Centre for Academic Partnerships
| Title | Centre for Academic Partnerships |
|---|---|
| Alternative | CAP |
Latest research outputs
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Film as rape culture: the ethics of aversion in Srdan Spasojevic’s A Serbian Film (2010)
Cronin, T. 2015. Film as rape culture: the ethics of aversion in Srdan Spasojevic’s A Serbian Film (2010). International Association of Media and Communication Research annual Conference, IAMCR 2015. Montreal, Canada 12 - 16 Jul 2015Conference paper
Questions of censorship and textual authenticity: A Serbian Film
Cronin, T. 2014. Questions of censorship and textual authenticity: A Serbian Film. FILM AND MEDIA 2014 'Visions of Identity: Global Film & Media'. London 26 - 28 Jun 2014Conference paper
The BBFC and the regulation of BDSM
Cronin, T. 2014. The BBFC and the regulation of BDSM. 1984: Freedom and Censorship in the Media – Where Are We Now?. London, UK 23 - 24 Apr 2014Conference paper
Censorship cultures: the search for authenticity - the case of A Serbian Film
Cronin, T. 2014. Censorship cultures: the search for authenticity - the case of A Serbian Film. Society for Cinema and Media Studies (SCMS) Annual Conference. Seattle, USA 19 - 23 Mar 2014Conference paper
Historicizing the media effects debate
Cronin, T. 2014. Historicizing the media effects debate. in: Conboy, M. and Steel, J. (ed.) The Routledge Companion to British Media History London Routledge. pp. 85-99Book chapter
The monstrous masculine: constructions of masculinity in the discourses of extreme cinema
Cronin, T. 2011. The monstrous masculine: constructions of masculinity in the discourses of extreme cinema. The Monster Inside Us, The Monsters Around Us: Monstrosity and Humanity. De Montford University Nov 2011Conference paper
Media effects and the subjectification of film regulation.
Cronin, T. 2009. Media effects and the subjectification of film regulation. The Velvet Light Trap. 63, pp. 3-21.Article
The limits of cinema: corporeal spectatorship and the desire for sensation.
Cronin, T. 2003. The limits of cinema: corporeal spectatorship and the desire for sensation. Multimedia Histories: from magic lantern to the Internet.. Exeter University.Conference paper
Fear of the dark: regulating the cinematic experience
Cronin, T. 2007. Fear of the dark: regulating the cinematic experience. Perspectives on Power: an Interdisciplinary QUB/Quest Postgraduate Conference. Belfast, UK 02 - 03 Mar 2007Conference paper
Reading Wolf Creek: normative social strategies in the reception of contemporary film.
Cronin, T. 2007. Reading Wolf Creek: normative social strategies in the reception of contemporary film. ‘Sharing Experience’: audiences in media, communication and cultural studies.. Department of Theatre, Film and Television Studies, University of Wales, Aberystwyth.Conference paper
Horrific subjects: transgression and alienation in Michael Haneke’s 'Funny Games' and Gaspar Noe’s 'Irreversible'
Cronin, T. 2009. Horrific subjects: transgression and alienation in Michael Haneke’s 'Funny Games' and Gaspar Noe’s 'Irreversible'. The New Extremism: Contemporary European Cinema Conference. Cambridge, UK 24 - 25 Apr 2009Conference paper
Guilty pleasures: media effects and technologies of the self
Cronin, T. 2009. Guilty pleasures: media effects and technologies of the self. The International Association for Media and History (IAMHIST) Conference 2009: Social Fears and Moral Panics. Aberystwyth, UK 08 - 11 Jul 2009Conference paper
Disciplining the spectator: the subjectification of film regulation.
Cronin, T. 2009. Disciplining the spectator: the subjectification of film regulation. Screen Studies Conference 2009: Screen Theorizing Today.. University of Glasgow, Scotland.Conference paper
Fear of the dark: regulating the film experience.
Cronin, T. 2007. Fear of the dark: regulating the film experience. Quest.Article
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