Through the air with the greatest of ease: phonogenie

Article


Robinson, A. 2016. Through the air with the greatest of ease: phonogenie. Seismograf/DMT. https://doi.org/10.48233/SEISMOGRAF1604
TypeArticle
TitleThrough the air with the greatest of ease: phonogenie
AuthorsRobinson, A.
Abstract

This audio work emerges from an exploration of songs as temporal and affective phenomena for ‘Fluid Sounds’. Film-maker Jean Epstein proposed that: “It’s across the sound fields of the vast world that we must spread our microphones… the important thing is to place oneself in positions which do not exclude the unexpected” (Epstein 2012).
Working on the islands of Brittany, Epstein was engaged with the psychic, philosophical and affective resonances of altering the time of sonic experience through phonogenie: sound magic. For the Fluid Sounds workshops in Copenhagen and London, participants contributed ‘remembered songs’ in response to prescribed scores, working on-site and telematically from Faroe Islands and the UK: singing and discussing sources, memory and affect. The workshops explored disorientation through vocal performativity, sharing songs in the space between our embodied island selves.

PublisherSeismograf/DMT
JournalSeismograf/DMT
ISSN2245-4705
Publication dates
Print30 Aug 2016
Publication process dates
Deposited09 Jul 2018
Accepted22 Feb 2016
Output statusPublished
Additional information

Fluid Sounds - special issue; With this special issue Seismograf introduces a new format: The Audio Paper.

Web address (URL)http://seismograf.org/en/fokus/fluid_sounds/through-the-air-with-the-greatest-of-ease-phonogenie
Digital Object Identifier (DOI)https://doi.org/10.48233/SEISMOGRAF1604
LanguageEnglish
Permalink -

https://repository.mdx.ac.uk/item/87v7q

  • 48
    total views
  • 0
    total downloads
  • 1
    views this month
  • 0
    downloads this month

Export as

Related outputs

The telling is political: collectively speaking our collective story
Robinson, A. 2024. The telling is political: collectively speaking our collective story. Materiaux pour l'Histoire de Notre Temps.
Poor on the Roll in Queereal Secretions
Robinson, A. 2023. Poor on the Roll in Queereal Secretions. Glasgow School of Art.
Hurriers: Poor on the Roll
Robinson, A. and Hatherley, F. 2021. Hurriers: Poor on the Roll. APT Gallery.
Real women/common birds
Robinson, A. 2020. Real women/common birds. in: Deepwell, K. (ed.) Feminist art activisms and artivisms Amsterdam, The Netherlands Valiz.
Traveling eye: the elusive digital frame and the elasticity of time in art
Robinson, A. 2010. Traveling eye: the elusive digital frame and the elasticity of time in art. Journal of Media Practice. 11 (3), pp. 215-229. https://doi.org/10.1386/jmpr.11.3.215_1
Alf 1 (2005-9) and Alf 13 (2005-9) [paintings]
Robinson, A. 2018. Alf 1 (2005-9) and Alf 13 (2005-9) [paintings].
See Red Women's Workshop Posters [in group exhibition "Still I rise"]
Robinson, A. 2018. See Red Women's Workshop Posters [in group exhibition "Still I rise"].
'Sunday School' in 'Temporalities, curated by Steven Ball, Lethaby Gallery, UAL/CSM, London
Robinson, A. 2018. 'Sunday School' in 'Temporalities, curated by Steven Ball, Lethaby Gallery, UAL/CSM, London.
Feminist posters: 'Stuff This' Thinks Jane
Robinson, A. 2017. Feminist posters: 'Stuff This' Thinks Jane. Gender & Education Association 12th Biennial Conference. Middlesex University, London, UK 21 - 23 Jun 2017
Inspiral London: collaborative artists' walking project
Robinson, A., Fox, C. and Smith, G. 2015. Inspiral London: collaborative artists' walking project. London and Kent
Common Birds
Robinson, A. 2017. Common Birds.
Wakeful
Robinson, A. 2018. Wakeful.
See Red Women's workshop: exhibitions
Robinson, A., Baines, J., Mackie, S. and Stevenson, P. 2015. See Red Women's workshop: exhibitions. Huddersfield Art Gallery 06 Jun - 19 Sep 2015
Enlarger than life: song-films and irrational gestures
Robinson, A. 2015. Enlarger than life: song-films and irrational gestures. PSi20 Avant-Garde, Tradition, Community. Shanghai, China 04 - 08 Jul 2014
Que sera: time travel and physical thinking
Robinson, A. 2015. Que sera: time travel and physical thinking. Psi19 Now and Then. Stanford University, Palo Alto, US 26 - 30 Jun 2013
Over Time: art project 2014
Robinson, A. 2014. Over Time: art project 2014. National Maritime Museum, Thames Foreshore, London Stephen Lawrence Gallery, University of Greenwich.
Vital excess
Robinson, A., Evans, M. and Tucker, J. 2014. Vital excess. Bank Gallery at Cass, London, UK 04 - 12 Apr 2014
Thrashing in the static
Robinson, A. 2016. Thrashing in the static.
The elusive digital frame and the elasticity of time in painting
Robinson, A. 2012. The elusive digital frame and the elasticity of time in painting. PhD thesis The Cass, London Metropolitan University Art & Design
See red women's workshop: feminist posters 1974 -1990
Robinson, A., Stevenson, P., Baines, J. and Mackie, S. 2016. See red women's workshop: feminist posters 1974 -1990. London, UK
Feminist Art Activisms and Artivisms - 2 July 2018, Middlesex University
Deepwell, K., Kokoli, A., Robinson, A., Mullaniff, K., Dick, E., Attwood, F., Leeson, L. and Maude-Roxby, A. 2018. Feminist Art Activisms and Artivisms - 2 July 2018, Middlesex University. Feminist Art Activisms and Artivisms. Middlesex University, London, UK 02 Jul 2018 Middlesex University. https://doi.org/10.22023/mdx.6716054.v1
The viscosity of duration: Painterly surface and the phenomenology of time in the London paintings of Frank Auerbach
Robinson, A. 2018. The viscosity of duration: Painterly surface and the phenomenology of time in the London paintings of Frank Auerbach. Journal of Contemporary Painting. 4 (1), pp. 199-217. https://doi.org/10.1386/jcp.4.1.199_1