Castration

Book chapter

Kokoli, A. 2009. Castration. in: O'Brien, J. (ed.) Encyclopedia of Gender and Society SAGE Publications. pp. 117-118
Chapter titleCastration
AuthorsKokoli, A.
Page range117-118
Book titleEncyclopedia of Gender and Society
EditorsO'Brien, J.
PublisherSAGE Publications
ISBN
Hardcover9781412909167
Electronic9781412964517
Publication dates
Online26 Jan 2008
PrintJan 2009
Publication process dates
Deposited15 Sep 2025
Output statusPublished
Web address (URL)https://sk.sagepub.com/reference/gender/n67.xml
Digital Object Identifier (DOI)https://doi.org/10.4135/9781412964517.n67
Related Output
Is part ofhttps://uk.sagepub.com/en-gb/eur/encyclopedia-of-gender-and-society/book226998
Is part ofhttps://doi.org/10.4135/9781412964517
LanguageEnglish
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Trauma and repair in the museum: an introduction
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Domestic fronts: arrangements for feminist living, or survival is not a metaphor
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Aftershocks and (un)belongings: reflecting on 'Home Strike'
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The aesthetic labour of protest, now and then: The Women’s Peace Camp at Greenham Common (1981-2000)
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Creative Tensions: Making (it), unmaking, and making do in textiles informed by feminism
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Crossing borders and other dividers in Western Europe and the British Isles
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Read my QR: Quilla Constance and the conceptualist promise of intelligibility
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Domestic fronts: towards a feminist survival(ism)
Kokoli, A. 2018. Domestic fronts: towards a feminist survival(ism). Symposium: Feminist Visual Activism. ICA, London 10 Jul 2018
Feminist Art Activisms and Artivisms - 2 July 2018, Middlesex University
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HOME STRIKE, an exhibition guest-curated by Alexandra Kokoli and Basia Sliwinska, with CANAN, Paula Chambers, Malgorzata Markiewicz and Su Richardson, l'etrangere, 8 March-21 April 2018.
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Unpicking the Canon: Making (it), unmaking, and making do in textiles informed by feminism
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Do textiles think?
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Free Lunch with the Stench Wench: towards a synaesthetics of poverty and shame in Catherine Hoffmann’s performance
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The writing’s on the wall: #QC against decipherability
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The ambiguous ambivalence of feminist textiles
Kokoli, A. 2017. The ambiguous ambivalence of feminist textiles. in: Ford, S. (ed.) CUT CLOTH: Contemporary Textiles and Feminism PO Publishing. pp. 60-65
History or not: addressing omissions in the retelling of art's stories (roundtable discussion)
Kokoli, A., Allen, F., Boyce, S., Budd, A., Hiller, S., Hudek, A. and Sainsbury, A. 2017. History or not: addressing omissions in the retelling of art's stories (roundtable discussion). History or Not: Addressing Omissions in the Retelling of Art's Stories. Raven Row, London, United Kingdom 18 Mar 2017
Tate in Focus: From the Freud Museum 1991–6 by Susan Hiller
Kokoli, A. Kokoli, A. (ed.) 2017. Tate in Focus: From the Freud Museum 1991–6 by Susan Hiller. Tate Research Publication.
Read my QR: Quilla Constance and the conceptualist promise of intelligibility
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Pre-emptive mourning against the bomb: the art and visual culture of feminist anti-nuclear activisms
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#QC: Read My QR
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Feminism reframed: reflections on art and difference
Kokoli, A., Heath, J., Hemus, R., Chase, A., Roulstone, K., Behm, A., Germann, J., Grant, C., Tate, S., Lauritis, B., Pollock, G. and Swartz, A. Kokoli, A. (ed.) 2008. Feminism reframed: reflections on art and difference. Cambridge Scholars Publishing.
Pre-emptive mourning (or melancholia)? : the home as tomb in art informed by feminism and anti-nuclear activism
Kokoli, A. 2015. Pre-emptive mourning (or melancholia)? : the home as tomb in art informed by feminism and anti-nuclear activism. House, work, artwork: feminism and Art History's new domesticities. University of Birmingham, Birmingham. United Kingdom 03 - 04 Jul 2015
Uncanny domesticities in art informed by feminist anti-nuclear activism
Kokoli, A. 2016. Uncanny domesticities in art informed by feminist anti-nuclear activism. Artists’ Critical Interventions into Architecture and Urbanism. University of Warwick, United Kingdom 15 - 16 Jul 2016
Interview with Margaret Harrison and participation in roundtable discussion
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Now, then, and again: between anniversary and HERitage
Kokoli, A. 2015. Now, then, and again: between anniversary and HERitage. Day + Gluckman.
What Bear Grylls can’t do: survivalist mediascapes in austerity Britain
Kokoli, A. and Winter, A. 2015. What Bear Grylls can’t do: survivalist mediascapes in austerity Britain. In Media Res: A Media Commons Project Media Commons (http://mediacommons.futureofthebook.org/).
The feminist uncanny in theory and art practice
Kokoli, A. 2016. The feminist uncanny in theory and art practice. London Bloomsbury Publishing.
Not a straight line by a spiral: charting continuity and change in textiles informed by feminism
Kokoli, A. 2014. Not a straight line by a spiral: charting continuity and change in textiles informed by feminism. Image and Text. 23, pp. 110-129.
Jane F. Gerhard, The Dinner Party: Judy Chicago and the Power of Popular Feminism, 1970–2007 (Athens: University of Georgia Press, 2013), pp. x + 336. Series: Since 1970: Histories of Contemporary America. ISBN 978 0820344577 [Book review]
Kokoli, A. 2015. Jane F. Gerhard, The Dinner Party: Judy Chicago and the Power of Popular Feminism, 1970–2007 (Athens: University of Georgia Press, 2013), pp. x + 336. Series: Since 1970: Histories of Contemporary America. ISBN 978 0820344577 [Book review]. Gender and History. 27 (1), pp. 228-229. https://doi.org/10.1111/1468-0424.12117
What a girl’s gotta do: the labour of the biopolitical celebrity in austerity Britain
Kokoli, A. and Winter, A. 2015. What a girl’s gotta do: the labour of the biopolitical celebrity in austerity Britain. Women & Performance: a journal of feminist theory. 25 (2), pp. 157-174. https://doi.org/10.1080/0740770X.2015.1057015
Misogyny: Witches and Wicked Bodies
Petherbridge, D., Segal, L., Kokoli, A., Deepwell, K. and Create/Feminism Cluster 2015. Misogyny: Witches and Wicked Bodies. Misogyny: Witches and Wicked Bodies. ICA, London, United Kingdom 18 Mar 2015
The woman artist as curatorial effect
Kokoli, A. 2013. The woman artist as curatorial effect. in: Dimitrakaki, A. and Perry, L. (ed.) Politics in a glass case: feminism, exhibition cultures and curatorial transgressions Liverpool University Press.
On probation: Tracey Emin as sign
Kokoli, A. 2010. On probation: Tracey Emin as sign. Wasafiri. 25 (1), pp. 33-40. https://doi.org/10.1080/02690050903425342
Remembering, repeating and working through in Anniversary – An Act Of Memory by Monica Ross and co-recitors (2008–)
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Invasions and fakes: Susan Hiller in conversation with Alexandra Kokoli
Hiller, S. and Kokoli, A. 2013. Invasions and fakes: Susan Hiller in conversation with Alexandra Kokoli. in: Mays, S. and Matheson, N. (ed.) The Machine and the Ghost: Technology and Spiritualism in Nineteenth- to Twenty-First-Century Art and Culture Manchester University Press. pp. 103-122
The voice as uncanny index in Susan Hiller's The Last Silent Movie
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Sisters
Kokoli, A. 2012. Sisters. in: Dickson, R. (ed.) Judy Chicago Lund Humphries. pp. 169-177
Ed Ruscha's Los Angeles By Alexandra Schwartz [Book review]
Kokoli, A. 2010. Ed Ruscha's Los Angeles By Alexandra Schwartz [Book review]. The Art Book. 17 (4), pp. 52-54. https://doi.org/10.1111/j.1467-8357.2010.01137_5.x
Self/Image: Technology, Representation and the Contemporary Subject by Amelia Jones [Book review]
Kokoli, A. 2009. Self/Image: Technology, Representation and the Contemporary Subject by Amelia Jones [Book review]. The Art Book. 16 (3), pp. 76-76. https://doi.org/10.1111/j.1467-8357.2009.01050_1.x
Quilting
Kokoli, A. 2009. Quilting. in: O'Brien, J. (ed.) Encyclopedia of Gender and Society SAGE Publications. pp. 698-699
Women Artists
Kokoli, A. 2009. Women Artists. in: O'Brien, J. (ed.) Encyclopedia of Gender and Society SAGE Publications. pp. 894-896
Art, Gender Images in
Kokoli, A. 2009. Art, Gender Images in. in: O'Brien, J. (ed.) Encyclopedia of Gender and Society SAGE Publications. pp. 44-47
The ghosts of songs: the film art of the black audio film collective, 1982 - 1998 by Kodwo Eshun and Anjalika Sager (Eds). [Book review]
Kokoli, A. 2008. The ghosts of songs: the film art of the black audio film collective, 1982 - 1998 by Kodwo Eshun and Anjalika Sager (Eds). [Book review]. The Art Book. 15 (2), pp. 70-71. https://doi.org/10.1111/j.1467-8357.2008.00965_1.x
High Art Lite: The rise and fall of young British art (revised and expanded edition) By Julian Stallabrass [Book review]
Kokoli, A. 2007. High Art Lite: The rise and fall of young British art (revised and expanded edition) By Julian Stallabrass [Book review]. The Art Book. 14 (3), pp. 70-70. https://doi.org/10.1111/j.1467-8357.2007.00853_4.x
Women Artists at the Millenium By Carol Armstrong and Catherine De Zegher (Eds.) [Book review]
Kokoli, A. 2007. Women Artists at the Millenium By Carol Armstrong and Catherine De Zegher (Eds.) [Book review]. The Art Book. 14 (4), pp. 46-47. https://doi.org/10.1111/j.1467-8357.2007.00873.x
Back to Basics? Edited by Norma Broude and Mary D. Garrard [Book review]
Kokoli, A. 2007. Back to Basics? Edited by Norma Broude and Mary D. Garrard [Book review]. Art History. 30 (5), pp. 777-781. https://doi.org/10.1111/j.1467-8365.2007.00574_3.x
Sutapa Biswas
Kokoli, A. Sutapa Biswas. The Art Book. 12 (1), pp. 20-21. https://doi.org/10.1111/j.1467-8357.2005.t01-5-00492.x
Difference and Excess in Contemporary Art: The Visibility of Women's Practice [Book review]
Kokoli, A. 2005. Difference and Excess in Contemporary Art: The Visibility of Women's Practice [Book review]. The Art Book. 12 (4), pp. 39-40. https://doi.org/10.1111/j.1467-8357.2005.00604.x
'The cabinet of Edgar Allan Poe': towards a feminist remodelling of (meta)history
Kokoli, A. 2002. 'The cabinet of Edgar Allan Poe': towards a feminist remodelling of (meta)history. In-between: Essays & Studies in Literary Criticism. 11 (1), pp. 55-70.