Misogyny: Witches and Wicked Bodies

Conference item

Petherbridge, D., Segal, L., Kokoli, A., Deepwell, K. and Create/Feminism Cluster 2015. Misogyny: Witches and Wicked Bodies. Misogyny: Witches and Wicked Bodies. ICA, London, United Kingdom 18 Mar 2015
TitleMisogyny: Witches and Wicked Bodies
AuthorsPetherbridge, D., Segal, L., Kokoli, A., Deepwell, K. and Create/Feminism Cluster
Research GroupCREATE/Feminisms cluster
ConferenceMisogyny: Witches and Wicked Bodies
Publication dates
Print18 Mar 2015
Publication process dates
Deposited28 Apr 2015
Completed2015
Output statusPublished
Additional information

Keynote Speaker: Deanna Petherbridge, artist and curator of Witches and Wicked Bodies.
Respondents: Lynne Segal, Alexandra Kokoli and Katy Deepwell.

Web address (URL)https://www.ica.org.uk/whats-on/misogyny-witches-and-wicked-bodies
LanguageEnglish
Permalink -

https://repository.mdx.ac.uk/item/852vx

Log in to edit
  • 268
    total views
  • 0
    total downloads
  • 8
    views this month
  • 0
    downloads this month

Export as

Related outputs

Archives and endurance: a roundtable discussion
Beauchamp-Byrd, M., Grant, C., Kokoli, A., Klorman-Eraqi, N., Sarathy, J., Salter, G., deSouza, A. and Webb-Ingall, E. 2026. Archives and endurance: a roundtable discussion. in: Ohadi-Hamadani, M., Spencer, C. and Tobin, A. (ed.) Grassroots Artmaking: Political Struggle and Activist Art in the UK, 1960–Present Bloomsbury Publishing.
The open letter as decolonial feminist method: observations and attempts
Kokoli, A. 2025. The open letter as decolonial feminist method: observations and attempts. Feminist Art Practices and Research: Cosmos. 1 (1). https://doi.org/10.1080/29986982.2025.2509321
Two feminist performances at and against the statue of John Bright, Rochdale, England
Kokoli, A. 2025. Two feminist performances at and against the statue of John Bright, Rochdale, England. in: Schmahmann, B. (ed.) Contemporary Approaches to Commemorative Public Art: Monumental Developments Routledge.
The performative legacies of the women’s peace camp at Greenham Common: beyond monuments
Kokoli, A. 2025. The performative legacies of the women’s peace camp at Greenham Common: beyond monuments. in: Ashton, J.C. (ed.) The Routledge Handbook of Heritage and Gender Routledge. pp. 267-279
Walking (to) Greenham, again: activating feminist heritage
Kokoli, A. 2024. Walking (to) Greenham, again: activating feminist heritage. Performance Research. 28 (8), pp. 34-42. https://doi.org/10.1080/13528165.2023.2385237
Corrections, interrogations and politics of local/global exchanges in feminist art criticism
Deepwell, K. 2024. Corrections, interrogations and politics of local/global exchanges in feminist art criticism. Revista do Instituto de Estudos Brasileiros. 87. https://doi.org/10.11606/2316901x.n87.2024.e10675
Brides and Madonnas against the Bomb: feminist activist art practices towards nuclear disarmament and more
Kokoli, A. 2024. Brides and Madonnas against the Bomb: feminist activist art practices towards nuclear disarmament and more. Women in Revolt!: Radical acts, contemporary resonances. Tate Britain, London, UK 22 - 23 Mar 2024
The politics and aesthetic choices of feminist art criticism
Deepwell, K. 2023. The politics and aesthetic choices of feminist art criticism. Arts. 12 (2), p. 63. https://doi.org/10.3390/arts12020063
Greenham Common’s archival webs: towards a virtual feminist museum
Kokoli, A. 2023. Greenham Common’s archival webs: towards a virtual feminist museum. British Art Studies. (24). https://doi.org/10.17658/issn.2058-5462/issue-24/akokoli
Care, aftercare, and the work of transmission: learning from Greenham Common
Kokoli, A. 2023. Care, aftercare, and the work of transmission: learning from Greenham Common. in: Krasny, E. and Perry, L. (ed.) Curating with Care Routledge. pp. 117-130
Deklare! Erhebe deine Stimme! Schreie auf! Klage an! Prangere an! Uber Feministische Kunstmanifeste
Deepwell, K. 2022. Deklare! Erhebe deine Stimme! Schreie auf! Klage an! Prangere an! Uber Feministische Kunstmanifeste. in: Beltin, A., Koch, K. and Ruhkamp, U. (ed.) EMPOWERMENT: Kunst und Feminismen Bonn, Germany Bundeszentrale fur Politische Bildung/ bpb. pp. 284-291
The art, life and thought of Monica Sjöö
Deepwell, K. 2022. The art, life and thought of Monica Sjöö. Paletten. 330, pp. 42-52.
EPISODE 163 Alexandra Kokoli: Gender, shame & visual cultures. The Surviving Society Podcast.
Kokoli, A. 2022. EPISODE 163 Alexandra Kokoli: Gender, shame & visual cultures. The Surviving Society Podcast.
Trauma and repair in the museum: an introduction
Walsh, M. and Kokoli, A. 2022. Trauma and repair in the museum: an introduction. Psychoanalysis, Culture & Society. https://doi.org/10.1057/s41282-022-00290-4
Anti-fascist activities amongst women artists in the 1930s in Britain
Deepwell, K. 2022. Anti-fascist activities amongst women artists in the 1930s in Britain. in: Serrano, C., Pagán, E., Chocarro, A. and Martín, M. (ed.) Las mujeres en el sistema artístico: 1804-1939 Spain University of Zaragoza. pp. 425-444
The Imaginary of Greenham Common
Kokoli, A. 2022. The Imaginary of Greenham Common. Peace Camp: The Imaginary of Greenham Common. Beaconsfield, London, UK 17 - 20 Aug 2022
Reclaimed: The Greenham Common women’s peace camp as quotidian feminist heritage
Kokoli, A. 2022. Reclaimed: The Greenham Common women’s peace camp as quotidian feminist heritage. in: Pratt, K. (ed.) Jemima Brown: Peace Camp West Berkshire Museum.
Dentro y contra la latusa: la problemática de las mujeres artistas en las historias del arte
Deepwell, K. 2022. Dentro y contra la latusa: la problemática de las mujeres artistas en las historias del arte. in: Cortes Zaborras, C., Cortés Zuleta, C. and Cuevas de Barrio, J. (ed.) YO SOMOS OTRAS: Prácticas de la subjetividad en la creación contemporánea Spain: Granada Editorial Universidad de Granada. pp. 23-56
The aesthetic labour of protest, now and then: The Women’s Peace Camp at Greenham Common (1981-2000)
Kokoli, A. 2021. The aesthetic labour of protest, now and then: The Women’s Peace Camp at Greenham Common (1981-2000). in: Schmahmann, B. (ed.) Iconic Works of Art by Feminists and Gender Activists: Mistress-Pieces Routledge. pp. 22-37
Domestic fronts: arrangements for feminist living, or survival is not a metaphor
Kokoli, A. 2020. Domestic fronts: arrangements for feminist living, or survival is not a metaphor. in: Sliwinska, B. (ed.) Feminist Visual Activism and the Body New York Routledge. pp. 88-103
Aftershocks and (un)belongings: reflecting on 'Home Strike'
Kokoli, A. and Sliwinska, B. 2021. Aftershocks and (un)belongings: reflecting on 'Home Strike'. in: Photiou, M. and Meskimmon, M. (ed.) Art, Borders and Belonging: On Home and Migration London | New York Bloomsbury Visual Arts. pp. 113-136
Witch, Witches, WITCH
Kokoli, A. 2021. Witch, Witches, WITCH. in: seven x seven
Identity/alterity re-de-constructed in repetition and difference
Deepwell, K. 2021. Identity/alterity re-de-constructed in repetition and difference. Art History. 44 (3), pp. 554-571. https://doi.org/10.1111/1467-8365.12579
Feminist interpretations of witches and the witch craze in contemporary art by women
Deepwell, K. 2020. Feminist interpretations of witches and the witch craze in contemporary art by women. The Pomegranate: The International Journal of Pagan Studies. 21 (2), pp. 146-171. https://doi.org/10.1558/pome.37942
Art criticism and the state of feminist art criticism
Deepwell, K. 2020. Art criticism and the state of feminist art criticism. Arts. 9 (1). https://doi.org/10.3390/arts9010028
Postdigital education, feminism, women
Deepwell, K. 2020. Postdigital education, feminism, women. Postdigital Science and Education. 2, p. 248–253. https://doi.org/10.1007/s42438-019-00096-1
Pourqoui 1989? Ecrire sur le feminisme, l'art et le "contemporain global"
Deepwell, K. 2020. Pourqoui 1989? Ecrire sur le feminisme, l'art et le "contemporain global". in: Bonilla, M., Blanc, E., Renard, J. and Zabunyan, E. (ed.) Constellations Subjectivités. Pour une Histoire Féministes de L'Art France éditions iXe. pp. 64-85
Creative Tensions: Making (it), unmaking, and making do in textiles informed by feminism
Kokoli, A. 2020. Creative Tensions: Making (it), unmaking, and making do in textiles informed by feminism. in: Harris, J. (ed.) A Companion to Textile Culture WileyBlackwell. pp. 219-234
Silvia Ziranek – interview: ‘I enjoy appearance, colour, shape and form – and I love dressing up’
Deepwell, K. 2019. Silvia Ziranek – interview: ‘I enjoy appearance, colour, shape and form – and I love dressing up’. studio international.
Art criticism and Africa, AICA conference at the Courtauld Institute, London, 1996
Deepwell, K. 2019. Art criticism and Africa, AICA conference at the Courtauld Institute, London, 1996. in: Poinsot, J. and Meyric Hughes, H. (ed.) A Celebration of AICA’s 70th Anniversary / Une Célébration du 70ème anniversaire de l’AICA: 1949-50 – 2019-20. The Histories of AICA, continued France AICA, International Art Critic's Association.
Crossing borders and other dividers in Western Europe and the British Isles
Kokoli, A. 2019. Crossing borders and other dividers in Western Europe and the British Isles. in: Robinson, H. and Buszek, M. (ed.) A Companion to Feminist Art United Kingdom WileyBlackwell. pp. 127-141
Read my QR: Quilla Constance and the conceptualist promise of intelligibility
Kokoli, A. 2019. Read my QR: Quilla Constance and the conceptualist promise of intelligibility. in: Aikens, N., Lok, S. and Orlando, S. (ed.) Conceptualism - Intersectional Readings, International Framings The Netherlands Van Abbemuseum. pp. 36-53
Feminist art manifestos/feminist politics
Deepwell, K. 2018. Feminist art manifestos/feminist politics. Cambridge Literary Review. 11.
Feminist contributions to artworks in Slide-Tape
Deepwell, K. 2018. Feminist contributions to artworks in Slide-Tape. in: White, M. (ed.) Slide / Tape Birmingham Vivid Projects. pp. 10-18
n.paradoxa’s MOOC (Mass Open Online Course): a case study in feminist online pedagogies
Deepwell, K. 2019. n.paradoxa’s MOOC (Mass Open Online Course): a case study in feminist online pedagogies. in: Crimmins, G. (ed.) Strategies for resisting sexism in the academy UK, Australia Palgrave Macmillan.
Domestic fronts: towards a feminist survival(ism)
Kokoli, A. 2018. Domestic fronts: towards a feminist survival(ism). Symposium: Feminist Visual Activism. ICA, London 10 Jul 2018
Feminist Art Activisms and Artivisms - 2 July 2018, Middlesex University
Deepwell, K., Kokoli, A., Robinson, A., Mullaniff, K., Dick, E., Attwood, F., Leeson, L. and Maude-Roxby, A. 2018. Feminist Art Activisms and Artivisms - 2 July 2018, Middlesex University. Feminist Art Activisms and Artivisms. Middlesex University, London, UK 02 Jul 2018 Middlesex University. https://doi.org/10.22023/mdx.6716054.v1
HOME STRIKE, an exhibition guest-curated by Alexandra Kokoli and Basia Sliwinska, with CANAN, Paula Chambers, Malgorzata Markiewicz and Su Richardson, l'etrangere, 8 March-21 April 2018.
Kokoli, A. and Sliwinska, B. 2018. HOME STRIKE, an exhibition guest-curated by Alexandra Kokoli and Basia Sliwinska, with CANAN, Paula Chambers, Malgorzata Markiewicz and Su Richardson, l'etrangere, 8 March-21 April 2018. l'etrangere, 44a Charlotte Road, London EC2A 3PD 08 Mar - 21 Apr 2018
n.paradoxa's MOOC (Mass Open Online Course) on feminism and contemporary art. 10 lessons
Deepwell, K. 2017. n.paradoxa's MOOC (Mass Open Online Course) on feminism and contemporary art. 10 lessons.
Feminist critique: open and critical enquiry: a conversation between Katy Deepwell and Suzana Milevska
Deepwell, K. and Milevska, S. 2015. Feminist critique: open and critical enquiry: a conversation between Katy Deepwell and Suzana Milevska. in: Lijster, T., Milevska, S., Gielen, P. and Sonderegger, R. (ed.) Spaces for Criticism: Shifts in Contemporary Art Discourses Amsterdam Valiz. pp. 171-192
Feminist collaborative projects in the UK in the 1970s'
Deepwell, K. 2018. Feminist collaborative projects in the UK in the 1970s'. in: Jakubowska, A. and Deepwell, K. (ed.) All-Women art spaces in Europe in the Long 1970s Liverpool Liverpool University Press.
‘Thinking/acting with tactics of displacement’
Deepwell, K. 2015. ‘Thinking/acting with tactics of displacement’. in: Alonso, S. and Marful, I. (ed.) RE-ACTION, una ginología artística contra el canon Spain, Asturia Sala LAUDEO, Universidad de Oviedo. pp. 31-36
Unpicking the Canon: Making (it), unmaking, and making do in textiles informed by feminism
Kokoli, A. 2017. Unpicking the Canon: Making (it), unmaking, and making do in textiles informed by feminism. A Feminist Space at Leeds: Looking Back to Think Forward. Leeds University 16 - 17 Dec 2017
Do textiles think?
Kokoli, A. 2017. Do textiles think? in: Kyprianidou, E. (ed.) Weaving Culture in Europe Nisos. pp. 99-102
Free Lunch with the Stench Wench: towards a synaesthetics of poverty and shame in Catherine Hoffmann’s performance
Kokoli, A. 2018. Free Lunch with the Stench Wench: towards a synaesthetics of poverty and shame in Catherine Hoffmann’s performance. Hypatia: A Journal of Feminist Philosophy. 33 (3), pp. 485-499. https://doi.org/10.1111/hypa.12399
The writing’s on the wall: #QC against decipherability
Kokoli, A. 2017. The writing’s on the wall: #QC against decipherability. 'Transcending the Signified', Quilla Constance Symposium. Camberwell College of Arts, UAL, London 23 Jun 2017
The ambiguous ambivalence of feminist textiles
Kokoli, A. 2017. The ambiguous ambivalence of feminist textiles. in: Ford, S. (ed.) CUT CLOTH: Contemporary Textiles and Feminism PO Publishing. pp. 60-65
History or not: addressing omissions in the retelling of art's stories (roundtable discussion)
Kokoli, A., Allen, F., Boyce, S., Budd, A., Hiller, S., Hudek, A. and Sainsbury, A. 2017. History or not: addressing omissions in the retelling of art's stories (roundtable discussion). History or Not: Addressing Omissions in the Retelling of Art's Stories. Raven Row, London, United Kingdom 18 Mar 2017
Tate in Focus: From the Freud Museum 1991–6 by Susan Hiller
Kokoli, A. Kokoli, A. (ed.) 2017. Tate in Focus: From the Freud Museum 1991–6 by Susan Hiller. Tate Research Publication.
Why feminist stories matter: Katy Deepwell interviews Clare Hemmings
Deepwell, K. 2017. Why feminist stories matter: Katy Deepwell interviews Clare Hemmings. n.paradoxa: international feminist art journal. 40, pp. 60-68.
On the beginnings and end of n.paradoxa: international feminist art journal
Deepwell, K. 2017. On the beginnings and end of n.paradoxa: international feminist art journal. n.paradoxa: international feminist art journal. 40, pp. 5-13.
Read my QR: Quilla Constance and the conceptualist promise of intelligibility
Kokoli, A. 2017. Read my QR: Quilla Constance and the conceptualist promise of intelligibility. Aikens, N., Lok, S. and Orlando, S. (ed.) Conceptualism: Intersectional Readings, International Framings, Black Artists and Modernism (BAM) Conference. Van Abbemuseum, Eindhoven, Netherlands 07 - 09 Dec 2017 Van Abbemuseum. pp. 36-53
Pre-emptive mourning against the bomb: exploded domesticities in art informed by feminism and anti-nuclear activism
Kokoli, A. 2017. Pre-emptive mourning against the bomb: exploded domesticities in art informed by feminism and anti-nuclear activism. Oxford Art Journal. 40 (1), pp. 153-168. https://doi.org/10.1093/oxartj/kcx004
Pre-emptive mourning against the bomb: the art and visual culture of feminist anti-nuclear activisms
Kokoli, A. 2016. Pre-emptive mourning against the bomb: the art and visual culture of feminist anti-nuclear activisms. Feminist Perspectives on Artistic Productions and Theories of Art, 5th edition, organised by Xabier Arakistain and Lourdes Mendez. Azkuna Zentroa, Bilbao 28 - 30 Oct 2016
Angry melancholia: towards a performative politics of time in the work of Monica Ross
Kokoli, A. 2016. Angry melancholia: towards a performative politics of time in the work of Monica Ross. in: Monica Ross: Ethical Actions - A Critical Fine Art Practice Berlin Sternberg Press. pp. 22-31
#QC: Read My QR
Kokoli, A. 2016. #QC: Read My QR. Quilla Constance: #QC_Symposium. Toynbee Studios, Artsdmin, 28 Commercial Street, London E1 6AB 10 Mar 2016
Feminism reframed: reflections on art and difference
Kokoli, A., Heath, J., Hemus, R., Chase, A., Roulstone, K., Behm, A., Germann, J., Grant, C., Tate, S., Lauritis, B., Pollock, G. and Swartz, A. Kokoli, A. (ed.) 2008. Feminism reframed: reflections on art and difference. Cambridge Scholars Publishing.
Pre-emptive mourning (or melancholia)? : the home as tomb in art informed by feminism and anti-nuclear activism
Kokoli, A. 2015. Pre-emptive mourning (or melancholia)? : the home as tomb in art informed by feminism and anti-nuclear activism. House, work, artwork: feminism and Art History's new domesticities. University of Birmingham, Birmingham. United Kingdom 03 - 04 Jul 2015
Uncanny domesticities in art informed by feminist anti-nuclear activism
Kokoli, A. 2016. Uncanny domesticities in art informed by feminist anti-nuclear activism. Artists’ Critical Interventions into Architecture and Urbanism. University of Warwick, United Kingdom 15 - 16 Jul 2016
Interview with Margaret Harrison and participation in roundtable discussion
Kokoli, A., Harrison, M., Farkas, R., Leeson, L. and Maple, S. 2016. Interview with Margaret Harrison and participation in roundtable discussion. The Practicing Feminist. Tate Britain 21 May 2016
Now, then, and again: between anniversary and HERitage
Kokoli, A. 2015. Now, then, and again: between anniversary and HERitage. Day + Gluckman.
What Bear Grylls can’t do: survivalist mediascapes in austerity Britain
Kokoli, A. and Winter, A. 2015. What Bear Grylls can’t do: survivalist mediascapes in austerity Britain. In Media Res: A Media Commons Project Media Commons (http://mediacommons.futureofthebook.org/).
Pauline Barrie talks with Katy Deepwell: Founding feminism: womens workshop, artists union and women artists slide library
Barrie, P. and Deepwell, K. 2016. Pauline Barrie talks with Katy Deepwell: Founding feminism: womens workshop, artists union and women artists slide library. n.paradoxa: international feminist art journal. 38, pp. 56-65.
The feminist uncanny in theory and art practice
Kokoli, A. 2016. The feminist uncanny in theory and art practice. London Bloomsbury Publishing.
Preface
Deepwell, K. 2014. Preface. in: Kosmala, K. (ed.) Sexing the Border, Gender, Art and New Media in Central and Eastern Europe Newcastle upon Tyne Cambridge Scholars Publishing. pp. xv-xvi
Not a straight line by a spiral: charting continuity and change in textiles informed by feminism
Kokoli, A. 2014. Not a straight line by a spiral: charting continuity and change in textiles informed by feminism. Image and Text. 23, pp. 110-129.
We don’t need another heroine: Sanja Ivekovic’s counter-narratives
Deepwell, K. 2013. We don’t need another heroine: Sanja Ivekovic’s counter-narratives. in: Reckitt, H. (ed.) Sanja Ivekovic: Unknown Heroine - A Reader London Calvert 22 Foundation. pp. 110-133
Feminist problematic(s) in contemporary art
Deepwell, K. 2014. Feminist problematic(s) in contemporary art. Arta: Revista de arte vizuale (Bucharest).
Jane F. Gerhard, The Dinner Party: Judy Chicago and the Power of Popular Feminism, 1970–2007 (Athens: University of Georgia Press, 2013), pp. x + 336. Series: Since 1970: Histories of Contemporary America. ISBN 978 0820344577 [Book review]
Kokoli, A. 2015. Jane F. Gerhard, The Dinner Party: Judy Chicago and the Power of Popular Feminism, 1970–2007 (Athens: University of Georgia Press, 2013), pp. x + 336. Series: Since 1970: Histories of Contemporary America. ISBN 978 0820344577 [Book review]. Gender and History. 27 (1), pp. 228-229. https://doi.org/10.1111/1468-0424.12117
Mobilizing memory: interview with Ayse Gül Altinay and Isin Önol
Deepwell, K. 2015. Mobilizing memory: interview with Ayse Gül Altinay and Isin Önol. n.paradoxa: international feminist art journal. 35, pp. 31-39.
Narratives of women artists in/out of Vorticism
Deepwell, K. 2015. Narratives of women artists in/out of Vorticism. in: Berghaus, G. (ed.) International Yearbook of Futurism Studies (Vol 5, 2015) Special issue: Women Artists and Futurism Berlin | Boston Walter de Gruyter.
What a girl’s gotta do: the labour of the biopolitical celebrity in austerity Britain
Kokoli, A. and Winter, A. 2015. What a girl’s gotta do: the labour of the biopolitical celebrity in austerity Britain. Women & Performance: a journal of feminist theory. 25 (2), pp. 157-174. https://doi.org/10.1080/0740770X.2015.1057015
Felicity Sparrow: forming Circles
Deepwell, K. 2014. Felicity Sparrow: forming Circles. n.paradoxa: international feminist art journal. 34, pp. 86-95.
‘Other’ and ‘Not-All’, rethinking the place of the woman artist in ‘Contemporary Art’
Deepwell, K. 2014. ‘Other’ and ‘Not-All’, rethinking the place of the woman artist in ‘Contemporary Art’. Revista de Estudios Globales y Arte Contemporáneo: Art Global Age. 2 (1), pp. 191-212. https://doi.org/10.1344/regac2014.1.11
Ten decades: careers of ten women artists born 1897-1906
Deepwell, K. Checketts, L. (ed.) 1992. Ten decades: careers of ten women artists born 1897-1906. Norwich Norwich Gallery, Norwich School of Art & Design.
Beatrice Cussol: feminist not feminine
Deepwell, K. 2013. Beatrice Cussol: feminist not feminine. in: Sundberg, M. (ed.) Beatrice Cussol: Rude Girls Stockholm Art and Theory Publishing: Spritmuseum and Absolut Art Collection. pp. 25-35
We don't need another heroine: Sanja Ivekovic's counter-narratives
Deepwell, K. 2013. We don't need another heroine: Sanja Ivekovic's counter-narratives. in: Reckitt, H. (ed.) Sanja Ivekovic: Unknown Heroine - a Reader London Calvert 22 Foundation. pp. 110-113
Defining the problem: women artists, feminism and globalization (English title of Russian text)
Deepwell, K. 2013. Defining the problem: women artists, feminism and globalization (English title of Russian text). in: Kamenetskaya, N., Loshak, M. and Turkina, O. (ed.) Celebrating International Women’s Day (8 March): Feminism: from avant-garde to present day (English title of Russian exhibition catalogue) Moscow Manege. pp. 23-29
Hepworth and her critics
Deepwell, K. 1998. Hepworth and her critics. in: Deepwell, K. (ed.) Women Artists and Modernism Manchester Manchester University Press. pp. 97-111
It's time for action (there's no option): about feminism
Jones, A., Bunz, M., Buszek, M. and Deepwell, K. Munder, H. (ed.) 2007. It's time for action (there's no option): about feminism. Zurich, Switzerland J. P. Ringier.
Women artists between the wars: a fair field and no favour
Deepwell, K. 2010. Women artists between the wars: a fair field and no favour. Manchester University Press.
The woman artist as curatorial effect
Kokoli, A. 2013. The woman artist as curatorial effect. in: Dimitrakaki, A. and Perry, L. (ed.) Politics in a glass case: feminism, exhibition cultures and curatorial transgressions Liverpool University Press.
On probation: Tracey Emin as sign
Kokoli, A. 2010. On probation: Tracey Emin as sign. Wasafiri. 25 (1), pp. 33-40. https://doi.org/10.1080/02690050903425342
Remembering, repeating and working through in Anniversary – An Act Of Memory by Monica Ross and co-recitors (2008–)
Kokoli, A. 2012. Remembering, repeating and working through in Anniversary – An Act Of Memory by Monica Ross and co-recitors (2008–). Performance Research. 17 (5), pp. 24-30. https://doi.org/10.1080/13528165.2012.728436
Claims for a feminist politics in painting
Deepwell, K. 2010. Claims for a feminist politics in painting. in: Petersen, A., Bogh, M., Christensen, H. and Larsen, P. (ed.) Contemporary painting in context Museum Tusculanum Press. pp. 143-164
Invasions and fakes: Susan Hiller in conversation with Alexandra Kokoli
Hiller, S. and Kokoli, A. 2013. Invasions and fakes: Susan Hiller in conversation with Alexandra Kokoli. in: Mays, S. and Matheson, N. (ed.) The Machine and the Ghost: Technology and Spiritualism in Nineteenth- to Twenty-First-Century Art and Culture Manchester University Press. pp. 103-122
The voice as uncanny index in Susan Hiller's The Last Silent Movie
Kokoli, A. 2013. The voice as uncanny index in Susan Hiller's The Last Silent Movie. Art Journal. 72 (2), pp. 6-15. https://doi.org/10.1080/00043249.2013.10791027
Sanja Iveković: we don't need another heroine
Deepwell, K. 2013. Sanja Iveković: we don't need another heroine. Twenty three percent*. London, UK 25 Jan 2013
Sisters
Kokoli, A. 2012. Sisters. in: Dickson, R. (ed.) Judy Chicago Lund Humphries. pp. 169-177
Re.act feminism: feminist, gender-critical and trans-gender performance art: Katy Deepwell interviews Bettina Knaup and Beatrice E. Stammer
Deepwell, K. 2012. Re.act feminism: feminist, gender-critical and trans-gender performance art: Katy Deepwell interviews Bettina Knaup and Beatrice E. Stammer. n.paradoxa: international feminist art journal. 30, pp. 77-82.
From 'Marginalia' to 'Monalisa': an interview with Ida Appelbroog
Deepwell, K. 2011. From 'Marginalia' to 'Monalisa': an interview with Ida Appelbroog. n.paradoxa: international feminist art journal. 28, pp. 48-56.
Questioning the gender order: feminist interventions in aesthetics and cultural politics
Deepwell, K. 2011. Questioning the gender order: feminist interventions in aesthetics and cultural politics. in: Artistic Production and the Feminist Theory of Art: New Debates III Vitoria-Gasteiz, Spain Centro Cultural Montehermoso Kulturunea.
'The relationship between big and small things': Tsaplya and Gluklya, Factory of Found Clothes: interview by Katy Deepwell
Deepwell, K. 2011. 'The relationship between big and small things': Tsaplya and Gluklya, Factory of Found Clothes: interview by Katy Deepwell. n.paradoxa: international feminist art journal. 27, pp. 81-92.
Ed Ruscha's Los Angeles By Alexandra Schwartz [Book review]
Kokoli, A. 2010. Ed Ruscha's Los Angeles By Alexandra Schwartz [Book review]. The Art Book. 17 (4), pp. 52-54. https://doi.org/10.1111/j.1467-8357.2010.01137_5.x
Self/Image: Technology, Representation and the Contemporary Subject by Amelia Jones [Book review]
Kokoli, A. 2009. Self/Image: Technology, Representation and the Contemporary Subject by Amelia Jones [Book review]. The Art Book. 16 (3), pp. 76-76. https://doi.org/10.1111/j.1467-8357.2009.01050_1.x
Quilting
Kokoli, A. 2009. Quilting. in: O'Brien, J. (ed.) Encyclopedia of Gender and Society SAGE Publications. pp. 698-699
Women Artists
Kokoli, A. 2009. Women Artists. in: O'Brien, J. (ed.) Encyclopedia of Gender and Society SAGE Publications. pp. 894-896
Art, Gender Images in
Kokoli, A. 2009. Art, Gender Images in. in: O'Brien, J. (ed.) Encyclopedia of Gender and Society SAGE Publications. pp. 44-47
Castration
Kokoli, A. 2009. Castration. in: O'Brien, J. (ed.) Encyclopedia of Gender and Society SAGE Publications. pp. 117-118
Interview with Mirjam Westen, curator of REBELLE: Kunst & Feminisme, 1969-2009
Deepwell, K. 2009. Interview with Mirjam Westen, curator of REBELLE: Kunst & Feminisme, 1969-2009. n.paradoxa: international feminist art journal. 24, pp. 22-29.
The ghosts of songs: the film art of the black audio film collective, 1982 - 1998 by Kodwo Eshun and Anjalika Sager (Eds). [Book review]
Kokoli, A. 2008. The ghosts of songs: the film art of the black audio film collective, 1982 - 1998 by Kodwo Eshun and Anjalika Sager (Eds). [Book review]. The Art Book. 15 (2), pp. 70-71. https://doi.org/10.1111/j.1467-8357.2008.00965_1.x
High Art Lite: The rise and fall of young British art (revised and expanded edition) By Julian Stallabrass [Book review]
Kokoli, A. 2007. High Art Lite: The rise and fall of young British art (revised and expanded edition) By Julian Stallabrass [Book review]. The Art Book. 14 (3), pp. 70-70. https://doi.org/10.1111/j.1467-8357.2007.00853_4.x
Women Artists at the Millenium By Carol Armstrong and Catherine De Zegher (Eds.) [Book review]
Kokoli, A. 2007. Women Artists at the Millenium By Carol Armstrong and Catherine De Zegher (Eds.) [Book review]. The Art Book. 14 (4), pp. 46-47. https://doi.org/10.1111/j.1467-8357.2007.00873.x
Back to Basics? Edited by Norma Broude and Mary D. Garrard [Book review]
Kokoli, A. 2007. Back to Basics? Edited by Norma Broude and Mary D. Garrard [Book review]. Art History. 30 (5), pp. 777-781. https://doi.org/10.1111/j.1467-8365.2007.00574_3.x
Cyberfem: feminism on the electronic landscape: Katy Deepwell interviews Ana Martinez-Collado
Deepwell, K. 2007. Cyberfem: feminism on the electronic landscape: Katy Deepwell interviews Ana Martinez-Collado. n.paradoxa: international feminist art journal. 19, pp. 68-72.
Social feminism and the question of difference, Fran Cottell
Deepwell, K. 2007. Social feminism and the question of difference, Fran Cottell. n.paradoxa: international feminist art journal. 19, pp. 90-93.
Curatorial strategies and feminist politics: part 1: an interview with Rosa Martinez, part 2: an interview with Maria Lind
Deepwell, K. 2006. Curatorial strategies and feminist politics: part 1: an interview with Rosa Martinez, part 2: an interview with Maria Lind. n.paradoxa: international feminist art journal. 18, pp. 5-15.
KISSS revealed: Deej Fabyc, Paula Roush and Camilla Brueton on Kinship International Strategy on Surveillance and Suppression (KISSS)
Deepwell, K. 2006. KISSS revealed: Deej Fabyc, Paula Roush and Camilla Brueton on Kinship International Strategy on Surveillance and Suppression (KISSS). n.paradoxa: international feminist art journal. 17, pp. 36-43.
Sutapa Biswas
Kokoli, A. Sutapa Biswas. The Art Book. 12 (1), pp. 20-21. https://doi.org/10.1111/j.1467-8357.2005.t01-5-00492.x
Difference and Excess in Contemporary Art: The Visibility of Women's Practice [Book review]
Kokoli, A. 2005. Difference and Excess in Contemporary Art: The Visibility of Women's Practice [Book review]. The Art Book. 12 (4), pp. 39-40. https://doi.org/10.1111/j.1467-8357.2005.00604.x
Jane Prophet's Imaginary Organs of a Cyborg
Deepwell, K. 2005. Jane Prophet's Imaginary Organs of a Cyborg. n.paradoxa: international feminist art journal. 15, pp. 89-92.
Dialogues: Women Artists from Ireland
Deepwell, K. 2004. Dialogues: Women Artists from Ireland. London I.B. Tauris.
Musing on myths
Deepwell, K. 2003. Musing on myths. Paletten. 64 (3-4), pp. 48-51.
Performing provocation: Katy Deepwell interviews Karen Finley
Deepwell, K. 2003. Performing provocation: Katy Deepwell interviews Karen Finley. n.paradoxa: international feminist art journal. 12, pp. 82-89.
Curating New Narratives interviews Ute Meta Bauer
Deepwell, K. 2002. Curating New Narratives interviews Ute Meta Bauer. n.paradoxa: international feminist art journal. 10, pp. 65-74.
'The cabinet of Edgar Allan Poe': towards a feminist remodelling of (meta)history
Kokoli, A. 2002. 'The cabinet of Edgar Allan Poe': towards a feminist remodelling of (meta)history. In-between: Essays & Studies in Literary Criticism. 11 (1), pp. 55-70.
Working notes: conversation with Katy Deepwell
Connor, M. and Deepwell, K. 2002. Working notes: conversation with Katy Deepwell. Art Journal. 61 (2), pp. 32-42. https://doi.org/10.1080/00043249.2002.10792116
Beauty Matters
Deepwell, K. 2001. Beauty Matters. caa.reviews. https://doi.org/10.3202/caa.reviews.2001.89
On The Tent and working in dialogue: an interview with Lea Kantonen
Deepwell, K. 2001. On The Tent and working in dialogue: an interview with Lea Kantonen. n.paradoxa: international feminist art journal. 7, pp. 6-17.
Cross Female: metaphors of the female in art in the 1990s
Deepwell, K. 2001. Cross Female: metaphors of the female in art in the 1990s. n.paradoxa: international feminist art journal. 7, pp. 87-89.
Mea Culpa: interview with Mary Kelly
Deepwell, K. 2001. Mea Culpa: interview with Mary Kelly. n.paradoxa: international feminist art journal. 8, pp. 49-58.
After 'After the Wall': an interview with curator Bojana Pejic
Deepwell, K. 2000. After 'After the Wall': an interview with curator Bojana Pejic. n.paradoxa: international feminist art journal. 5, pp. 49-57.
Interview with Kirsten Justesen
Deepwell, K. 1999. Interview with Kirsten Justesen. n.paradoxa: international feminist art journal. 3, pp. 30-43.
Suzanne Lacy: new genre public art
Deepwell, K. 1999. Suzanne Lacy: new genre public art. n.paradoxa: international feminist art journal. 4, pp. 25-33.
Digital sampling: ideas suggested by some women's art practices from Europe, Australia, Canada and America
Deepwell, K. 1998. Digital sampling: ideas suggested by some women's art practices from Europe, Australia, Canada and America. in: Cutting Edge, The Women's Research Group (ed.) Desire by Design: Body, territories and new technologies I.B.Tauris. pp. 77-94
Interview with Catherine de Zegher: curator of 'Inside the Visible'
Deepwell, K. 1998. Interview with Catherine de Zegher: curator of 'Inside the Visible'. n.paradoxa: international feminist art journal. 1, pp. 15-23.
Feminist aesthetics in an international frame
Deepwell, K. 1998. Feminist aesthetics in an international frame. n.paradoxa: international feminist art journal. 1, pp. 39-43.
Interview with Gisela Breitling, founder of Das Verborgene Museum in Berlin
Deepwell, K. 1998. Interview with Gisela Breitling, founder of Das Verborgene Museum in Berlin. n.paradoxa: international feminist art journal. 1, pp. 72-76.
Negotiating models of feminist research
Deepwell, K. 1998. Negotiating models of feminist research. Art History. 21 (3), pp. 436-440. https://doi.org/10.1111/1467-8365.00118
Introduction
Deepwell, K. 1998. Introduction. in: Deepwell, K. (ed.) Art Criticism and Africa Saffron Books.
Mapping feminism is necessary
Deepwell, K. 1997. Mapping feminism is necessary. Siksi. 12 (4), pp. 88-89.
Sassy, or not?
Deepwell, K. 1996. Sassy, or not? Siksi. 11 (4), pp. 88-90.
Inside Mona Hatoum
Deepwell, K. 1995. Inside Mona Hatoum. Tate, the art magazine. (6), pp. 32-35.
New narratives
Deepwell, K. 1995. New narratives. Women Artists Slide Library Journal. 63, p. 27.
Uncanny resemblances
Deepwell, K. 1995. Uncanny resemblances. Women Artists Slide Library Journal. 62, pp. 17-19.
Paint stripping
Deepwell, K. 1994. Paint stripping. Women's Art Magazine. 58, pp. 14-16.
The menace of the spoken word
Deepwell, K. 1994. The menace of the spoken word. Women Artists Slide Library Journal. 56, pp. 22-23.
Time ladies
Deepwell, K. 1992. Time ladies. Women's Art Magazine. 46, pp. 6-7.
Arts issues: the state of arts funding
Deepwell, K. 1991. Arts issues: the state of arts funding. Art Monthly. 147, p. 30.
Dod Proctor (1892-1972)
Deepwell, K. 1990. Dod Proctor (1892-1972). Women Artists Slide Library Journal. 34, pp. 19-20.
Emmy Bridgwater
Deepwell, K. and Sugg, D. 1990. Emmy Bridgwater. Women's Art Magazine. 37, pp. 14-16.
Images of women: interview with Clare Short, MP
Deepwell, K. 1989. Images of women: interview with Clare Short, MP. Art Monthly. 123, pp. 12-15.
Landscape and feminist art practices
Deepwell, K. 1989. Landscape and feminist art practices. Women Artists Slide Library Journal. 27, pp. 25-26.
Readings of the Jewish artist in late modernism
Deepwell, K. and Steyn, J. 1988. Readings of the Jewish artist in late modernism. Art Monthly. 113, pp. 6-9.
The missing culture: conference on women in the arts and media - Hammersmith Town Hall, 19 June
Deepwell, K. and Barrie, P. 1988. The missing culture: conference on women in the arts and media - Hammersmith Town Hall, 19 June. Women Artists Slide Library Journal. 24, p. 5.