Visual Arts
| Title | Visual Arts |
|---|---|
| Alternative | ACI - VA |
| Faculty | Faculty of Arts and Creative Industries |
Latest research outputs
Sort by Date Title
Everything looks beautiful in slow motion.
Sandiland, N. and Dance digital 2010. Everything looks beautiful in slow motion. Sadlers Well's Theatre (smaller format, non-window installation) 2006Show or exhibition
Orbital
Sandiland, N., Parry, N. and Flexer, Y. 2010. Orbital. Stone Squid Gallery, Hastings 2010Show or exhibition
Backbench
Cavusoglu, E. 2010. Backbench.Artefact
Another country XV
Timberlake, J. and Imperial War Museum 2001. Another country XV.Artefact
Ron Haselden / John Timberlake
Timberlake, J. and Haselden, R. 2012. Ron Haselden / John Timberlake. Paris, France 05 May - 23 Jun 2012Show or exhibition
Book-Object-Art (2014 - 2020)
Cleaver, P. 2014. Book-Object-Art (2014 - 2020).Artefact
Richard Billingham - Ray's a Laugh
Billingham, R., Ladd, J. and Cotton, C. 2014. Richard Billingham - Ray's a Laugh. New York Errata Editions.Edited Book
Beauty and the Beast: capital forces and cultural production
Duman, A. 2014. Beauty and the Beast: capital forces and cultural production. The Architectural Review.Article
Guantanamo Bay: the hunger strikes - based on the personal statements of five detainees at Guantánamo prison camp
Hodgson, J. 2014. Guantanamo Bay: the hunger strikes - based on the personal statements of five detainees at Guantánamo prison camp. Art Journal. 73 (2), pp. 5-13. https://doi.org/10.1080/00043249.2014.949203Article
Feminist art manifestos: an anthology
Deepwell, K. (ed.) 2014. Feminist art manifestos: an anthology. London, UK KT Press.Book
Groundswell on the Thames: 30 years of cultural activism with London’s riverside communities
Leeson, L. 2014. Groundswell on the Thames: 30 years of cultural activism with London’s riverside communities. Women Environmental Artists Directory. (7).Article
Damien Hirst: the capitalism sublime?
White, L. 2012. Damien Hirst: the capitalism sublime? Marxism in Culture. Institute of Historical Research, University College London 01 Jun 2012Conference paper
Ten decades: careers of ten women artists born 1897-1906
Deepwell, K. Checketts, L. (ed.) 1992. Ten decades: careers of ten women artists born 1897-1906. Norwich Norwich Gallery, Norwich School of Art & Design.Book
New feminist art criticism: critical strategies
Deepwell, K. (ed.) 1995. New feminist art criticism: critical strategies. Manchester Manchester University Press.Book
Beatrice Cussol: feminist not feminine
Deepwell, K. 2013. Beatrice Cussol: feminist not feminine. in: Sundberg, M. (ed.) Beatrice Cussol: Rude Girls Stockholm Art and Theory Publishing: Spritmuseum and Absolut Art Collection. pp. 25-35Book chapter
We don't need another heroine: Sanja Ivekovic's counter-narratives
Deepwell, K. 2013. We don't need another heroine: Sanja Ivekovic's counter-narratives. in: Reckitt, H. (ed.) Sanja Ivekovic: Unknown Heroine - a Reader London Calvert 22 Foundation. pp. 110-113Book chapter
The Art of Intervention
Maude-Roxby, A. 2009. The Art of Intervention. Fleur Gallery, Kyoto, Japan; UKShow or exhibition
12 Approaches to 12 Shooters
Maude-Roxby, A. 2009. 12 Approaches to 12 Shooters. in: Maizlish, J. (ed.) Marcia Farquhar's 12 shooters London Live Art Development Agency. pp. 177-189Book chapter
Performing memory
Maude-Roxby, A. 2010. Performing memory. Kunstraum Niederösterreich, Vienna, AustriaShow or exhibition
Anti-academy
Maude-Roxby, A. 2013. Anti-academy. John Hansard Gallery, Southampton, UKShow or exhibition
Foreword [to Generation yacht: Lee Valley leisure]
Brown, C. 2005. Foreword [to Generation yacht: Lee Valley leisure]. in: Generation yacht: Lee Valley leisure Generation Press. pp. 1-3Book chapter
Ville Mona: a proper kind of house
Ryley, M., Brown, C. and Ryley, B. 2006. Ville Mona: a proper kind of house. Dorset TRACE editions.Book
Introduction
Brown, C. 2007. Introduction. in: The hitcher / Chris Coekin Walkout Books. pp. 3-5Book chapter
The grand tour: Gayle Chong Kwan
Brown, C. and Chaney, E. Boyd, A. and Bonnell, P. (ed.) 2009. The grand tour: Gayle Chong Kwan. Hampshire ArtSway.Book
Defining the problem: women artists, feminism and globalization (English title of Russian text)
Deepwell, K. 2013. Defining the problem: women artists, feminism and globalization (English title of Russian text). in: Kamenetskaya, N., Loshak, M. and Turkina, O. (ed.) Celebrating International Women’s Day (8 March): Feminism: from avant-garde to present day (English title of Russian exhibition catalogue) Moscow Manege. pp. 23-29Book chapter
Points of view
Sandiland, N. 2011. Points of view. London, UK 03 - 09 Oct 2011Performance
Hepworth and her critics
Deepwell, K. 1998. Hepworth and her critics. in: Deepwell, K. (ed.) Women Artists and Modernism Manchester Manchester University Press. pp. 97-111Book chapter
It's time for action (there's no option): about feminism
Jones, A., Bunz, M., Buszek, M. and Deepwell, K. Munder, H. (ed.) 2007. It's time for action (there's no option): about feminism. Zurich, Switzerland J. P. Ringier.Book
Women artists between the wars: a fair field and no favour
Deepwell, K. 2010. Women artists between the wars: a fair field and no favour. Manchester University Press.Book
The young person's guide 2 East London
Leeson, L. and cSPACE 2012. The young person's guide 2 East London. cSPACE.Other
Wonderland: the trouble with love and sex
Hodgson, J. 2011. Wonderland: the trouble with love and sex.Digital or visual media
The woman artist as curatorial effect
Kokoli, A. 2013. The woman artist as curatorial effect. in: Dimitrakaki, A. and Perry, L. (ed.) Politics in a glass case: feminism, exhibition cultures and curatorial transgressions Liverpool University Press.Book chapter
On probation: Tracey Emin as sign
Kokoli, A. 2010. On probation: Tracey Emin as sign. Wasafiri. 25 (1), pp. 33-40. https://doi.org/10.1080/02690050903425342Article
Ar seiz breur, linguistic hegemony, and graphic resistance in Brittany
Mac an Bhreithiun, B. 2011. Ar seiz breur, linguistic hegemony, and graphic resistance in Brittany. Contemporary French Civilization. 35 (1), pp. 111-142. https://doi.org/10.3828/cfc.2011.35.1.7Article
Susan Hiller: the provisional texture of reality: selected talks and texts, 1977–2007
Hiller, S. Kokoli, A. (ed.) 2008. Susan Hiller: the provisional texture of reality: selected talks and texts, 1977–2007. JRP|Ringier.Book
Remembering, repeating and working through in Anniversary – An Act Of Memory by Monica Ross and co-recitors (2008–)
Kokoli, A. 2012. Remembering, repeating and working through in Anniversary – An Act Of Memory by Monica Ross and co-recitors (2008–). Performance Research. 17 (5), pp. 24-30. https://doi.org/10.1080/13528165.2012.728436Article
The Blk Art Group research project 2012
Piper, K., Smith, M. and Johnson, C. 2012. The Blk Art Group research project 2012. Keith Piper.Other
Guantánamo Bay: the hunger strikes - video animation
Hodgson, J. 2013. Guantánamo Bay: the hunger strikes - video animation.Digital or visual media
The magic flute: animations
Barritt, P. and 1927 (Suzanne Andrade and Paul Barritt) 2014. The magic flute: animations.Artefact
Claims for a feminist politics in painting
Deepwell, K. 2010. Claims for a feminist politics in painting. in: Petersen, A., Bogh, M., Christensen, H. and Larsen, P. (ed.) Contemporary painting in context Museum Tusculanum Press. pp. 143-164Book chapter
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