Paint stripping

Article

Deepwell, K. 1994. Paint stripping. Women's Art Magazine. 58, pp. 14-16.
TypeArticle
TitlePaint stripping
AuthorsDeepwell, K.
Abstract

Discusses the nature of painting in terms of both feminist art and women's art with reference to the exhibition Unbound Possibilities in Painting at the Hayward Gallery in London (3 March-30 May 1994). The author considers the history of paintings by women in relation to that of modernism and of feminism in photography, performance and mixed media installations. She outlines Griselda Pollock's concept of the relationship between painting, feminism and theory and John Roberts's formulation of three feminist approaches to painting: `anti-painting', `anti-functionalist', and `female centred'. She concludes that the issue of the feminist potential of painting has still not been resolved.

PublisherWomen Artists Slide Library
JournalWomen's Art Magazine
ISSN0961-1460
Publication dates
PrintMay 1994
Publication process dates
Deposited06 Jun 2024
Output statusPublished
Permalink -

https://repository.mdx.ac.uk/item/144z43

Log in to edit
  • 29
    total views
  • 0
    total downloads
  • 1
    views this month
  • 0
    downloads this month

Export as

Related outputs

The politics and aesthetic choices of feminist art criticism
Deepwell, K. 2023. The politics and aesthetic choices of feminist art criticism. Arts. 12 (2), p. 63. https://doi.org/10.3390/arts12020063
Deklare! Erhebe deine Stimme! Schreie auf! Klage an! Prangere an! Uber Feministische Kunstmanifeste
Deepwell, K. 2022. Deklare! Erhebe deine Stimme! Schreie auf! Klage an! Prangere an! Uber Feministische Kunstmanifeste. in: Beltin, A., Koch, K. and Ruhkamp, U. (ed.) EMPOWERMENT: Kunst und Feminismen Bonn, Germany Bundeszentrale fur Politische Bildung/ bpb. pp. 284-291
The art, life and thought of Monica Sjöö
Deepwell, K. 2022. The art, life and thought of Monica Sjöö. Paletten. 330, pp. 42-52.
Anti-fascist activities amongst women artists in the 1930s in Britain
Deepwell, K. 2022. Anti-fascist activities amongst women artists in the 1930s in Britain. in: Serrano, C., Pagán, E., Chocarro, A. and Martín, M. (ed.) Las mujeres en el sistema artístico: 1804-1939 Spain University of Zaragoza. pp. 425-444
Dentro y contra la latusa: la problemática de las mujeres artistas en las historias del arte
Deepwell, K. 2022. Dentro y contra la latusa: la problemática de las mujeres artistas en las historias del arte. in: Cortes Zaborras, C., Cortés Zuleta, C. and Cuevas de Barrio, J. (ed.) YO SOMOS OTRAS: Prácticas de la subjetividad en la creación contemporánea Spain: Granada Editorial Universidad de Granada. pp. 23-56
Identity/alterity re-de-constructed in repetition and difference
Deepwell, K. 2021. Identity/alterity re-de-constructed in repetition and difference. Art History. 44 (3), pp. 554-571. https://doi.org/10.1111/1467-8365.12579
Feminist interpretations of witches and the witch craze in contemporary art by women
Deepwell, K. 2020. Feminist interpretations of witches and the witch craze in contemporary art by women. The Pomegranate: The International Journal of Pagan Studies. 21 (2), pp. 146-171. https://doi.org/10.1558/pome.37942
Art criticism and the state of feminist art criticism
Deepwell, K. 2020. Art criticism and the state of feminist art criticism. Arts. 9 (1). https://doi.org/10.3390/arts9010028
Postdigital education, feminism, women
Deepwell, K. 2020. Postdigital education, feminism, women. Postdigital Science and Education. 2, p. 248–253. https://doi.org/10.1007/s42438-019-00096-1
Pourqoui 1989? Ecrire sur le feminisme, l'art et le "contemporain global"
Deepwell, K. 2020. Pourqoui 1989? Ecrire sur le feminisme, l'art et le "contemporain global". in: Bonilla, M., Blanc, E., Renard, J. and Zabunyan, E. (ed.) Constellations Subjectivités. Pour une Histoire Féministes de L'Art France éditions iXe. pp. 64-85
Silvia Ziranek – interview: ‘I enjoy appearance, colour, shape and form – and I love dressing up’
Deepwell, K. 2019. Silvia Ziranek – interview: ‘I enjoy appearance, colour, shape and form – and I love dressing up’. studio international.
Art criticism and Africa, AICA conference at the Courtauld Institute, London, 1996
Deepwell, K. 2019. Art criticism and Africa, AICA conference at the Courtauld Institute, London, 1996. in: Poinsot, J. and Meyric Hughes, H. (ed.) A Celebration of AICA’s 70th Anniversary / Une Célébration du 70ème anniversaire de l’AICA: 1949-50 – 2019-20. The Histories of AICA, continued France AICA, International Art Critic's Association.
Feminist art manifestos/feminist politics
Deepwell, K. 2018. Feminist art manifestos/feminist politics. Cambridge Literary Review. 11.
Feminist contributions to artworks in Slide-Tape
Deepwell, K. 2018. Feminist contributions to artworks in Slide-Tape. in: White, M. (ed.) Slide / Tape Birmingham Vivid Projects. pp. 10-18
n.paradoxa’s MOOC (Mass Open Online Course): a case study in feminist online pedagogies
Deepwell, K. 2019. n.paradoxa’s MOOC (Mass Open Online Course): a case study in feminist online pedagogies. in: Crimmins, G. (ed.) Strategies for resisting sexism in the academy UK, Australia Palgrave Macmillan.
Feminist Art Activisms and Artivisms - 2 July 2018, Middlesex University
Deepwell, K., Kokoli, A., Robinson, A., Mullaniff, K., Dick, E., Attwood, F., Leeson, L. and Maude-Roxby, A. 2018. Feminist Art Activisms and Artivisms - 2 July 2018, Middlesex University. Feminist Art Activisms and Artivisms. Middlesex University, London, UK 02 Jul 2018 Middlesex University. https://doi.org/10.22023/mdx.6716054.v1
n.paradoxa's MOOC (Mass Open Online Course) on feminism and contemporary art. 10 lessons
Deepwell, K. 2017. n.paradoxa's MOOC (Mass Open Online Course) on feminism and contemporary art. 10 lessons.
Feminist critique: open and critical enquiry: a conversation between Katy Deepwell and Suzana Milevska
Deepwell, K. and Milevska, S. 2015. Feminist critique: open and critical enquiry: a conversation between Katy Deepwell and Suzana Milevska. in: Lijster, T., Milevska, S., Gielen, P. and Sonderegger, R. (ed.) Spaces for Criticism: Shifts in Contemporary Art Discourses Amsterdam Valiz. pp. 171-192
Feminist collaborative projects in the UK in the 1970s'
Deepwell, K. 2018. Feminist collaborative projects in the UK in the 1970s'. in: Jakubowska, A. and Deepwell, K. (ed.) All-Women art spaces in Europe in the Long 1970s Liverpool Liverpool University Press.
‘Thinking/acting with tactics of displacement’
Deepwell, K. 2015. ‘Thinking/acting with tactics of displacement’. in: Alonso, S. and Marful, I. (ed.) RE-ACTION, una ginología artística contra el canon Spain, Asturia Sala LAUDEO, Universidad de Oviedo. pp. 31-36
Why feminist stories matter: Katy Deepwell interviews Clare Hemmings
Deepwell, K. 2017. Why feminist stories matter: Katy Deepwell interviews Clare Hemmings. n.paradoxa: international feminist art journal. 40, pp. 60-68.
On the beginnings and end of n.paradoxa: international feminist art journal
Deepwell, K. 2017. On the beginnings and end of n.paradoxa: international feminist art journal. n.paradoxa: international feminist art journal. 40, pp. 5-13.
Pauline Barrie talks with Katy Deepwell: Founding feminism: womens workshop, artists union and women artists slide library
Barrie, P. and Deepwell, K. 2016. Pauline Barrie talks with Katy Deepwell: Founding feminism: womens workshop, artists union and women artists slide library. n.paradoxa: international feminist art journal. 38, pp. 56-65.
Narratives of women artists in/out of Vorticism
Deepwell, K. 2015. Narratives of women artists in/out of Vorticism. in: Berghaus, G. (ed.) International Yearbook of Futurism Studies (Vol 5, 2015) Special issue: Women Artists and Futurism Berlin | Boston Walter de Gruyter.
Preface
Deepwell, K. 2014. Preface. in: Kosmala, K. (ed.) Sexing the Border, Gender, Art and New Media in Central and Eastern Europe Newcastle upon Tyne Cambridge Scholars Publishing. pp. xv-xvi
We don’t need another heroine: Sanja Ivekovic’s counter-narratives
Deepwell, K. 2013. We don’t need another heroine: Sanja Ivekovic’s counter-narratives. in: Reckitt, H. (ed.) Sanja Ivekovic: Unknown Heroine - A Reader London Calvert 22 Foundation. pp. 110-133
Feminist problematic(s) in contemporary art
Deepwell, K. 2014. Feminist problematic(s) in contemporary art. Arta: Revista de arte vizuale (Bucharest).
‘Other’ and ‘Not-All’, rethinking the place of the woman artist in ‘Contemporary Art’
Deepwell, K. 2014. ‘Other’ and ‘Not-All’, rethinking the place of the woman artist in ‘Contemporary Art’. Revista de Estudios Globales y Arte Contemporáneo: Art Global Age. 2 (1), pp. 191-212. https://doi.org/10.1344/regac2014.1.11
Mobilizing memory: interview with Ayse Gül Altinay and Isin Önol
Deepwell, K. 2015. Mobilizing memory: interview with Ayse Gül Altinay and Isin Önol. n.paradoxa: international feminist art journal. 35, pp. 31-39.
Misogyny: Witches and Wicked Bodies
Petherbridge, D., Segal, L., Kokoli, A., Deepwell, K. and Create/Feminism Cluster 2015. Misogyny: Witches and Wicked Bodies. Misogyny: Witches and Wicked Bodies. ICA, London, United Kingdom 18 Mar 2015
Felicity Sparrow: forming Circles
Deepwell, K. 2014. Felicity Sparrow: forming Circles. n.paradoxa: international feminist art journal. 34, pp. 86-95.
Ten decades: careers of ten women artists born 1897-1906
Deepwell, K. Checketts, L. (ed.) 1992. Ten decades: careers of ten women artists born 1897-1906. Norwich Norwich Gallery, Norwich School of Art & Design.
Beatrice Cussol: feminist not feminine
Deepwell, K. 2013. Beatrice Cussol: feminist not feminine. in: Sundberg, M. (ed.) Beatrice Cussol: Rude Girls Stockholm Art and Theory Publishing: Spritmuseum and Absolut Art Collection. pp. 25-35
We don't need another heroine: Sanja Ivekovic's counter-narratives
Deepwell, K. 2013. We don't need another heroine: Sanja Ivekovic's counter-narratives. in: Reckitt, H. (ed.) Sanja Ivekovic: Unknown Heroine - a Reader London Calvert 22 Foundation. pp. 110-113
Defining the problem: women artists, feminism and globalization (English title of Russian text)
Deepwell, K. 2013. Defining the problem: women artists, feminism and globalization (English title of Russian text). in: Kamenetskaya, N., Loshak, M. and Turkina, O. (ed.) Celebrating International Women’s Day (8 March): Feminism: from avant-garde to present day (English title of Russian exhibition catalogue) Moscow Manege. pp. 23-29
Hepworth and her critics
Deepwell, K. 1998. Hepworth and her critics. in: Deepwell, K. (ed.) Women Artists and Modernism Manchester Manchester University Press. pp. 97-111
It's time for action (there's no option): about feminism
Jones, A., Bunz, M., Buszek, M. and Deepwell, K. Munder, H. (ed.) 2007. It's time for action (there's no option): about feminism. Zurich, Switzerland J. P. Ringier.
Women artists between the wars: a fair field and no favour
Deepwell, K. 2010. Women artists between the wars: a fair field and no favour. Manchester University Press.
Claims for a feminist politics in painting
Deepwell, K. 2010. Claims for a feminist politics in painting. in: Petersen, A., Bogh, M., Christensen, H. and Larsen, P. (ed.) Contemporary painting in context Museum Tusculanum Press. pp. 143-164
Sanja Iveković: we don't need another heroine
Deepwell, K. 2013. Sanja Iveković: we don't need another heroine. Twenty three percent*. London, UK 25 Jan 2013
Re.act feminism: feminist, gender-critical and trans-gender performance art: Katy Deepwell interviews Bettina Knaup and Beatrice E. Stammer
Deepwell, K. 2012. Re.act feminism: feminist, gender-critical and trans-gender performance art: Katy Deepwell interviews Bettina Knaup and Beatrice E. Stammer. n.paradoxa: international feminist art journal. 30, pp. 77-82.
From 'Marginalia' to 'Monalisa': an interview with Ida Appelbroog
Deepwell, K. 2011. From 'Marginalia' to 'Monalisa': an interview with Ida Appelbroog. n.paradoxa: international feminist art journal. 28, pp. 48-56.
Questioning the gender order: feminist interventions in aesthetics and cultural politics
Deepwell, K. 2011. Questioning the gender order: feminist interventions in aesthetics and cultural politics. in: Artistic Production and the Feminist Theory of Art: New Debates III Vitoria-Gasteiz, Spain Centro Cultural Montehermoso Kulturunea.
'The relationship between big and small things': Tsaplya and Gluklya, Factory of Found Clothes: interview by Katy Deepwell
Deepwell, K. 2011. 'The relationship between big and small things': Tsaplya and Gluklya, Factory of Found Clothes: interview by Katy Deepwell. n.paradoxa: international feminist art journal. 27, pp. 81-92.
Interview with Mirjam Westen, curator of REBELLE: Kunst & Feminisme, 1969-2009
Deepwell, K. 2009. Interview with Mirjam Westen, curator of REBELLE: Kunst & Feminisme, 1969-2009. n.paradoxa: international feminist art journal. 24, pp. 22-29.
Cyberfem: feminism on the electronic landscape: Katy Deepwell interviews Ana Martinez-Collado
Deepwell, K. 2007. Cyberfem: feminism on the electronic landscape: Katy Deepwell interviews Ana Martinez-Collado. n.paradoxa: international feminist art journal. 19, pp. 68-72.
Social feminism and the question of difference, Fran Cottell
Deepwell, K. 2007. Social feminism and the question of difference, Fran Cottell. n.paradoxa: international feminist art journal. 19, pp. 90-93.
Curatorial strategies and feminist politics: part 1: an interview with Rosa Martinez, part 2: an interview with Maria Lind
Deepwell, K. 2006. Curatorial strategies and feminist politics: part 1: an interview with Rosa Martinez, part 2: an interview with Maria Lind. n.paradoxa: international feminist art journal. 18, pp. 5-15.
KISSS revealed: Deej Fabyc, Paula Roush and Camilla Brueton on Kinship International Strategy on Surveillance and Suppression (KISSS)
Deepwell, K. 2006. KISSS revealed: Deej Fabyc, Paula Roush and Camilla Brueton on Kinship International Strategy on Surveillance and Suppression (KISSS). n.paradoxa: international feminist art journal. 17, pp. 36-43.
Jane Prophet's Imaginary Organs of a Cyborg
Deepwell, K. 2005. Jane Prophet's Imaginary Organs of a Cyborg. n.paradoxa: international feminist art journal. 15, pp. 89-92.
Dialogues: Women Artists from Ireland
Deepwell, K. 2004. Dialogues: Women Artists from Ireland. London I.B. Tauris.
Musing on myths
Deepwell, K. 2003. Musing on myths. Paletten. 64 (3-4), pp. 48-51.
Performing provocation: Katy Deepwell interviews Karen Finley
Deepwell, K. 2003. Performing provocation: Katy Deepwell interviews Karen Finley. n.paradoxa: international feminist art journal. 12, pp. 82-89.
Curating New Narratives interviews Ute Meta Bauer
Deepwell, K. 2002. Curating New Narratives interviews Ute Meta Bauer. n.paradoxa: international feminist art journal. 10, pp. 65-74.
Working notes: conversation with Katy Deepwell
Connor, M. and Deepwell, K. 2002. Working notes: conversation with Katy Deepwell. Art Journal. 61 (2), pp. 32-42. https://doi.org/10.1080/00043249.2002.10792116
Beauty Matters
Deepwell, K. 2001. Beauty Matters. caa.reviews. https://doi.org/10.3202/caa.reviews.2001.89
On The Tent and working in dialogue: an interview with Lea Kantonen
Deepwell, K. 2001. On The Tent and working in dialogue: an interview with Lea Kantonen. n.paradoxa: international feminist art journal. 7, pp. 6-17.
Cross Female: metaphors of the female in art in the 1990s
Deepwell, K. 2001. Cross Female: metaphors of the female in art in the 1990s. n.paradoxa: international feminist art journal. 7, pp. 87-89.
Mea Culpa: interview with Mary Kelly
Deepwell, K. 2001. Mea Culpa: interview with Mary Kelly. n.paradoxa: international feminist art journal. 8, pp. 49-58.
After 'After the Wall': an interview with curator Bojana Pejic
Deepwell, K. 2000. After 'After the Wall': an interview with curator Bojana Pejic. n.paradoxa: international feminist art journal. 5, pp. 49-57.
Interview with Kirsten Justesen
Deepwell, K. 1999. Interview with Kirsten Justesen. n.paradoxa: international feminist art journal. 3, pp. 30-43.
Suzanne Lacy: new genre public art
Deepwell, K. 1999. Suzanne Lacy: new genre public art. n.paradoxa: international feminist art journal. 4, pp. 25-33.
Digital sampling: ideas suggested by some women's art practices from Europe, Australia, Canada and America
Deepwell, K. 1998. Digital sampling: ideas suggested by some women's art practices from Europe, Australia, Canada and America. in: Cutting Edge, The Women's Research Group (ed.) Desire by Design: Body, territories and new technologies I.B.Tauris. pp. 77-94
Interview with Catherine de Zegher: curator of 'Inside the Visible'
Deepwell, K. 1998. Interview with Catherine de Zegher: curator of 'Inside the Visible'. n.paradoxa: international feminist art journal. 1, pp. 15-23.
Feminist aesthetics in an international frame
Deepwell, K. 1998. Feminist aesthetics in an international frame. n.paradoxa: international feminist art journal. 1, pp. 39-43.
Interview with Gisela Breitling, founder of Das Verborgene Museum in Berlin
Deepwell, K. 1998. Interview with Gisela Breitling, founder of Das Verborgene Museum in Berlin. n.paradoxa: international feminist art journal. 1, pp. 72-76.
Negotiating models of feminist research
Deepwell, K. 1998. Negotiating models of feminist research. Art History. 21 (3), pp. 436-440. https://doi.org/10.1111/1467-8365.00118
Introduction
Deepwell, K. 1998. Introduction. in: Deepwell, K. (ed.) Art Criticism and Africa Saffron Books.
Mapping feminism is necessary
Deepwell, K. 1997. Mapping feminism is necessary. Siksi. 12 (4), pp. 88-89.
Sassy, or not?
Deepwell, K. 1996. Sassy, or not? Siksi. 11 (4), pp. 88-90.
Inside Mona Hatoum
Deepwell, K. 1995. Inside Mona Hatoum. Tate, the art magazine. (6), pp. 32-35.
New narratives
Deepwell, K. 1995. New narratives. Women Artists Slide Library Journal. 63, p. 27.
Uncanny resemblances
Deepwell, K. 1995. Uncanny resemblances. Women Artists Slide Library Journal. 62, pp. 17-19.
The menace of the spoken word
Deepwell, K. 1994. The menace of the spoken word. Women Artists Slide Library Journal. 56, pp. 22-23.
Time ladies
Deepwell, K. 1992. Time ladies. Women's Art Magazine. 46, pp. 6-7.
Arts issues: the state of arts funding
Deepwell, K. 1991. Arts issues: the state of arts funding. Art Monthly. 147, p. 30.
Dod Proctor (1892-1972)
Deepwell, K. 1990. Dod Proctor (1892-1972). Women Artists Slide Library Journal. 34, pp. 19-20.
Emmy Bridgwater
Deepwell, K. and Sugg, D. 1990. Emmy Bridgwater. Women's Art Magazine. 37, pp. 14-16.
Images of women: interview with Clare Short, MP
Deepwell, K. 1989. Images of women: interview with Clare Short, MP. Art Monthly. 123, pp. 12-15.
Landscape and feminist art practices
Deepwell, K. 1989. Landscape and feminist art practices. Women Artists Slide Library Journal. 27, pp. 25-26.
Readings of the Jewish artist in late modernism
Deepwell, K. and Steyn, J. 1988. Readings of the Jewish artist in late modernism. Art Monthly. 113, pp. 6-9.
The missing culture: conference on women in the arts and media - Hammersmith Town Hall, 19 June
Deepwell, K. and Barrie, P. 1988. The missing culture: conference on women in the arts and media - Hammersmith Town Hall, 19 June. Women Artists Slide Library Journal. 24, p. 5.