'Exposure' working title sharing of practical research in March 2018
Conference item
Woodhouse, A., Broadhead, C. and Sandiland, N. 2018. 'Exposure' working title sharing of practical research in March 2018. Exposure - research using a thermal imaging camera. Coventry University 23 Apr 2018
| Title | 'Exposure' working title sharing of practical research in March 2018 |
|---|---|
| Authors | Woodhouse, A., Broadhead, C. and Sandiland, N. |
| Research Group | Dance group |
| Conference | Exposure - research using a thermal imaging camera |
| Publication dates | |
| 23 Apr 2018 | |
| Publication process dates | |
| Deposited | 02 Aug 2018 |
| Accepted | 15 Mar 2018 |
| Output status | Published |
| Language | English |
Permalink -
https://repository.mdx.ac.uk/item/87w89
63
total views0
total downloads1
views this month0
downloads this month
Export as
Related outputs
Who Cares: the aesthetic use of thermal imaging to explore the role of touch as a signifier of care, contamination, intimacy and trust
Woodhouse, A. and Broadhead, C. 2024. Who Cares: the aesthetic use of thermal imaging to explore the role of touch as a signifier of care, contamination, intimacy and trust. in: Encountering Environments: Perspectives from the Arts and Humanities London, UK Taylor & Francis (Routledge).An Elevated Platform
Sandiland, N. 2023. An Elevated Platform. Brighton, UK Brighton Dome.An Obscure Camera
Sandiland, N. 2023. An Obscure Camera. Brighton, UK Brighton Dome.Who Cares
Woodhouse, A. and Broadhead, C. 2023. Who Cares. Wells Cathedral, Wells, Somerset, UK 05 Aug - 02 Sep 2023Who Cares – the aesthetic and expressive capture of the body through thermal imaging
Woodhouse, A. 2023. Who Cares – the aesthetic and expressive capture of the body through thermal imaging . Modes of Capture Symposium 2023. University of Limerick, Ireland 09 - 10 Jun 2023Accenting agency: duets within interactive video installation
Sandiland, N. 2023. Accenting agency: duets within interactive video installation. PhD thesis Middlesex University Arts and Creative IndustriesMerging bodies: The application of thermal technology as an expressive tool to investigate touch in the creation of a new Dance screen work
Woodhouse, A. and Broadhead, C. Merging bodies: The application of thermal technology as an expressive tool to investigate touch in the creation of a new Dance screen work. The Encountering Environments Symposium 2022. Chichester University, UK 08 - 08 Oct 2022Expanded Landscapes
Woodhouse, A. 2022. Expanded Landscapes. Canary Wharf Estate 10 Jun - 06 Sep 2022Imagining Otherwise
Sandiland, N. and Flexer, Y. 2021. Imagining Otherwise. YouTube Feb - Mar 2021Hum films
Sandiland, N. 2017. Hum films.Seeing beyond the visible: a choreography of breath and touch
Woodhouse, A. and Broadhead, C. 2021. Seeing beyond the visible: a choreography of breath and touch. Platform: Journal of Theatre and Performing Arts. 15 (1), pp. 124-135.(de)figured in Dubai installations
Woodhouse, A. and Rackowe, N. 2019. (de)figured in Dubai installations. Alserkal Lates.Thermal duets installation
Woodhouse, A. and Broadhead, C. 2019. Thermal duets installation. Marsden Woo Gallery.(Un)touched (floor) installations
Woodhouse, A. and Rackowe, N. 2019. (Un)touched (floor) installations. CODA International Dance Festival.(Un)touched - floor piece at the National Museum of Belgrade as part of IFTR 2018
Woodhouse, A. and Rackowe, N. 2018. (Un)touched - floor piece at the National Museum of Belgrade as part of IFTR 2018. IFTR 2018: World Congress, National Museum of Belgrade 09 - 12 Jul 2018(De)figured Installation performance research
Woodhouse, A. and Rackowe, N. 2018. (De)figured Installation performance research. White City Place, 195 Wood Lane, London W12 7FQ 01 Jun 2018I will take you with me (2013) presented at Slowing and Stilling symposium, Birmingham Conservatoire, as part of Birmingham International Festival 2018
Woodhouse, A. 2018. I will take you with me (2013) presented at Slowing and Stilling symposium, Birmingham Conservatoire, as part of Birmingham International Festival 2018. Slowing and Stilling: foregrounding process in performance practices. Birmingham Conservatoire 11 - 12 Jun 2018Close Distance
Woodhouse, A., Broadhead, C. and Sandiland, N. 2017. Close Distance. Wollaton Hall, Nottinghamshire 08 Mar - 01 May 2017Sighted: an overview
Broadhead, C. and Woodhouse, A. 2017. Sighted: an overview. Dance Research Aotearoa. 5 (1), pp. 59-70. https://doi.org/10.15663/dra.v5i1.63Between (2011): Intimacy and spectacle in tension ans dialogue
Woodhouse, A. and Broadhead, C. 2018. Between (2011): Intimacy and spectacle in tension ans dialogue. in: Brown, C. and Longely, A. (ed.) Undisciplining Dance in Nine Movements and Eight Stumbles Auckland Cambridge Scholars Publishing. pp. 138-150The Hum: Audio App and related Films
Sandiland, N., Houston, W., Oshodi, M., Hutera, D., Phillips, P. and Keane, J. 2017. The Hum: Audio App and related Films.The Hum
Sandiland, N., Houston, W., Oshodi, M., Hutera, D., Phillips, P. and Keane, J. 2017. The Hum. Brighton Festival, Brighton 06 - 28 May 2017Disappearing Acts
Sandiland, N. and Flexer, Y. 2016. Disappearing Acts. JW3 Arts Centre, London 09 May 2016(Un)touched
Woodhouse, A. and Rackowe, N. 2016. (Un)touched. Lobby One Canada Square, Canary Wharf 09 Feb 2016Sighted at Saatchi for Collect 15
Woodhouse, A. and Broadhead, C. 2015. Sighted at Saatchi for Collect 15.(Un)touched...research phase 2
Woodhouse, A. and Rackowe, N. 2015. (Un)touched...research phase 2. Inside Out Festival, G11, Oxo Tower Wharf, South Bank, London, UK 20 - 21 Oct 2015(Un)touched phase 1
Woodhouse, A. and Rackowe, N. 2014. (Un)touched phase 1. Lakeside Gallery, Nottingham 26 - 30 Jul 2014Sighted (2009) collaboration, boundaries, performance, and audience
Woodhouse, A. and Broadhead, C. 2016. Sighted (2009) collaboration, boundaries, performance, and audience. Beyond Jewellery: Performing the Body Symposium. Birmingham City University, United Kingdom 17 Mar 2016Sighted (2009) Audience as Performer
Woodhouse, A. and Broadhead, C. 2016. Sighted (2009) Audience as Performer. Audience, Experience, Desire: interactivity and participation in contemporary performance & the cultural industries. University of Exeter, United Kingdom 29 - 30 Jan 2016
Weighting
Sandiland, N. 2015. Weighting. Emporium, Brighton(Un)touched
Woodhouse, A. and Rackowe, N. 2016. (Un)touched.Gravity shift
Sandiland, N. 2010. Gravity shift. Otter Gallery, Chichester, UK 2009Trip hazard
Sandiland, N. 2013. Trip hazard. The Dome, Brighton, UK 24 - 28 Sep 2013Trip hazard
Sandiland, N. 2013. Trip hazard. The Dome, Brighton, UK 24 - 28 Sep 2013Remote dancing
Sandiland, N. and Lee, R. 2004. Remote dancing.Everything looks beautiful in slow motion.
Sandiland, N. and Dance digital 2010. Everything looks beautiful in slow motion. Sadlers Well's Theatre (smaller format, non-window installation) 2006