Dr Anne Robinson
Name | Dr Anne Robinson |
---|---|
Job title | Acting Director of Programmes for Fine Art |
Research institute | |
Primary appointment | School of Arts |
Email address | A.Robinson@mdx.ac.uk |
ORCID | https://orcid.org/0000-0002-0478-3546 |
Contact category | Academic staff |
Biography
Biography Anne Robinson is a multidisciplinary visual artist. Her practice is mainly film based, often collaborative: concerned with the perception and politics of time passing, ’queering’ technologies and working speculatively with archives to ‘listen to the past’. The Hurrier (2021), Poor on the Roll (2021) Wakeful (2018) andThrashing in the Static (2014) draw on archival documents to expand on hidden lives. Formally, these film works test the boundaries of documentary and experimental form. Screenings include APT, CCA Glasgow, Whitechapel, and Southwark Park Galleries. Film/Sound collaborations include percussionist Limpe Fuchs and Breathing Space and The Hurrier as an expanded work included a ‘broadside’ ballad, and conversation/podcast with Feminist Library, on Art, Class and Bodies. Robinson was a commissioned artists for ‘Queer Times’ at GoMA in 2018 and as a former member of See Red Women’s Workshop, co-wrote See Red: Feminist Posters 1974-1990 in 2016. Several See Red works are in ‘Women in Revolt!’ Tate Britain, 2023/24. Her films feature in Rachel Garfield’s book Experimental Filmmaking and Punk (2021) and in the Rebel Dykes documentary (2021). She holds a practice-led PhD on temporality and art and teaches Fine Art at Middlesex University.
Teaching Programme Leader: BA Fine Art Module Leader: FNA1103 Establishing a Self-directed Practice FNA2103 Developing a Self-directed Practice Studio Tutor: BA Fine Art Module tutor: MA Fine Art PGR Supervision : 2 x PhD candidates: experimental film and painting Teaching: Artists' Film, Fine Art Practice, Contextual Stiudies, Art Ecologies.
Employment
Education and qualifications
Grants
Prizes and Awards
Research outputs
The telling is political: collectively speaking our collective story
Robinson, A. 2024. The telling is political: collectively speaking our collective story. Materiaux pour l'Histoire de Notre Temps.Real women/common birds
Robinson, A. 2020. Real women/common birds. in: Deepwell, K. (ed.) Feminist art activisms and artivisms Amsterdam, The Netherlands Valiz.Alf 1 (2005-9) and Alf 13 (2005-9) [paintings]
Robinson, A. 2018. Alf 1 (2005-9) and Alf 13 (2005-9) [paintings].See Red Women's Workshop Posters [in group exhibition "Still I rise"]
Robinson, A. 2018. See Red Women's Workshop Posters [in group exhibition "Still I rise"].'Sunday School' in 'Temporalities, curated by Steven Ball, Lethaby Gallery, UAL/CSM, London
Robinson, A. 2018. 'Sunday School' in 'Temporalities, curated by Steven Ball, Lethaby Gallery, UAL/CSM, London.Feminist posters: 'Stuff This' Thinks Jane
Robinson, A. 2017. Feminist posters: 'Stuff This' Thinks Jane. Gender & Education Association 12th Biennial Conference. Middlesex University, London, UK 21 - 23 Jun 2017Inspiral London: collaborative artists' walking project
Robinson, A., Fox, C. and Smith, G. 2015. Inspiral London: collaborative artists' walking project. London and KentCommon Birds
Robinson, A. 2017. Common Birds.Wakeful
Robinson, A. 2018. Wakeful.Feminist Art Activisms and Artivisms - 2 July 2018, Middlesex University
Deepwell, K., Kokoli, A., Robinson, A., Mullaniff, K., Dick, E., Attwood, F., Leeson, L. and Maude-Roxby, A. 2018. Feminist Art Activisms and Artivisms - 2 July 2018, Middlesex University. Feminist Art Activisms and Artivisms. Middlesex University, London, UK 02 Jul 2018 Middlesex University. https://doi.org/10.22023/mdx.6716054.v1The viscosity of duration: Painterly surface and the phenomenology of time in the London paintings of Frank Auerbach
Robinson, A. 2018. The viscosity of duration: Painterly surface and the phenomenology of time in the London paintings of Frank Auerbach. Journal of Contemporary Painting. 4 (1), pp. 199-217. https://doi.org/10.1386/jcp.4.1.199_1See red women's workshop: feminist posters 1974 -1990
Robinson, A., Stevenson, P., Baines, J. and Mackie, S. 2016. See red women's workshop: feminist posters 1974 -1990. London, UKSee Red Women's workshop: exhibitions
Robinson, A., Baines, J., Mackie, S. and Stevenson, P. 2015. See Red Women's workshop: exhibitions. Huddersfield Art Gallery 06 Jun - 19 Sep 2015Through the air with the greatest of ease: phonogenie
Robinson, A. 2016. Through the air with the greatest of ease: phonogenie. Seismograf/DMT. https://doi.org/10.48233/SEISMOGRAF1604Enlarger than life: song-films and irrational gestures
Robinson, A. 2015. Enlarger than life: song-films and irrational gestures. PSi20 Avant-Garde, Tradition, Community. Shanghai, China 04 - 08 Jul 2014Que sera: time travel and physical thinking
Robinson, A. 2015. Que sera: time travel and physical thinking. Psi19 Now and Then. Stanford University, Palo Alto, US 26 - 30 Jun 2013Over Time: art project 2014
Robinson, A. 2014. Over Time: art project 2014. National Maritime Museum, Thames Foreshore, London Stephen Lawrence Gallery, University of Greenwich.Vital excess
Robinson, A., Evans, M. and Tucker, J. 2014. Vital excess. Bank Gallery at Cass, London, UK 04 - 12 Apr 2014Thrashing in the static
Robinson, A. 2016. Thrashing in the static.The elusive digital frame and the elasticity of time in painting
Robinson, A. 2012. The elusive digital frame and the elasticity of time in painting. PhD thesis The Cass, London Metropolitan University Art & DesignTraveling eye: the elusive digital frame and the elasticity of time in art
Robinson, A. 2010. Traveling eye: the elusive digital frame and the elasticity of time in art. Journal of Media Practice. 11 (3), pp. 215-229. https://doi.org/10.1386/jmpr.11.3.215_1Poor on the Roll in Queereal Secretions
Robinson, A. 2023. Poor on the Roll in Queereal Secretions. Glasgow School of Art.Hurriers: Poor on the Roll
Robinson, A. and Hatherley, F. 2021. Hurriers: Poor on the Roll. APT Gallery.1205
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