Dr Katy Deepwell


Dr Katy Deepwell
NameDr Katy Deepwell
Job title"Professor of Contemporary Art, Theory and Criticism"
Research institute
Primary appointmentSchool of Arts
Email addressk.deepwell@mdx.ac.uk
ORCIDhttps://orcid.org/0000-0001-8188-0895
Contact categoryResearcher

Biography

Biography

Katy Deepwell is an art critic. She became Professor of Contemporary Art, Theory and Criticism at Middlesex in 2013. She is the founder and editor of n.paradoxa: international feminist art journal (1998-2017) and KT press, a feminist arts publishing company.

Teaching

Katy Deepwell supervises PhD students in Fine Art, Theory and Criticism; teaches on both the MA Fine Art and BA Fine Art.

Education and qualifications

Grants

Prizes and Awards

Research outputs

De-/anti-/post-colonial feminisms in contemporary art and textile crafts

Deepwell, K. (ed.) 2023. De-/anti-/post-colonial feminisms in contemporary art and textile crafts. London, UK KT Press.

Women’s tacit, uncoded knowledge ownership and value in conflict zones

Raina, N. 2023. Women’s tacit, uncoded knowledge ownership and value in conflict zones. in: Deepwell, K. (ed.) De-/anti-/post-colonial feminisms in contemporary art and textile crafts London, UK KT Press.

The politics and aesthetic choices of feminist art criticism

Deepwell, K. 2023. The politics and aesthetic choices of feminist art criticism. Arts. 12 (2), p. 63. https://doi.org/10.3390/arts12020063

The art, life and thought of Monica Sjöö

Deepwell, K. 2022. The art, life and thought of Monica Sjöö. Paletten. 330, pp. 42-52.

Anti-fascist activities amongst women artists in the 1930s in Britain

Deepwell, K. 2021. Anti-fascist activities amongst women artists in the 1930s in Britain. in: Pagan, E. and Chocarro, A. (ed.) Women in the Art Scene (1908-1939)/ Proyecto Mujeres Artistas en Espana Spain University of Zaragoza. pp. 425-444

Deklare! Erhebe deine Stimme! Schreie auf! Klage an! Prangere an! Uber Feministische Kunstmanifeste

Deepwell, K. 2022. Deklare! Erhebe deine Stimme! Schreie auf! Klage an! Prangere an! Uber Feministische Kunstmanifeste. in: Beltin, A., Koch, K. and Ruhkamp, U. (ed.) EMPOWERMENT: Kunst und Feminismen Bonn, Germany Bundeszentrale fur Politische Bildung/ bpb. pp. 284-291

50 feminist art manifestos

Deepwell, K. (ed.) 2022. 50 feminist art manifestos. London KT Press.

Dentro y contra la latusa: la problemática de las mujeres artistas en las historias del arte

Deepwell, K. 2022. Dentro y contra la latusa: la problemática de las mujeres artistas en las historias del arte. in: Cortes Zaborras, C., Cortés Zuleta, C. and Cuevas de Barrio, J. (ed.) YO SOMOS OTRAS: Prácticas de la subjetividad en la creación contemporánea Spain: Granada Editorial Universidad de Granada. pp. 23-56

Identity/alterity re-de-constructed in repetition and difference

Deepwell, K. 2021. Identity/alterity re-de-constructed in repetition and difference. Art History. 44 (3), pp. 554-571. https://doi.org/10.1111/1467-8365.12579

Pourqoui 1989? Ecrire sur le feminisme, l'art et le "contemporain global"

Deepwell, K. 2020. Pourqoui 1989? Ecrire sur le feminisme, l'art et le "contemporain global". in: Bonilla, M., Blanc, E., Renard, J. and Zabunyan, E. (ed.) Constellations Subjectivités. Pour une Histoire Féministes de L'Art France éditions iXe. pp. 64-85

Feminist interpretations of witches and the witch craze in contemporary art by women

Deepwell, K. 2020. Feminist interpretations of witches and the witch craze in contemporary art by women. The Pomegranate: The International Journal of Pagan Studies. 21 (2), pp. 146-171. https://doi.org/10.1558/pome.37942

Feminist Art Activisms and Artivisms

Deepwell, K. (ed.) 2020. Feminist Art Activisms and Artivisms. Amsterdam, The Netherlands Valiz.

Reflections on textile and memory. The invisible hand and women's work: Dean Castle Textile Team at the Dick Institute, Kilmarnock

Dick, E. and Mullaniff, K. 2020. Reflections on textile and memory. The invisible hand and women's work: Dean Castle Textile Team at the Dick Institute, Kilmarnock. in: Deepwell, K. (ed.) Feminist Art Activisms and Artivisms Amsterdam, The Netherlands Valiz.

Art criticism and the state of feminist art criticism

Deepwell, K. 2020. Art criticism and the state of feminist art criticism. Arts. 9 (1). https://doi.org/10.3390/arts9010028

The things that make you sick

Leeson, L. 2020. The things that make you sick. in: Deepwell, K. (ed.) Feminist art activisms and artivisms Amsterdam, The Netherlands Valiz. pp. 228-235

n.paradoxa’s MOOC (Mass Open Online Course): a case study in feminist online pedagogies

Deepwell, K. 2019. n.paradoxa’s MOOC (Mass Open Online Course): a case study in feminist online pedagogies. in: Crimmins, G. (ed.) Strategies for resisting sexism in the academy UK, Australia Palgrave Macmillan.

Art criticism and Africa, AICA conference at the Courtauld Institute, London, 1996

Deepwell, K. 2019. Art criticism and Africa, AICA conference at the Courtauld Institute, London, 1996. in: Poinsot, J. and Meyric Hughes, H. (ed.) A Celebration of AICA’s 70th Anniversary / Une Célébration du 70ème anniversaire de l’AICA: 1949-50 – 2019-20. The Histories of AICA, continued France AICA, International Art Critic's Association.

Silvia Ziranek – interview: ‘I enjoy appearance, colour, shape and form – and I love dressing up’

Deepwell, K. 2019. Silvia Ziranek – interview: ‘I enjoy appearance, colour, shape and form – and I love dressing up’. studio international.

Feminist contributions to artworks in Slide-Tape

Deepwell, K. 2018. Feminist contributions to artworks in Slide-Tape. in: White, M. (ed.) Slide / Tape Birmingham Vivid Projects. pp. 10-18

Feminist art manifestos/feminist politics

Deepwell, K. 2018. Feminist art manifestos/feminist politics. Cambridge Literary Review. 11.

Feminist Art Activisms and Artivisms - 2 July 2018, Middlesex University

Deepwell, K., Kokoli, A., Robinson, A., Mullaniff, K., Dick, E., Attwood, F., Leeson, L. and Maude-Roxby, A. 2018. Feminist Art Activisms and Artivisms - 2 July 2018, Middlesex University. Feminist Art Activisms and Artivisms. Middlesex University, London, UK 02 Jul 2018 Middlesex University. https://doi.org/10.22023/mdx.6716054.v1

Feminist collaborative projects in the UK in the 1970s'

Deepwell, K. 2018. Feminist collaborative projects in the UK in the 1970s'. in: Jakubowska, A. and Deepwell, K. (ed.) All-Women art spaces in Europe in the Long 1970s Liverpool Liverpool University Press.

All-women art spaces in Europe in the long 1970s

Jakubowska, A. and Deepwell, K. (ed.) 2018. All-women art spaces in Europe in the long 1970s. Liverpool Liverpool University Press.

On the beginnings and end of n.paradoxa: international feminist art journal

Deepwell, K. 2017. On the beginnings and end of n.paradoxa: international feminist art journal. n.paradoxa: international feminist art journal. 40, pp. 5-13.

n.paradoxa's MOOC (Mass Open Online Course) on feminism and contemporary art. 10 lessons

Deepwell, K. 2017. n.paradoxa's MOOC (Mass Open Online Course) on feminism and contemporary art. 10 lessons.

Narratives of women artists in/out of Vorticism

Deepwell, K. 2015. Narratives of women artists in/out of Vorticism. in: Berghaus, G. (ed.) International Yearbook of Futurism Studies (Vol 5, 2015) Special issue: Women Artists and Futurism Berlin | Boston Walter de Gruyter.

Misogyny: Witches and Wicked Bodies

Petherbridge, D., Segal, L., Kokoli, A., Deepwell, K. and Create/Feminism Cluster 2015. Misogyny: Witches and Wicked Bodies. Misogyny: Witches and Wicked Bodies. ICA, London, United Kingdom 18 Mar 2015

Feminist critique: open and critical enquiry: a conversation between Katy Deepwell and Suzana Milevska

Deepwell, K. and Milevska, S. 2015. Feminist critique: open and critical enquiry: a conversation between Katy Deepwell and Suzana Milevska. in: Lijster, T., Milevska, S., Gielen, P. and Sonderegger, R. (ed.) Spaces for Criticism: Shifts in Contemporary Art Discourses Amsterdam Valiz. pp. 171-192

‘Thinking/acting with tactics of displacement’

Deepwell, K. 2015. ‘Thinking/acting with tactics of displacement’. in: Alonso, S. and Marful, I. (ed.) RE-ACTION, una ginología artística contra el canon Spain, Asturia Sala LAUDEO, Universidad de Oviedo. pp. 31-36

‘Other’ and ‘Not-All’, rethinking the place of the woman artist in ‘Contemporary Art’

Deepwell, K. 2014. ‘Other’ and ‘Not-All’, rethinking the place of the woman artist in ‘Contemporary Art’. Revista de Estudios Globales y Arte Contemporáneo: Art Global Age. 2 (1), pp. 191-212. https://doi.org/10.1344/regac2014.1.11

Preface

Deepwell, K. 2014. Preface. in: Kosmala, K. (ed.) Sexing the Border, Gender, Art and New Media in Central and Eastern Europe Newcastle upon Tyne Cambridge Scholars Publishing. pp. xv-xvi

Feminist problematic(s) in contemporary art

Deepwell, K. 2014. Feminist problematic(s) in contemporary art. Arta: Revista de arte vizuale (Bucharest).

Feminist art manifestos: an anthology

Deepwell, K. (ed.) 2014. Feminist art manifestos: an anthology. London, UK KT Press.

Ten decades: careers of ten women artists born 1897-1906

Deepwell, K. Checketts, L. (ed.) 1992. Ten decades: careers of ten women artists born 1897-1906. Norwich Norwich Gallery, Norwich School of Art & Design.

We don't need another heroine: Sanja Ivekovic's counter-narratives

Deepwell, K. 2013. We don't need another heroine: Sanja Ivekovic's counter-narratives. in: Reckitt, H. (ed.) Sanja Ivekovic: Unknown Heroine - a Reader London Calvert 22 Foundation. pp. 110-113

Sanja Iveković: we don't need another heroine

Deepwell, K. 2013. Sanja Iveković: we don't need another heroine. Twenty three percent*. London, UK 25 Jan 2013

We don’t need another heroine: Sanja Ivekovic’s counter-narratives

Deepwell, K. 2013. We don’t need another heroine: Sanja Ivekovic’s counter-narratives. in: Reckitt, H. (ed.) Sanja Ivekovic: Unknown Heroine - A Reader London Calvert 22 Foundation. pp. 110-133

Beatrice Cussol: feminist not feminine

Deepwell, K. 2013. Beatrice Cussol: feminist not feminine. in: Sundberg, M. (ed.) Beatrice Cussol: Rude Girls Stockholm Art and Theory Publishing: Spritmuseum and Absolut Art Collection. pp. 25-35

Defining the problem: women artists, feminism and globalization (English title of Russian text)

Deepwell, K. 2013. Defining the problem: women artists, feminism and globalization (English title of Russian text). in: Kamenetskaya, N., Loshak, M. and Turkina, O. (ed.) Celebrating International Women’s Day (8 March): Feminism: from avant-garde to present day (English title of Russian exhibition catalogue) Moscow Manege. pp. 23-29

Women artists between the wars: a fair field and no favour

Deepwell, K. 2010. Women artists between the wars: a fair field and no favour. Manchester University Press.

Claims for a feminist politics in painting

Deepwell, K. 2010. Claims for a feminist politics in painting. in: Petersen, A., Bogh, M., Christensen, H. and Larsen, P. (ed.) Contemporary painting in context Museum Tusculanum Press. pp. 143-164

REBELLE: Kunst & Feminisme, 1969-2009

Deepwell, K. 2009. REBELLE: Kunst & Feminisme, 1969-2009. n.paradoxa: international feminist art journal.

It's time for action (there's no option): about feminism

Jones, A., Bunz, M., Buszek, M. and Deepwell, K. Munder, H. (ed.) 2007. It's time for action (there's no option): about feminism. Zurich, Switzerland J. P. Ringier.

Digital sampling: ideas suggested by some women's art practices from Europe, Australia, Canada and America

Deepwell, K. 1998. Digital sampling: ideas suggested by some women's art practices from Europe, Australia, Canada and America. in: Cutting Edge, The Women's Research Group (ed.) Desire by Design: Body, territories and new technologies I.B.Tauris. pp. 77-94

Hepworth and her critics

Deepwell, K. 1998. Hepworth and her critics. in: Deepwell, K. (ed.) Women Artists and Modernism Manchester Manchester University Press. pp. 97-111

Women artists and modernism

Deepwell, K. (ed.) 1998. Women artists and modernism. Manchester Manchester University Press.

Introduction

Deepwell, K. 1998. Introduction. in: Deepwell, K. (ed.) Art Criticism and Africa Saffron Books.

New feminist art criticism: critical strategies

Deepwell, K. (ed.) 1995. New feminist art criticism: critical strategies. Manchester Manchester University Press.
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