.2509321
Two feminist performances at and against the statue of John Bright, Rochdale, England
Kokoli, A. 2025. Two feminist performances at and against the statue of John Bright, Rochdale, England. in: Schmahmann, B. (ed.) Contemporary Approaches to Commemorative Public Art: Monumental Developments Routledge.
The performative legacies of the women’s peace camp at Greenham Common: beyond monuments
Kokoli, A. 2025. The performative legacies of the women’s peace camp at Greenham Common: beyond monuments. in: Ashton, J.C. (ed.) The Routledge Handbook of Heritage and Gender Routledge. pp. 267-279
Walking (to) Greenham, again: activating feminist heritage
Kokoli, A. 2024. Walking (to) Greenham, again: activating feminist heritage. Performance Research. 28 (8), pp. 34-42. https://doi.org/10.1080/13528165.2023.2385237
Brides and Madonnas against the Bomb: feminist activist art practices towards nuclear disarmament and more
Kokoli, A. 2024. Brides and Madonnas against the Bomb: feminist activist art practices towards nuclear disarmament and more. Women in Revolt!: Radical acts, contemporary resonances. Tate Britain, London, UK 22 - 23 Mar 2024
Greenham Common’s archival webs: towards a virtual feminist museum
Kokoli, A. 2023. Greenham Common’s archival webs: towards a virtual feminist museum. British Art Studies. (24). https://doi.org/10.17658/issn.2058-5462/issue-24/akokoli
Care, aftercare, and the work of transmission: learning from Greenham Common
Kokoli, A. 2023. Care, aftercare, and the work of transmission: learning from Greenham Common. in: Krasny, E. and Perry, L. (ed.) Curating with Care Routledge. pp. 117-130
EPISODE 163 Alexandra Kokoli: Gender, shame & visual cultures. The Surviving Society Podcast.
Kokoli, A. 2022. EPISODE 163 Alexandra Kokoli: Gender, shame & visual cultures. The Surviving Society Podcast.
Trauma and repair in the museum: an introduction
Walsh, M. and Kokoli, A. 2022. Trauma and repair in the museum: an introduction. Psychoanalysis, Culture & Society. https://doi.org/10.1057/s41282-022-00290-4
The Imaginary of Greenham Common
Kokoli, A. 2022. The Imaginary of Greenham Common. Peace Camp: The Imaginary of Greenham Common. Beaconsfield, London, UK 17 - 20 Aug 2022
Reclaimed: The Greenham Common women’s peace camp as quotidian feminist heritage
Kokoli, A. 2022. Reclaimed: The Greenham Common women’s peace camp as quotidian feminist heritage. in: Pratt, K. (ed.) Jemima Brown: Peace Camp West Berkshire Museum.
Domestic fronts: arrangements for feminist living, or survival is not a metaphor
Kokoli, A. 2020. Domestic fronts: arrangements for feminist living, or survival is not a metaphor. in: Sliwinska, B. (ed.) Feminist Visual Activism and the Body New York Routledge. pp. 88-103
Aftershocks and (un)belongings: reflecting on 'Home Strike'
Kokoli, A. and Sliwinska, B. 2021. Aftershocks and (un)belongings: reflecting on 'Home Strike'. in: Photiou, M. and Meskimmon, M. (ed.) Art, Borders and Belonging: On Home and Migration London | New York Bloomsbury Visual Arts. pp. 113-136
Witch, Witches, WITCH
Kokoli, A. 2021. Witch, Witches, WITCH. in: seven x seven
The aesthetic labour of protest, now and then: The Women’s Peace Camp at Greenham Common (1981-2000)
Kokoli, A. 2021. The aesthetic labour of protest, now and then: The Women’s Peace Camp at Greenham Common (1981-2000). in: Schmahmann, B. (ed.) Iconic Works of Art by Feminists and Gender Activists: Mistress-Pieces Routledge. pp. 22-37
Creative Tensions: Making (it), unmaking, and making do in textiles informed by feminism
Kokoli, A. 2020. Creative Tensions: Making (it), unmaking, and making do in textiles informed by feminism. in: Harris, J. (ed.) A Companion to Textile Culture WileyBlackwell. pp. 219-234
Crossing borders and other dividers in Western Europe and the British Isles
Kokoli, A. 2019. Crossing borders and other dividers in Western Europe and the British Isles. in: Robinson, H. and Buszek, M. (ed.) A Companion to Feminist Art United Kingdom WileyBlackwell. pp. 127-141
Read my QR: Quilla Constance and the conceptualist promise of intelligibility
Kokoli, A. 2019. Read my QR: Quilla Constance and the conceptualist promise of intelligibility. in: Aikens, N., Lok, S. and Orlando, S. (ed.) Conceptualism - Intersectional Readings, International Framings The Netherlands Van Abbemuseum. pp. 36-53
Domestic fronts: towards a feminist survival(ism)
Kokoli, A. 2018. Domestic fronts: towards a feminist survival(ism). Symposium: Feminist Visual Activism. ICA, London 10 Jul 2018
Feminist Art Activisms and Artivisms - 2 July 2018, Middlesex University
Deepwell, K., Kokoli, A., Robinson, A., Mullaniff, K., Dick, E., Attwood, F., Leeson, L. and Maude-Roxby, A. 2018. Feminist Art Activisms and Artivisms - 2 July 2018, Middlesex University. Feminist Art Activisms and Artivisms. Middlesex University, London, UK 02 Jul 2018 Middlesex University. https://doi.org/10.22023/mdx.6716054.v1
HOME STRIKE, an exhibition guest-curated by Alexandra Kokoli and Basia Sliwinska, with CANAN, Paula Chambers, Malgorzata Markiewicz and Su Richardson, l'etrangere, 8 March-21 April 2018.
Kokoli, A. and Sliwinska, B. 2018. HOME STRIKE, an exhibition guest-curated by Alexandra Kokoli and Basia Sliwinska, with CANAN, Paula Chambers, Malgorzata Markiewicz and Su Richardson, l'etrangere, 8 March-21 April 2018. l'etrangere, 44a Charlotte Road, London EC2A 3PD 08 Mar - 21 Apr 2018
Unpicking the Canon: Making (it), unmaking, and making do in textiles informed by feminism
Kokoli, A. 2017. Unpicking the Canon: Making (it), unmaking, and making do in textiles informed by feminism. A Feminist Space at Leeds: Looking Back to Think Forward. Leeds University 16 - 17 Dec 2017
Do textiles think?
Kokoli, A. 2017. Do textiles think? in: Kyprianidou, E. (ed.) Weaving Culture in Europe Nisos. pp. 99-102
Free Lunch with the Stench Wench: towards a synaesthetics of poverty and shame in Catherine Hoffmann’s performance
Kokoli, A. 2018. Free Lunch with the Stench Wench: towards a synaesthetics of poverty and shame in Catherine Hoffmann’s performance. Hypatia: A Journal of Feminist Philosophy. 33 (3), pp. 485-499. https://doi.org/10.1111/hypa.12399
The writing’s on the wall: #QC against decipherability
Kokoli, A. 2017. The writing’s on the wall: #QC against decipherability. 'Transcending the Signified', Quilla Constance Symposium. Camberwell College of Arts, UAL, London 23 Jun 2017
The ambiguous ambivalence of feminist textiles
Kokoli, A. 2017. The ambiguous ambivalence of feminist textiles. in: Ford, S. (ed.) CUT CLOTH: Contemporary Textiles and Feminism PO Publishing. pp. 60-65
History or not: addressing omissions in the retelling of art's stories (roundtable discussion)
Kokoli, A., Allen, F., Boyce, S., Budd, A., Hiller, S., Hudek, A. and Sainsbury, A. 2017. History or not: addressing omissions in the retelling of art's stories (roundtable discussion). History or Not: Addressing Omissions in the Retelling of Art's Stories. Raven Row, London, United Kingdom 18 Mar 2017
Tate in Focus: From the Freud Museum 1991–6 by Susan Hiller
Kokoli, A. Kokoli, A. (ed.) 2017. Tate in Focus: From the Freud Museum 1991–6 by Susan Hiller. Tate Research Publication.
Read my QR: Quilla Constance and the conceptualist promise of intelligibility
Kokoli, A. 2017. Read my QR: Quilla Constance and the conceptualist promise of intelligibility. Aikens, N., Lok, S. and Orlando, S. (ed.) Conceptualism: Intersectional Readings, International Framings, Black Artists and Modernism (BAM) Conference. Van Abbemuseum, Eindhoven, Netherlands 07 - 09 Dec 2017 Van Abbemuseum. pp. 36-53
Pre-emptive mourning against the bomb: exploded domesticities in art informed by feminism and anti-nuclear activism
Kokoli, A. 2017. Pre-emptive mourning against the bomb: exploded domesticities in art informed by feminism and anti-nuclear activism. Oxford Art Journal. 40 (1), pp. 153-168. https://doi.org/10.1093/oxartj/kcx004
Pre-emptive mourning against the bomb: the art and visual culture of feminist anti-nuclear activisms
Kokoli, A. 2016. Pre-emptive mourning against the bomb: the art and visual culture of feminist anti-nuclear activisms. Feminist Perspectives on Artistic Productions and Theories of Art, 5th edition, organised by Xabier Arakistain and Lourdes Mendez. Azkuna Zentroa, Bilbao 28 - 30 Oct 2016
Angry melancholia: towards a performative politics of time in the work of Monica Ross
Kokoli, A. 2016. Angry melancholia: towards a performative politics of time in the work of Monica Ross. in: Monica Ross: Ethical Actions - A Critical Fine Art Practice Berlin Sternberg Press. pp. 22-31
#QC: Read My QR
Kokoli, A. 2016. #QC: Read My QR. Quilla Constance: #QC_Symposium. Toynbee Studios, Artsdmin, 28 Commercial Street, London E1 6AB 10 Mar 2016
Feminism reframed: reflections on art and difference
Kokoli, A., Heath, J., Hemus, R., Chase, A., Roulstone, K., Behm, A., Germann, J., Grant, C., Tate, S., Lauritis, B., Pollock, G. and Swartz, A. Kokoli, A. (ed.) 2008. Feminism reframed: reflections on art and difference. Cambridge Scholars Publishing.
Pre-emptive mourning (or melancholia)? : the home as tomb in art informed by feminism and anti-nuclear activism
Kokoli, A. 2015. Pre-emptive mourning (or melancholia)? : the home as tomb in art informed by feminism and anti-nuclear activism. House, work, artwork: feminism and Art History's new domesticities. University of Birmingham, Birmingham. United Kingdom 03 - 04 Jul 2015
Uncanny domesticities in art informed by feminist anti-nuclear activism
Kokoli, A. 2016. Uncanny domesticities in art informed by feminist anti-nuclear activism. Artists’ Critical Interventions into Architecture and Urbanism. University of Warwick, United Kingdom 15 - 16 Jul 2016
Interview with Margaret Harrison and participation in roundtable discussion
Kokoli, A., Harrison, M., Farkas, R., Leeson, L. and Maple, S. 2016. Interview with Margaret Harrison and participation in roundtable discussion. The Practicing Feminist. Tate Britain 21 May 2016
Now, then, and again: between anniversary and HERitage
Kokoli, A. 2015. Now, then, and again: between anniversary and HERitage. Day + Gluckman.
What Bear Grylls can’t do: survivalist mediascapes in austerity Britain
Kokoli, A. and Winter, A. 2015. What Bear Grylls can’t do: survivalist mediascapes in austerity Britain. In Media Res: A Media Commons Project Media Commons (http://mediacommons.futureofthebook.org/).
The feminist uncanny in theory and art practice
Kokoli, A. 2016. The feminist uncanny in theory and art practice. London Bloomsbury Publishing.
Not a straight line by a spiral: charting continuity and change in textiles informed by feminism
Kokoli, A. 2014. Not a straight line by a spiral: charting continuity and change in textiles informed by feminism. Image and Text. 23, pp. 110-129.
What a girl’s gotta do: the labour of the biopolitical celebrity in austerity Britain
Kokoli, A. and Winter, A. 2015. What a girl’s gotta do: the labour of the biopolitical celebrity in austerity Britain. Women & Performance: a journal of feminist theory. 25 (2), pp. 157-174. https://doi.org/10.1080/0740770X.2015.1057015
Misogyny: Witches and Wicked Bodies
Petherbridge, D., Segal, L., Kokoli, A., Deepwell, K. and Create/Feminism Cluster 2015. Misogyny: Witches and Wicked Bodies. Misogyny: Witches and Wicked Bodies. ICA, London, United Kingdom 18 Mar 2015
The woman artist as curatorial effect
Kokoli, A. 2013. The woman artist as curatorial effect. in: Dimitrakaki, A. and Perry, L. (ed.) Politics in a glass case: feminism, exhibition cultures and curatorial transgressions Liverpool University Press.
On probation: Tracey Emin as sign
Kokoli, A. 2010. On probation: Tracey Emin as sign. Wasafiri. 25 (1), pp. 33-40. https://doi.org/10.1080/02690050903425342
Remembering, repeating and working through in Anniversary – An Act Of Memory by Monica Ross and co-recitors (2008–)
Kokoli, A. 2012. Remembering, repeating and working through in Anniversary – An Act Of Memory by Monica Ross and co-recitors (2008–). Performance Research. 17 (5), pp. 24-30. https://doi.org/10.1080/13528165.2012.728436
Invasions and fakes: Susan Hiller in conversation with Alexandra Kokoli
Hiller, S. and Kokoli, A. 2013. Invasions and fakes: Susan Hiller in conversation with Alexandra Kokoli. in: Mays, S. and Matheson, N. (ed.) The Machine and the Ghost: Technology and Spiritualism in Nineteenth- to Twenty-First-Century Art and Culture Manchester University Press. pp. 103-122
The voice as uncanny index in Susan Hiller's The Last Silent Movie
Kokoli, A. 2013. The voice as uncanny index in Susan Hiller's The Last Silent Movie. Art Journal. 72 (2), pp. 6-15. https://doi.org/10.1080/00043249.2013.10791027
Sisters
Kokoli, A. 2012. Sisters. in: Dickson, R. (ed.) Judy Chicago Lund Humphries. pp. 169-177
Ed Ruscha's Los Angeles By Alexandra Schwartz [Book review]
Kokoli, A. 2010. Ed Ruscha's Los Angeles By Alexandra Schwartz [Book review]. The Art Book. 17 (4), pp. 52-54. https://doi.org/10.1111/j.1467-8357.2010.01137_5.x
Self/Image: Technology, Representation and the Contemporary Subject by Amelia Jones [Book review]
Kokoli, A. 2009. Self/Image: Technology, Representation and the Contemporary Subject by Amelia Jones [Book review]. The Art Book. 16 (3), pp. 76-76. https://doi.org/10.1111/j.1467-8357.2009.01050_1.x
Quilting
Kokoli, A. 2009. Quilting. in: O'Brien, J. (ed.) Encyclopedia of Gender and Society SAGE Publications. pp. 698-699
Women Artists
Kokoli, A. 2009. Women Artists. in: O'Brien, J. (ed.) Encyclopedia of Gender and Society SAGE Publications. pp. 894-896
Art, Gender Images in
Kokoli, A. 2009. Art, Gender Images in. in: O'Brien, J. (ed.) Encyclopedia of Gender and Society SAGE Publications. pp. 44-47
Castration
Kokoli, A. 2009. Castration. in: O'Brien, J. (ed.) Encyclopedia of Gender and Society SAGE Publications. pp. 117-118
The ghosts of songs: the film art of the black audio film collective, 1982 - 1998 by Kodwo Eshun and Anjalika Sager (Eds). [Book review]
Kokoli, A. 2008. The ghosts of songs: the film art of the black audio film collective, 1982 - 1998 by Kodwo Eshun and Anjalika Sager (Eds). [Book review]. The Art Book. 15 (2), pp. 70-71. https://doi.org/10.1111/j.1467-8357.2008.00965_1.x
High Art Lite: The rise and fall of young British art (revised and expanded edition) By Julian Stallabrass [Book review]
Kokoli, A. 2007. High Art Lite: The rise and fall of young British art (revised and expanded edition) By Julian Stallabrass [Book review]. The Art Book. 14 (3), pp. 70-70. https://doi.org/10.1111/j.1467-8357.2007.00853_4.x
Women Artists at the Millenium By Carol Armstrong and Catherine De Zegher (Eds.) [Book review]
Kokoli, A. 2007. Women Artists at the Millenium By Carol Armstrong and Catherine De Zegher (Eds.) [Book review]. The Art Book. 14 (4), pp. 46-47. https://doi.org/10.1111/j.1467-8357.2007.00873.x
Back to Basics? Edited by Norma Broude and Mary D. Garrard [Book review]
Kokoli, A. 2007. Back to Basics? Edited by Norma Broude and Mary D. Garrard [Book review]. Art History. 30 (5), pp. 777-781. https://doi.org/10.1111/j.1467-8365.2007.00574_3.x
Sutapa Biswas
Kokoli, A. Sutapa Biswas. The Art Book. 12 (1), pp. 20-21. https://doi.org/10.1111/j.1467-8357.2005.t01-5-00492.x
Difference and Excess in Contemporary Art: The Visibility of Women's Practice [Book review]
Kokoli, A. 2005. Difference and Excess in Contemporary Art: The Visibility of Women's Practice [Book review]. The Art Book. 12 (4), pp. 39-40. https://doi.org/10.1111/j.1467-8357.2005.00604.x
'The cabinet of Edgar Allan Poe': towards a feminist remodelling of (meta)history
Kokoli, A. 2002. 'The cabinet of Edgar Allan Poe': towards a feminist remodelling of (meta)history. In-between: Essays & Studies in Literary Criticism. 11 (1), pp. 55-70.