Visual Arts
Title | Visual Arts |
---|---|
Alternative | ACI - VA |
Faculty | Faculty of Arts and Creative Industries |
Latest research outputs
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image 1: Dora Damage II image 2: Woman in White III
Slonims, N. 2016. image 1: Dora Damage II image 2: Woman in White III.Artefact
Feminist contributions to artworks in Slide-Tape
Deepwell, K. 2018. Feminist contributions to artworks in Slide-Tape. in: White, M. (ed.) Slide / Tape Birmingham Vivid Projects. pp. 10-18Book chapter
n.paradoxa’s MOOC (Mass Open Online Course): a case study in feminist online pedagogies
Deepwell, K. 2019. n.paradoxa’s MOOC (Mass Open Online Course): a case study in feminist online pedagogies. in: Crimmins, G. (ed.) Strategies for resisting sexism in the academy UK, Australia Palgrave Macmillan.Book chapter
Conference report: Bruce Lee’s cultural legacies
White, L. 2018. Conference report: Bruce Lee’s cultural legacies.Design
How Jeff Koons sold out – and why his jumbo tulips don’t belong in Paris
White, L. 2018. How Jeff Koons sold out – and why his jumbo tulips don’t belong in Paris.Design
'Sunday School' in 'Temporalities, curated by Steven Ball, Lethaby Gallery, UAL/CSM, London
Robinson, A. 2018. 'Sunday School' in 'Temporalities, curated by Steven Ball, Lethaby Gallery, UAL/CSM, London.Digital or visual media
Feminist posters: 'Stuff This' Thinks Jane
Robinson, A. 2017. Feminist posters: 'Stuff This' Thinks Jane. Gender & Education Association 12th Biennial Conference. Middlesex University, London, UK 21 - 23 Jun 2017Conference paper
Inspiral London: collaborative artists' walking project
Robinson, A., Fox, C. and Smith, G. 2015. Inspiral London: collaborative artists' walking project. London and KentPerformance
Common Birds
Robinson, A. 2017. Common Birds.Artefact
'Exposure' working title sharing of practical research in March 2018
Woodhouse, A., Broadhead, C. and Sandiland, N. 2018. 'Exposure' working title sharing of practical research in March 2018. Exposure - research using a thermal imaging camera. Coventry University 23 Apr 2018Conference item
Close Distance
Woodhouse, A., Broadhead, C. and Sandiland, N. 2017. Close Distance. Wollaton Hall, Nottinghamshire 08 Mar - 01 May 2017Show or exhibition
The Deben Estuary Plan: April 2015
Allam, S., Astley-Reid, T., Block, C., Henderson, G., Judge, A., Read, S., Thomas, K., Thomas, M., Whittle, R. and Youngs, P. 2015. The Deben Estuary Plan: April 2015. Woodbridge, Suffolk Deben Estuary Partnership.Book
Downward Straits (2004) [installation in The First Round, Banu - Hakan Çarmıklı Collection exhibition Galata Greek Primary School, Istanbul]
Cavusoglu, E. 2018. Downward Straits (2004) [installation in The First Round, Banu - Hakan Çarmıklı Collection exhibition Galata Greek Primary School, Istanbul].Artefact
Shadows of the future: the agency of tomorrow’s visions in today’s Royal Docks
Duman, A. 2016. Shadows of the future: the agency of tomorrow’s visions in today’s Royal Docks. in: Boano, C. and Talocci, G. (ed.) DPU summerLab: 2015 series The Bartlett Development Planning Unit. pp. 44-46Book chapter
Meanwhile...in Newham...Travels across the ‘Arc of Opportunity’
Duman, A. 2015. Meanwhile...in Newham...Travels across the ‘Arc of Opportunity’. in: Boano, C. and Talocci, G. (ed.) DPU summerLab: 2014 edition The Bartlett Development Planning Unit. pp. 36-39Book chapter
Gleaning the Immaterial, or how to get wet in the CGI Urban Landscape
Duman, A. 2014. Gleaning the Immaterial, or how to get wet in the CGI Urban Landscape. in: Boano, C. and Hunter, W. (ed.) DPU summerLab: 2013 edition The Bartlett Development Planning Unit. pp. 42-43Book chapter
Beyond dreaming
Read, S. 2016. Beyond dreaming. Landscape Values, Place and Praxis. NUI Galway, Ireland 29 Jun - 02 Jul 2016 Centre for Landscape Studies, NUI Galway. pp. 309-313Conference paper
Bloomberg New Contemporaries 2018 [Selectors]
Drew, B., Moran, K. and Piper, K. 2018. Bloomberg New Contemporaries 2018 [Selectors]. Liverpool School of Art & Design 14 Jul - 09 Sep 2018Show or exhibition
Liminal Crossing (2009) [video and sound installation in the exhibition: On Anam? Where are we going?]
Cavusoglu, E. 2017. Liminal Crossing (2009) [video and sound installation in the exhibition: On Anam? Where are we going?].Artefact
An Artist’s Story [object and video work in a group exhibition "Speech Acts"]
Piper, K. 2018. An Artist’s Story [object and video work in a group exhibition "Speech Acts"].Artefact
Toward an aesthetic of weightlessness: Qinggong and Wire-fu
White, L. 2017. Toward an aesthetic of weightlessness: Qinggong and Wire-fu. in: lok, s. (ed.) RoCH Fans and Legends Derby / Manchester QUAD / Centre for Chinese Contemporary Art.Book chapter

Rites of return politics of memory and diaspora
Piper, K., Kempadoo, R. and de Miranda, M. 2016. Rites of return politics of memory and diaspora. Rites of Return Politics of Memory and Diaspora - Talk. Hangar, Lisbon, Portugal 30 Sep 2016Conference item
Carnival of the drunken master: the politics of the Kung Fu comedic body
White, L. 2018. Carnival of the drunken master: the politics of the Kung Fu comedic body. in: Bowman, P. (ed.) The Martial Arts Studies Reader London Rowman & Littlefield. pp. 199-212Book chapter
Netflix ninjas and the legacy of the Kung Fu craze: asiaphilia and asiaphobia in Marvel’s Daredevil
White, L. 2018. Netflix ninjas and the legacy of the Kung Fu craze: asiaphilia and asiaphobia in Marvel’s Daredevil. 4th Annual Martial Arts Studies Conference: Bruce Lee’s Cultural Legacies. Cardiff University, UK 11 - 12 Jul 2018Conference paper
The performance document: assimilations of gesture and genre
Maude-Roxby, A. and Li, D. 2018. The performance document: assimilations of gesture and genre. Photography and Culture. 11 (2), pp. 197-209. https://doi.org/10.1080/17514517.2018.1467088Article
Desire Lines /Tarot & Chess/, BüroSarigedik - Bilsart, Istanbul
Cavusoglu, E. 2017. Desire Lines /Tarot & Chess/, BüroSarigedik - Bilsart, Istanbul. Bilsart, Evliya Çelebi Mah, Kıblelizade Sk. No:5/A Beyoğlu / İstanbul 08 - 22 Sep 2017Show or exhibition
Places: one after another
Cavusoglu, E. 2018. Places: one after another.Artefact
Wakeful
Robinson, A. 2018. Wakeful.Digital or visual media
See Red Women's workshop: exhibitions
Robinson, A., Baines, J., Mackie, S. and Stevenson, P. 2015. See Red Women's workshop: exhibitions. Huddersfield Art Gallery 06 Jun - 19 Sep 2015Show or exhibition
Enlarger than life: song-films and irrational gestures
Robinson, A. 2015. Enlarger than life: song-films and irrational gestures. PSi20 Avant-Garde, Tradition, Community. Shanghai, China 04 - 08 Jul 2014Conference paper
Que sera: time travel and physical thinking
Robinson, A. 2015. Que sera: time travel and physical thinking. Psi19 Now and Then. Stanford University, Palo Alto, US 26 - 30 Jun 2013Conference paper
Over Time: art project 2014
Robinson, A. 2014. Over Time: art project 2014. National Maritime Museum, Thames Foreshore, London Stephen Lawrence Gallery, University of Greenwich.Other
Artistic strategies from the 1980s and beyond: Keith Piper
Piper, K. 2017. Artistic strategies from the 1980s and beyond: Keith Piper. Artistic Strategies from the 1980s and Beyond: Keith Piper. Tate Modern, London 07 Mar 2017Conference keynote
Your Story! Geschichten von Flucht und Migration (Stories of Flight and Migration)
Cavusoglu, E. 2017. Your Story! Geschichten von Flucht und Migration (Stories of Flight and Migration).Artefact
The power of the Ooze
Read, S. 2014. The power of the Ooze. in: Kerr, J. and Payne, C. (ed.) The Power of the Sea: Making Waves in British Art 1790-2014 Bristol, UK Sansom & Company Ltd. pp. 45-55Book chapter
Silvertown and North Woolwich - past and present
Leeson, L. 2018. Silvertown and North Woolwich - past and present. University of East London 12 - 16 Jun 2018Show or exhibition
Domestic fronts: towards a feminist survival(ism)
Kokoli, A. 2018. Domestic fronts: towards a feminist survival(ism). Symposium: Feminist Visual Activism. ICA, London 10 Jul 2018Conference paper
Forest of Plasticity
Spinks, T. 2017. Forest of Plasticity. Bournemouth Beach 28 Oct 2017Performance
Moire in Sound
Spinks, T. and Amrani, M. 2017. Moire in Sound. Beaconsfield Gallery, Vauxhall 21 Oct 2017Performance
Special relationships: debates about black art in America impacted a later generation of black British artists
Piper, K. 2017. Special relationships: debates about black art in America impacted a later generation of black British artists. Apollo: The International Art Magazine. Oct 17, pp. 118-119.Article
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