Visual Arts
| Title | Visual Arts |
|---|---|
| Alternative | ACI - VA |
| Faculty | Faculty of Arts and Creative Industries |
Latest research outputs
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Common Birds
Robinson, A. 2017. Common Birds.Artefact
'Exposure' working title sharing of practical research in March 2018
Woodhouse, A., Broadhead, C. and Sandiland, N. 2018. 'Exposure' working title sharing of practical research in March 2018. Exposure - research using a thermal imaging camera. Coventry University 23 Apr 2018Conference item
The Deben Estuary Plan: April 2015
Allam, S., Astley-Reid, T., Block, C., Henderson, G., Judge, A., Read, S., Thomas, K., Thomas, M., Whittle, R. and Youngs, P. 2015. The Deben Estuary Plan: April 2015. Woodbridge, Suffolk Deben Estuary Partnership.Book
Downward Straits (2004) [installation in The First Round, Banu - Hakan Çarmıklı Collection exhibition Galata Greek Primary School, Istanbul]
Cavusoglu, E. 2018. Downward Straits (2004) [installation in The First Round, Banu - Hakan Çarmıklı Collection exhibition Galata Greek Primary School, Istanbul].Artefact
Shadows of the future: the agency of tomorrow’s visions in today’s Royal Docks
Duman, A. 2016. Shadows of the future: the agency of tomorrow’s visions in today’s Royal Docks. in: Boano, C. and Talocci, G. (ed.) DPU summerLab: 2015 series The Bartlett Development Planning Unit. pp. 44-46Book chapter
Meanwhile...in Newham...Travels across the ‘Arc of Opportunity’
Duman, A. 2015. Meanwhile...in Newham...Travels across the ‘Arc of Opportunity’. in: Boano, C. and Talocci, G. (ed.) DPU summerLab: 2014 edition The Bartlett Development Planning Unit. pp. 36-39Book chapter
Gleaning the Immaterial, or how to get wet in the CGI Urban Landscape
Duman, A. 2014. Gleaning the Immaterial, or how to get wet in the CGI Urban Landscape. in: Boano, C. and Hunter, W. (ed.) DPU summerLab: 2013 edition The Bartlett Development Planning Unit. pp. 42-43Book chapter
Beyond dreaming
Read, S. 2016. Beyond dreaming. Landscape Values, Place and Praxis. NUI Galway, Ireland 29 Jun - 02 Jul 2016 Centre for Landscape Studies, NUI Galway. pp. 309-313Conference paper
Bloomberg New Contemporaries 2018 [Selectors]
Drew, B., Moran, K. and Piper, K. 2018. Bloomberg New Contemporaries 2018 [Selectors]. Liverpool School of Art & Design 14 Jul - 09 Sep 2018Show or exhibition
Liminal Crossing (2009) [video and sound installation in the exhibition: On Anam? Where are we going?]
Cavusoglu, E. 2017. Liminal Crossing (2009) [video and sound installation in the exhibition: On Anam? Where are we going?].Artefact
An Artist’s Story [object and video work in a group exhibition "Speech Acts"]
Piper, K. 2018. An Artist’s Story [object and video work in a group exhibition "Speech Acts"].Artefact
Rites of return politics of memory and diaspora
Piper, K., Kempadoo, R. and de Miranda, M. 2016. Rites of return politics of memory and diaspora. Rites of Return Politics of Memory and Diaspora - Talk. Hangar, Lisbon, Portugal 30 Sep 2016Conference item
The performance document: assimilations of gesture and genre
Maude-Roxby, A. and Li, D. 2018. The performance document: assimilations of gesture and genre. Photography and Culture. 11 (2), pp. 197-209. https://doi.org/10.1080/17514517.2018.1467088Article
Desire Lines /Tarot & Chess/, BüroSarigedik - Bilsart, Istanbul
Cavusoglu, E. 2017. Desire Lines /Tarot & Chess/, BüroSarigedik - Bilsart, Istanbul. Bilsart, Evliya Çelebi Mah, Kıblelizade Sk. No:5/A Beyoğlu / İstanbul 08 - 22 Sep 2017Show or exhibition
Places: one after another
Cavusoglu, E. 2018. Places: one after another.Artefact
See Red Women's workshop: exhibitions
Robinson, A., Baines, J., Mackie, S. and Stevenson, P. 2015. See Red Women's workshop: exhibitions. Huddersfield Art Gallery 06 Jun - 19 Sep 2015Show or exhibition
Enlarger than life: song-films and irrational gestures
Robinson, A. 2015. Enlarger than life: song-films and irrational gestures. PSi20 Avant-Garde, Tradition, Community. Shanghai, China 04 - 08 Jul 2014Conference paper
Que sera: time travel and physical thinking
Robinson, A. 2015. Que sera: time travel and physical thinking. Psi19 Now and Then. Stanford University, Palo Alto, US 26 - 30 Jun 2013Conference paper
Over Time: art project 2014
Robinson, A. 2014. Over Time: art project 2014. National Maritime Museum, Thames Foreshore, London Stephen Lawrence Gallery, University of Greenwich.Other
Your Story! Geschichten von Flucht und Migration (Stories of Flight and Migration)
Cavusoglu, E. 2017. Your Story! Geschichten von Flucht und Migration (Stories of Flight and Migration).Artefact
The power of the Ooze
Read, S. 2014. The power of the Ooze. in: Kerr, J. and Payne, C. (ed.) The Power of the Sea: Making Waves in British Art 1790-2014 Bristol, UK Sansom & Company Ltd. pp. 45-55Book chapter
Forest of Plasticity
Spinks, T. 2017. Forest of Plasticity. Bournemouth Beach 28 Oct 2017Performance
Moire in Sound
Spinks, T. and Amrani, M. 2017. Moire in Sound. Beaconsfield Gallery, Vauxhall 21 Oct 2017Performance
Special relationships: debates about black art in America impacted a later generation of black British artists
Piper, K. 2017. Special relationships: debates about black art in America impacted a later generation of black British artists. Apollo: The International Art Magazine. Oct 17, pp. 118-119.Article
Suffolk Yacht Harbour and the Stour and Orwell Estuaries Management Group. Saltmarsh Management Scheme 2014/15
Read, S. 2015. Suffolk Yacht Harbour and the Stour and Orwell Estuaries Management Group. Saltmarsh Management Scheme 2014/15. Middlesex University.Project report
Vital excess
Robinson, A., Evans, M. and Tucker, J. 2014. Vital excess. Bank Gallery at Cass, London, UK 04 - 12 Apr 2014Show or exhibition
Thrashing in the static
Robinson, A. 2016. Thrashing in the static.Artefact
The elusive digital frame and the elasticity of time in painting
Robinson, A. 2012. The elusive digital frame and the elasticity of time in painting. PhD thesis The Cass, London Metropolitan UniversityPhD thesis
Through the air with the greatest of ease: phonogenie
Robinson, A. 2016. Through the air with the greatest of ease: phonogenie. Seismograf/DMT. https://doi.org/10.48233/SEISMOGRAF1604Article
The operation was successful but the patient died
Leeson, L. 2018. The operation was successful but the patient died. Patricide. 1 (1), pp. 7-12.Article
Situated art practice and strategies for change in London’s East End
Leeson, L. 2018. Situated art practice and strategies for change in London’s East End. Symposium: Communalities, Urbanities and Artistic Commonalities. Birkbeck University of London, London, UK 05 Jun 2018Conference item
Feminist Art Activisms and Artivisms - 2 July 2018, Middlesex University
Deepwell, K., Kokoli, A., Robinson, A., Mullaniff, K., Dick, E., Attwood, F., Leeson, L. and Maude-Roxby, A. 2018. Feminist Art Activisms and Artivisms - 2 July 2018, Middlesex University. Feminist Art Activisms and Artivisms. Middlesex University, London, UK 02 Jul 2018 Middlesex University. https://doi.org/10.22023/mdx.6716054.v1Conference item
Co-creation as a strategy for change
Leeson, L. 2018. Co-creation as a strategy for change. Co-Creation: Creativity-Based Methods to Engage with Communities. University of Bath, Bath, United Kingdom 24 May 2018Conference item
Interview for The GLC Story
Leeson, L. 2017. Interview for The GLC Story.Digital or visual media
Lands of Lost Content: British Landscapes in Tate Archive
Timberlake, J. 2018. Lands of Lost Content: British Landscapes in Tate Archive. Tate Archive TATE.Other
HOME STRIKE, an exhibition guest-curated by Alexandra Kokoli and Basia Sliwinska, with CANAN, Paula Chambers, Malgorzata Markiewicz and Su Richardson, l'etrangere, 8 March-21 April 2018.
Kokoli, A. and Sliwinska, B. 2018. HOME STRIKE, an exhibition guest-curated by Alexandra Kokoli and Basia Sliwinska, with CANAN, Paula Chambers, Malgorzata Markiewicz and Su Richardson, l'etrangere, 8 March-21 April 2018. l'etrangere, 44a Charlotte Road, London EC2A 3PD 08 Mar - 21 Apr 2018Show or exhibition
Installation work in 'Hope is Strong' exhibition
Piper, K. 2018. Installation work in 'Hope is Strong' exhibition. Millennium Gallery, Sheffield 17 Feb - 10 Jun 2018Show or exhibition
n.paradoxa's MOOC (Mass Open Online Course) on feminism and contemporary art. 10 lessons
Deepwell, K. 2017. n.paradoxa's MOOC (Mass Open Online Course) on feminism and contemporary art. 10 lessons.Online educational resource
Feminist critique: open and critical enquiry: a conversation between Katy Deepwell and Suzana Milevska
Deepwell, K. and Milevska, S. 2015. Feminist critique: open and critical enquiry: a conversation between Katy Deepwell and Suzana Milevska. in: Lijster, T., Milevska, S., Gielen, P. and Sonderegger, R. (ed.) Spaces for Criticism: Shifts in Contemporary Art Discourses Amsterdam Valiz. pp. 171-192Book chapter
Feminist collaborative projects in the UK in the 1970s'
Deepwell, K. 2018. Feminist collaborative projects in the UK in the 1970s'. in: Jakubowska, A. and Deepwell, K. (ed.) All-Women art spaces in Europe in the Long 1970s Liverpool Liverpool University Press.Book chapter
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