Border Control and Other Experiments
Digital or visual media
Sandiland, N. 2022. Border Control and Other Experiments.
| Title of work | Border Control and Other Experiments |
|---|---|
| Creators | Sandiland, N. |
| Description | Border Control and Other Experiments are investigations into data moshing: the intentional corruption of video data for creative purposes. Hacking video data alters not just the spatial composition of a film but also how it changes over time, allowing a person’s movement to affect the image, smudging and blurring pixels from one frame to the next. Data moshing can be seen as a way of giving control back to the subject. It inverts the traditional filmmaking process, where the camera and, ultimately, the director would have final say. In Border Control, data moshing is used to disrupt the footage taken from an airport departure zone. The actions of the travellers affect not just the edges of their own bodies but also the edges of everything else within the frame; including, what might be considered, the symbolic borders of international territories. |
| Output media | Video |
| Keywords | datamosh; contol; director; framing; agency; performer; depiction |
| Sustainable Development Goals | 11 Sustainable cities and communities |
| Middlesex University Theme | Creativity, Culture & Enterprise |
| Event | Draw to Perform Festival 2022 |
| First publicly available date | |
| 16 Jul 2022 | |
| Publication process dates | |
| Deposited | 02 Dec 2025 |
| Output status | Published |
| Files | Image credit Nic Sandiland Media type Video License All rights reserved File Access Level Restricted |
| Copyright Statement | Free to use this clip for education and promotion purposes. |
| Additional information | Credits Installation Artist: Nic Sandiland Improvised Dance by: Luke Birch, Lorna Cross Clark |
| Web address (URL) | https://www.flexerandsandiland.com/works/border-control-and-other-experiments |
| Language | English |
https://repository.mdx.ac.uk/item/2zz421
48
total views0
total downloads0
views this month0
downloads this month
Export as
Related outputs
An Elevated Platform
Sandiland, N. 2023. An Elevated Platform. Brighton, UKAn Obscure Camera
Sandiland, N. 2023. An Obscure Camera.Accenting agency: duets within interactive video installation
Sandiland, N. 2023. Accenting agency: duets within interactive video installation. PhD thesis Middlesex UniversityImagining Otherwise
Sandiland, N. and Flexer, Y. 2021. Imagining Otherwise. YouTube Feb - Mar 2021'Exposure' working title sharing of practical research in March 2018
Woodhouse, A., Broadhead, C. and Sandiland, N. 2018. 'Exposure' working title sharing of practical research in March 2018. Exposure - research using a thermal imaging camera. Coventry University 23 Apr 2018Hum films
Sandiland, N. 2017. Hum films.The Hum: Audio App and related Films
Sandiland, N., Houston, W., Oshodi, M., Hutera, D., Phillips, P. and Keane, J. 2017. The Hum: Audio App and related Films.The Hum
Sandiland, N., Houston, W., Oshodi, M., Hutera, D., Phillips, P. and Keane, J. 2017. The Hum. Brighton Festival, UK 06 - 28 May 2017Close Distance
Woodhouse, A., Broadhead, C. and Sandiland, N. 2017. Close Distance. Wollaton Hall, Nottinghamshire 08 Mar - 01 May 2017
Weighting
Sandiland, N. 2015. Weighting. Emporium, BrightonDisappearing Acts
Sandiland, N. and Flexer, Y. 2016. Disappearing Acts. JW3 Arts Centre, London 09 May 2016Gravity shift
Sandiland, N. 2010. Gravity shift. Otter Gallery, Chichester, UK 2009Trip hazard
Sandiland, N. 2013. Trip hazard. The Dome, Brighton, UK 24 - 28 Sep 2013
Trip hazard
Sandiland, N. 2013. Trip hazard. The Dome, Brighton, UK 24 - 28 Sep 2013
Remote dancing
Sandiland, N. and Lee, R. 2004. Remote dancing.
Everything looks beautiful in slow motion.
Sandiland, N. and Dance digital 2010. Everything looks beautiful in slow motion. Sadlers Well's Theatre (smaller format, non-window installation) 2006